Vietnam’s photographers battle AI, smartphones, and the seek for which means

“There is no longer a clear boundary between a ‘photo’ and a ‘photograph’. When the technical aspect becomes easy, how will the role and value of the professional photographic artist – one who creates through thought, emotion, and cultural depth – be redefined?” Thu Dong questioned.

The second problem pertains to the authenticity of images – lengthy thought of its important basis and power. Generative AI instruments can now create pictures that look solely actual however should not drawn from any precise second in time.

“This not only erodes public trust but also raises a philosophical question: What is photography if it no longer serves as a witness to truth?” she emphasised.

Agreeing together with her, photographic artist Pham Tien Dung famous that on this period of visible explosion, images is quickly evolving from a medium of actuality documentation to certainly one of expressive language – of thought, emotion, and human essence.

“Whereas the camera used to be a tool for recording reality, now it has become the language of being, where every shutter click is a declaration of awareness, technology, and soul,” Dung defined.

He added that future photographic artwork is not going to solely be the artwork of sunshine however the artwork of emotional resonance, the place the photographer turns into a artistic pressure producing humanistic power. Photographs will now not be confined to bodily frames, as drones, 360° cameras, AI, and digital actuality applied sciences are redefining visible views.

“A beautiful photograph does not necessarily stir the soul. Only when the photographer reaches a state of inner resonance does the image truly gain spirit. This is both the challenge and the opportunity for Vietnamese photography moving forward,” he affirmed.

In response to the speedy shift introduced by digital applied sciences, Pham Tien Dung proposed a number of options for the sustainable growth of Vietnamese images:

Master new applied sciences, use modifying software program and AI instruments successfully – however keep away from dependence on them to protect creativity and copyright. Improve human useful resource high quality by way of coaching {and professional} growth, particularly for younger photographers. Expand worldwide trade by way of workshops, exhibitions, and programs to raise each technical talent and artistic considering. Invest in infrastructure and fashionable expertise – construct studios {and professional} exhibition areas to advertise photographic works. Foster a vibrant artistic setting by organizing contests, festivals, trade packages, and picture exhibitions.

Sharing an analogous viewpoint, photographic artist Vu Huyen pressured the significance of worldwide cooperation, socialized funding, and inspiring artistic experimentation.

“We need to expand collaboration with international photography organizations, co-host exhibitions, and promote Vietnam’s image globally. At the same time, we should increase socialized funding and avoid relying solely on state budgets,” he stated.

According to Huyen, Vietnamese images can solely thrive if artists dare to discover and innovate – utilizing expertise as a software, not an alternative to emotion and artistic thought.

“We must encourage photographers to experiment with new styles and techniques, creating distinctive, groundbreaking works that leave a powerful impression on the public,” emphasised Vu Huyen.

Tinh Le