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In 2005, I picked up my first actual digicam: a Ricoh 500G. It had been mendacity round the home for years—it was the identical digicam my mom had used to take all of the pictures we have now, or nearly all of them. She purchased it within the Nineteen Seventies with one among her first pay checks and treasured it for years earlier than life (together with elevating me) took precedence, and pictures slowly light into the background.
When I first used the Ricoh, I used to be barely underwhelmed. Many of my mates had inherited “better” cameras—largely SLRs like Canon A-series or Nikon F-series fashions. The Ricoh 500G is a rangefinder digicam, and on the time, that felt like a a lesser possibility in comparison with my mates gears. Yet now, trying again, that simplicity was its best power. It had the whole lot a newbie wanted for movie pictures—and possibly much more. I would mud it off quickly and take a look at some avenue pictures once more.
Yes, it had limitations—handbook settings for aperture and shutter pace have been fundamental, and the mounted 40mm f/2 lens couldn’t be modified. But these very constraints compelled me to be intentional with my pictures. I needed to step nearer, or again away from the topics, and body my world by means of that single 40mm window. Just like a painter restricted to a restricted palette, I realized to see creatively inside boundaries though my chase for extra gear was all however over.
As an keen, jealous teenager I nonetheless needed an improve—and finally acquired one from an uncle: a Canon AE-1 (non-program). Unfortunately, like a butterfly’s transient life, the digicam lasted only some days earlier than its light-meter chip failed. At the time, discovering spare elements was tough (it nonetheless is likely to be), so I turned to the web. There, I discovered my holy grail: a black Canon A-1 in good situation (aside from deteriorated gentle seals), full with a 50mm f/1.8 lens and an Olympic-branded lens cap. The entire deal costed simply round €100—good for my teenage finances.
The A-1 was extra complicated than I anticipated, and it took time to get used to. But it grew to become my go-to digicam for years. Changing the lenses grew to become a recreation by itself, no matter having a very good purpose for it or not, and accumulating new lenses grew to become a behavior which I now half remorse.
Eventually, digital grew to become too tempting to withstand. Had costs been decrease, I might need made the bounce sooner. But with some financial savings, I lastly purchased my first digital package: a Canon 20D with a 28–135mm F3.5-5.6 USM lens. At first, I handled each digital shot like a movie publicity—cautious and conservative, which helped preserve my arduous drive from overflowing. Over time, although, that restraint light—particularly after upgrading to a Canon 40D with a 24–105mm L lens (sadly stolen), and extra just lately to a Sony A7C with just a few prime lenses.
Why do I let you know all this—assuming you’ve made it this far?
Because currently I’ve been asking myself why we take photos. I don’t imply those meant to protect reminiscences or fulfil paid work. I imply all the opposite pictures. The so-called “artistic” pictures that don’t find yourself in museums and might really feel awkward when hung in our houses. The one you want and you retain there hoping in some unspecified time in the future to make a set and ship it to an editor. And for that particular form of pictures, is it value having a digital digicam the place you could take 10 pictures on the similar topic simply to get the horizon proper?
In much more normal and easy phrases; are we right here for the end result or for the expertise?
So to conclude, my Canon A1 is again on the road with a brand new Canon 50mm 1.4 S.C.C. (with a near dreamlike render for pores and skin tone and bokeh) and I haven’t been so linked with a chunk of drugs since fairly a while, most likely since my first expertise with the Ricoh 500 G greater than twenty years in the past.
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This web page was created programmatically, to learn the article in its authentic location you possibly can go to the hyperlink bellow:
https://www.35mmc.com/08/09/2025/from-analog-photography-to-digital-and-back-a-journey-to-find-meaning-in-non-professional-photography/
and if you wish to take away this text from our website please contact us
This web page was created programmatically, to learn the article in its authentic location you…
This web page was created programmatically, to learn the article in its unique location you…
This web page was created programmatically, to learn the article in its unique location you…
This web page was created programmatically, to learn the article in its authentic location you…
This web page was created programmatically, to learn the article in its unique location you…
This web page was created programmatically, to learn the article in its authentic location you'll…