Quin Schrock: From Auditor to Adventure Photographer

Before he was the architect of the “infinite possibilities” aesthetic on Instagram, Quin Schrock was an inside auditor. He was staring down a profession at a Big Four accounting agency – the sort of soul-crushing company trajectory that seems like a life sentence once you’re wired for the wild. Then, life took a pointy left flip: his focus shattered, and he purchased a one-way ticket to Peru.

“It was a celebration of breaking out of the norm,” Quin says. He went from a run-of-the-mill accountant to a person eager to stay off the Andean soil. It wasn’t only a journey; it was an exorcism of the life he was “supposed” to stay.

From Alarm Systems to the Open Road

The transition wasn’t instantaneous. It was funded by a summer season spent putting in alarm methods – grinding out $20k to purchase again his freedom. In 2013, Quin hit the street with a good friend named Kate and a six-month itinerary that stretched from the Canadian Rockies to the Panamanian coast.

Kate had the DSLR; Quin had the imaginative and prescient. As she taught him the technicalities of aperture and shutter velocity, a brand new platform known as Instagram was starting to simmer. Leveraging his fluency in Spanish, Quin pushed into the “no man’s land” of Central Mexico – locations like San Luis Potosí – capturing landscapes that the Western web hadn’t touched but.

The outcome? A “snowball effect” that turned a street journey right into a twelve-year profession beneath the moniker Ever Changing Horizon.

The Anatomy of an Escape

For Quin, images isn’t simply concerning the “banger” shot; it’s a math drawback and a meditation.

• Yosemite: His most-visited cathedral. He treats it with a “nerdy” precision, calculating the precise month and angle the solar hits the canyon ground to resolve for the proper mild.

• Peru: The solely place he claims rivals the U.S. for sheer topographical variety. From the sci-fi dunes of Huacachina to the humid depths of the Amazon, it stays his non secular dwelling.

• Greenland: The pinnacle of “fleeting subject matter.” To Quin, crusing by way of icebergs that can soften and by no means be seen once more is the final word reminder to remain current.

“Being in ‘no man’s land’ allows for a flow state. No distractions. That’s where the most conceptual work happens.”

The Art of the Conceptual Self

Quin’s work usually incorporates a lone human ingredient in opposition to an impossibly huge backdrop, creating what he calls an “infinite possibilities vibe.” Take his “Under-Over” self-portrait at Lower Lewis Falls: a posh technical feat utilizing underwater housing and burst modes to seize the strain between the world under the floor and the “big beautiful world” simply above.

It’s a visible metaphor for his personal life: the sinking feeling of the previous, and the breath of air that comes once you lastly break the floor.

Currently based mostly in San Diego (although incessantly noticed in Hawaii), Quin remains to be chasing that horizon. For him, the digicam isn’t only a instrument – it’s the compass that led him out of the cubicle and into the world.