Pordenone opens a season of pictures exhibitions towards 2027

by Redazione , printed on 17/10/2025
Categories: Exhibitions
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From November 22, 2025, to April 6, 2026, Pordenone hosts a program of pictures exhibitions between the Harry Bertoia Gallery, Ricchieri Civic Museum and Cultural Markets. From Doisneau to Olivia Arthur, Furuya to Moshammer, an itinerary that accompanies the town towards the title of Italian Capital of Culture 2027.

Pordenone is making ready to develop into one of many hubs for worldwide pictures. From November 22, 2025 to April 6, 2026, the Friulian metropolis will host a brand new season of exhibitions that includes Robert Doisneau, Olivia Arthur, Seiichi Furuya, and Stefanie Moshammer. The exhibitions shall be staged in three principal areas: the Harry Bertoia Gallery, the Ricchieri Civic Art Museum and the brand new Pordenone Cultural Markets. This is a multi-year cultural journey that appears forward to 2027, the yr during which Pordenone would be the Italian Capital of Culture, and has chosen as its principal theme the theme of studying, a time period that displays the historical past and identification of a metropolis historically able to decoding Italian financial and social transformations.

The venture, promoted by the City of Pordenone, produced and arranged by Suazes, takes form after an vital preview: the exhibition Inge Morath. My Stories, at the moment on view by way of Nov. 16, 2025, which allowed for the exploration of lesser-known points of the Austrian photographer’s work. This first expertise is a part of a design during which pictures turns into a device for initiating dialogues between nice masters of the twentieth century and up to date authors, creating correspondences between totally different eras and sensibilities. The programming falls throughout the official file of Pordenone 2027 and the format Verso Capitale italiana della Cultura 2027, confirming the multi-year dimension of the venture. The exhibitions intend to speak in confidence to a community of collaborations with nationwide and worldwide establishments, with a view to comparability and shared cultural growth. The purpose is to learn the current by way of the teachings of the previous, constructing views for the long run.

The first occasion shall be devoted to Robert Doisneau (1912-1994), among the many most recognizable photographers of the twentieth century. The Harry Bertoia Civic Gallery will host greater than 100 pictures spanning the French grasp’s whole profession, from the Thirties to his newest works. The exhibition, curated by Gabriel and Chantal Bauret, was created in collaboration with Atelier Doisneau in Paris and the Artea Foundation. It will function his best-known photographs, characterised by a poetic and ironic gaze able to capturing the on a regular basis vitality of Paris, from cafes to working-class neighborhoods to the intimate and spontaneous moments which have made his work well-known. In addition to the best-known dimension of his manufacturing, the exhibition may also provide an in-depth have a look at his commissioned works, significantly these he created for giant French firms. Prominent on this context are the pictures taken in 1945 on the textile manufacturing facility in Aubusson, commissioned by Le Point journal, documenting working-class life and industrial processes. This nucleus of pictures makes it potential to create a direct hyperlink with the textile historical past of the Pordenone space, the place the sector performed a decisive position in native financial growth.

At the identical time, this system is enriched by a have a look at up to date pictures. Also opening on Nov. 22, 2025 shall be a venture dedicated to Olivia Arthur, a British photographer born in 1980 who is understood for her documentary strategy and a visible language that explores the margins of society. A member of the Magnum Photos company since 2013 and winner of the Inge Morath Prize in 2007, Arthur focuses her work on themes comparable to identification, tradition and the feminine situation. In Pordenone she is going to develop two distinct exhibition itineraries. At the Museo Civico Ricchieri she is going to current Murmurings of the Skin, analysis that addresses the connection with the physique and the pores and skin, understood because the boundary between human and know-how, but in addition because the floor of wounds, resistance and internal battles. At the identical time, the areas of the Pordenone Cultural Markets will show his 5 editorial initiatives, created in recent times, which doc his visible and narrative analysis path.

The Ricchieri Civic Museum itself will host a further chapter of programming. From November 22, 2025 till the top of January 2026, Japanese photographer Seiichi Furuya, born in 1950, shall be featured. His work is deeply linked to the reminiscence of his spouse Christine Gössler and the remodeling of her loss. The Face to Face venture, the concluding chapter of the Mémoires collection, shall be introduced in Pordenone. The exhibition will place Furuya’s images in dialogue with these taken by Christine herself, providing a fancy reflection on the connection between personal life, grief and reminiscence. For the writer, pictures turns into a device for processing grief, developing a shared reminiscence and investigating the person’s position throughout the relationship.

From February by way of April 6, 2026, the identical areas will host the work of Austrian photographer Stefanie Moshammer, born in 1988. Her work is characterised by an interweaving of private expertise and social commentary, with a deal with themes of identification, reminiscence and gender roles. In Pordenone she is going to current a journey that begins with reminiscences of her grandparents who lived in Mühlviertel, Upper Austria. Photographs, objects and tales associated to that straightforward, artistic and resourceful life develop into the idea for an investigation that displays on previous age, day by day rituals and the transience of existence. Moshammer reworks this household heritage in entrance of the lens, remodeling it into an internet of visible metaphors that discover the worth of peculiar issues and the continuity of reminiscence. The venture may also contain the areas of the Pordenone Cultural Markets, additional increasing the narrative dimension of the exhibition. The whole cycle of exhibitions confirms Pordenone’s need to consolidate a cultural path that doesn’t restrict itself to internet hosting momentary exhibitions, however aspires to construct a steady custom of dialogue between the visible arts, the territory and the general public.

Pordenone opens a season of pictures exhibitions towards 2027

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