Snapshots: Lawrence @ Nevermore Hall — 10/28/25

Lawrence turned Nevermore Hall right into a feel-good household room on Oct. 28, stacking musicianship and sibling banter into a decent, 1-hour-50 set that by no means misplaced its bounce.

Steve Satzberg was there to {photograph} the present for this Snapshots picture essay!

ChatGPT drafted this live performance recap to accompany authentic pictures by Steve Satzberg.

Lawrence opened the present with “Main Office” after which went straight into “Family Business,” a gap one-two that set the present’s theme: huge horns, greater hooks, and the Clyde-and-Gracie chemistry that makes their soul-pop really feel each polished and private.

Early on, the band flexed dynamic vary — snapping from the rubbery pulse of “Do” and the crowd-pleaser “i’m confident that i’m insecure” to the punch of “Casualty.” When the viewers obtained a selection between “Shot” and “Probably Up,” “Freckles” gained the democratic second; later, “Where It Started From” landed as a candy tribute “in memory of D’Angelo,” drawing a hush earlier than the groove returned.

Watch Lawrence carry out “Where It Started From” reside for Audiotree on YouTube:

Midway by, Lawrence downshifted for an “Acoustic Office” interlude, turning the cavernous room intimate. “Promotion” and “The Weather” performed like living-room singalongs, then “Something in the Water” bridged again to full-band heft and the horn part’s crisp syncopation. It was a savvy reset that saved the set feeling contemporary with out dropping momentum.

The again third was all payoff. A cheeky, hermetic cowl of Britney Spears’ “Toxic” let the horns go Technicolor, whereas “More” and “Do You Wanna Do Nothing With Me?” introduced collective grins and loud refrains from the ground. Songwriter Jacob Jeffries popped up for his “How Much Do You Love Me” and returned later, buying and selling smiles with the band as they closed ranks round him. In a city-specific wink, the band tagged a snippet of “Good Morning Baltimore,” which introduced a roar worthy of a house workforce objective.

The finale run sealed it. “Don’t Lose Sight” hit with its regular blast of positivity, and the encore paired the evergreen “The Heartburn Song” with “Whatcha Want,” Jeffries again onstage because the room shook out its final singalong. By the time lights got here up close to 11pm, it felt much less like a live performance than a communal reset — two hours of brass, bounce and vibrant, conversational pop that turned a Tuesday right into a celebration.

Here are some pictures of Lawrence performing reside at Nevermore Hall on Oct. 28, 2025. All photos copyright and courtesy of Steve Satzberg.