Exhibition at The Met Showcases a Main Gift of Photographs from the World-Famend Walther Collection

(New York, October 27, 2025)—The Metropolitan Museum of Art presents View Finding: Selections from The Walther Collection, a preview of a landmark promised reward of pictures from Artur Walther that can be on view October 28, 2025–May 3, 2026. Assembled over three a long time and throughout 5 continents, Walther’s huge assortment of over 6,500 pictures and time-based media is thought to be among the many best on the planet. The 40 works in View Finding introduce his landmark reward and considers how artists throughout the globe use the digital camera to navigate shifting terrain.

The exhibition is made doable by Joyce Frank Menschel.

“This remarkable promised gift from The Walther Collection marks a watershed moment at The Met,” stated Max Hollein, The Met’s Marina Kellen French Director and CEO. “View Finding’s carefully curated selection brings iconic works into conversation with new and emerging artistic voices. We are deeply grateful to Artur and his foundation for this gift that profoundly expands our ability to tell a global history of photography.”

Jeff L. Rosenheim, Joyce Frank Menschel Curator in Charge of the Department of Photographs, added, “At The Met, The Walther Collection will become an essential resource for scholars and museum goers. Introducing its phenomenal range of works, this exhibition situates the camera as a powerful tool for social critique, reflection, and change.”

The fashionable and up to date pictures in View Finding are as numerous as the gathering from which they’re drawn; they replicate diverse practices throughout Asia, Africa, Europe, and North America. Inventive and politically pressing, these initiatives interact the urgent problems with their occasions. Responding to transformations of the panorama and constructed atmosphere, they examine the consequences of structure and spatial planning on identification and social order. In apartheid-era Johannesburg, as in industrializing Shenzen and post-colonial Dakar, they register and reshape environments in flux, wanting anew at how we traverse them.

The exhibition introduces many new artists to the Museum and celebrates their Met debut. Works by Santu Mofokeng, François-Xavier Gbré, Luo Yongjin, and others develop and enrich the gathering and testify to the dynamic position of the digital camera in up to date artwork making throughout the globe. Mixing media and incorporating a wide range of photographic methods, the works within the present replicate broader histories of inventive work: Délio Jasse reprises the Nineteenth-century cyanotype course of to make new views of industrializing Angola, and Aida Silvestri stitches embroidery thread into her prints to chart the perilous migratory paths of Eritrean refugees. In a time-based media presentation, collaborators Mikhael Subotzky and Patrick Waterhouse discover an notorious Johannesburg condominium constructing as an emblem of apartheid and its aftermath. Artur Walther commissioned their 12-channel slideshow, Windows, Ponte City (2008–11), which seems at The Met in a bespoke set up.

View Finding explores a spectrum of photographic follow, from the formal to the utilized. The present options road scenes by Lisette Model and Nobuyoshi Araki, and cool-eyed conceptual initiatives by Bernd and Hilla Becher, Günther Förg, and Thomas Ruff. The work of those lauded practitioners retains firm with that of rising artists and endeavors far outdoors the realm of high-quality artwork—amongst them, views by French and American photographers for rent and NASA dispatches from deep area. Such vernacular supplies are a latest focus of The Walther Collection, and their inclusion right here testifies to the scope of the medium’s inventive, scientific, and industrial goals.

“When Artur Walther began to acquire photography, he aimed to expand the parameters of the field,” stated Virginia McBride, Assistant Curator within the Department of Photographs. “In turn, View Finding presents international perspectives on hyperlocal subjects. With inventive eyes, the photographers in View Finding study the sidewalks of Nairobi and storefronts of Fifth Avenue. They search public parks from Tokyo to Tangier. In private bedrooms, parking lots, and other places easy to overlook, they focus in, finding—here and there—unlikely sites of self-reflection and social change.”

Gift Overview

The Walther Collection is principally recognized for its pictures by Twentieth-century and up to date artists from throughout the African continent. Walther conceived the gathering to discover how photographers documented the big social change that has unfolded during the last century. Highlights embody pictures by Santu Mofokeng and Yto Barrada, whose works are proven in View Finding, together with Seydou Keïta, Malick Sidibé, Samuel Fosso, Zanele Muholi, Lebohang Kganye, and J. D. ‘Okhai Ojeikere. These and other artists in the collection use the camera to explore shifting roles of identity and interrogate experiences of migration, colonialism, war, and industrialization. The collection holds superb photographs by the most prominent African photographers in South Africa, Namibia, Nigeria, Mali, Senegal, Zimbabwe, Kenya, Congo, Uganda, Eritrea, Ethiopia, and Morocco.

The Walther Collection is equally rich in late 20th-century and contemporary photographs and video from China. These works show the widespread adoption of the camera by successive generations of Chinese artists after the Tiananmen Square events of 1989. The photographers respond to transformative changes not only to the urban landscape but also to social relations and everyday life. Notable examples include works by Luo Yongjin and Weng Fen, whose works are presented in View Finding. Other preeminent practitioners include Ai Weiwei, Hai Bo, and Yang Fudong. The collection also includes a significant group of Japanese photographs, with large holdings of works by Nobuyoshi Araki, whose intimate visual diary of Tokyo appears in the exhibition.

Walther first began to build a collection of photographs from his homeland of Germany. A key early acquisition—an outstanding typology by Bernd and Hilla Becher—is featured in View Finding, illustrating a visual framework that would come to shape his subsequent interests. The conceptual legacy of the Bechers runs through the collection and the exhibition.

In 2010, The Walther Collection presented its inaugural exhibition, Events of the Self: Portraiture and Social Identity, organized by the late curator Okwui Enwezor, at its newly designed museum campus in Neu-Ulm, Germany. Since then, the collection has organized nine major thematic and monographic exhibitions at its museum. Several of these exhibitions traveled widely, including to museums in Europe, Mexico, and West Africa. From 2011 to 2021, the Walther Family Foundation also operated The Walther Collection Project Space in New York City’s Chelsea neighborhood, introducing photographers from Africa and Asia to American audiences for the primary time by solo and thematic exhibitions, public packages, and symposia co-organized with Columbia University and New York University. The assortment co-published 20 books with Steidl, all of which have broadened the scholarship about fashionable and up to date images by spotlighting artists who’ve made a considerable contribution to the historical past of the medium.

Displays in The Michael C. Rockefeller Wing and Tang Wing

Select works from the promised reward have been built-in into The Met’s reimagined galleries for the Arts of Africa, a part of the redesigned Michael C. Rockefeller Wing. Concurrent with View Finding, an inaugural show explores self-portraiture within the work of artists together with Seydou Keïta, Zanele Muholi, and Samuel Fosso. In his acclaimed African Spirits sequence (2008), Fosso pays tribute to heroes of the African diaspora by adopting the personae of Martin Luther King Jr., Tommie Smith, Angela Davis, Patrice Lumumba, Léopold Senghor, and Aimé Césaire, amongst others.

Works from The Walther Collection can even be featured within the forthcoming Tang Wing, the place they may enrich shows of recent and up to date artwork from around the globe. Designed by architect Frida Escobedo, the 126,000-square-foot, five-story wing is ready to open in 2030, with greater than 70,000 sq. ft for the presentation of artwork and roughly 18,500 sq. ft of outside area unfold throughout the fourth- and fifth-floor terraces.

About Artur Walther

Artur Walther started accumulating images within the late Nineties, initially specializing in German modernist images earlier than increasing to up to date images and video. In 2010, he established the Walther Family Foundation. The basis, which operates a big exhibition area in Neu-Ulm, Germany, presents thematic and monographic exhibitions drawn from the gathering’s expansive vary of images and media artwork, together with African, Chinese, Japanese, and European holdings of recent and up to date works, Nineteenth-century images from Europe and Africa, and vernacular lens-based paintings from throughout the globe. Walther is the recipient of the 2016 Trustee Award from the International Center of Photography (ICP) and the 2021 Kulturpreis of the Deutsche Gesellschaft für Photographie (DGPh). Born in Neu-Ulm, Germany, he obtained his MBA from Harvard Business School and was later a companion at Goldman Sachs.

View Finding: Selections from The Walther Collection is co-organized by Jeff Rosenheim, Joyce Frank Menschel Curator in Charge, and Virginia McBride, Assistant Curator, each within the Department of Photographs.

The exhibition is featured on The Met’s .

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October 27, 2025

Image: Luo Yongjin (Chinese, born 1960), Oriental Plaza, Beijing (element), 1998–2002. Inkjet print. The Metropolitan Museum of Art, New York, Promised reward of The Walther Family Foundation © Luo Yongjin

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