Naguel Rivero and the Architecture of the Body: Lampoon SOAP

A cinematic method, documentary and fiction, photographer Naguel Rivero transforms vogue imagery right into a meditation on kind and distance –Lampoon SOAP

The story of Argentine-Italian photographer and filmmaker Naguel Rivero for Lampoon Magazine’s SOAP Issue

Naguel Rivero is an Argentine-Italian photographer and filmmaker based mostly between Paris and Latin America. His visible language strikes between documentary statement and constructed imagery, making a stress between the cinematic and the uncooked, the intimate and the nameless. Rivero’s work explores how the human physique — clothed, uncovered, hidden, or reworked — turns into a web site of identification, vulnerability, and resistance.

Across sequence equivalent to Paz (2018), Cairo (2020), Red Humana, and his editorial tasks for Lampoon Magazine, Rivero examines the house between self and illustration. His pictures are usually not about perfection or spectacle, however about what stays unresolved — the second earlier than that means absolutely arrives.

Naguel Rivero for Lampoon Magazine: The SOAP Issue as Visual Experiment

Rivero’s contribution to Lampoon Magazine’s SOAP Issue pushes his follow additional into abstraction. Presented as a vogue editorial, the sequence rejects the glamour and polish related to vogue pictures. Instead, it treats clothes as extensions of the physique, or generally as obstacles to it.

The photographs present figures in opposition to industrial partitions, cracked concrete, and unidentifiable city areas. The digicam’s neutrality exposes the physique’s fragility — not as erotic spectacle, however as sculptural kind. Red, black, and muted pink tones dominate the palette, reinforcing the stress between warmth and chilly, publicity and safety.

What emerges will not be vogue, however choreography: a sequence of gestures that blur the road between motion and constraint. The viewer is left to wonder if the topics are posing or resisting, performing or escaping.

The Body as Architecture: Form, Gesture, and Resistance

In Rivero’s SOAP sequence, the human determine turns into structure. The posture of every mannequin — bent, twisted, lined — conveys each endurance and collapse. Clothing capabilities as a fabric construction, wrapping and binding, extra like building materials than ornament.

Tape throughout naked pores and skin, outsized knits dragging throughout the ground, and plastic wrappings round faces create a visible language of stress. The clothes measure the bounds of physicality: how a lot can the physique carry earlier than it disappears beneath kind?

This remedy of the physique has political weight. It echoes Rivero’s recurring curiosity in management — social, aesthetic, corporeal — and the way the self-negotiates visibility inside these techniques. By lowering the physique to pure kind, Rivero opens an area the place identification might be reimagined past magnificence or gender conventions.

TEAM

pictures Naguel Rivero, styling Sven Gex, manufacturing Mosi schemes Production, styling assistants Andrin Holzer, Axelle Stiefel and Octave Magescas, retouch Ale Jimenez, abilities Milla @girlmgmt and Basile @garconsbygervais