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Exhibitions
In Venice, on the Island of San Giorgio Maggiore, Le Stanze della Fotografia will current two exhibitions in 2026: Ahmet Ertuğ, with analysis on the architectural heritage between East and West, and Horst P. Horst, with a broad reinterpretation of his work past style images.
From February 21 to April 6, 2026 The Stanze della Fotografia, on the Island of San Giorgio Maggiore in Venice, will host the exhibition Ahmet Ertuğ. Beyond the vanishing level, curated by Denis Curti. The exhibition, arrange on the second flooring of the exhibition house, traces greater than fifty years of analysis by Turkish photographer and architect Ahmet Ertuğ, recognized for an strategy that mixes investigation, consideration to architectural heritage and reflection on constructed house. The challenge brings collectively greater than twenty large-format photos dedicated to cathedrals, theaters, libraries and museums, providing a imaginative and prescient that lies between documentation and interpretation. Ertuğ’s work is distinguished by a gradual photographic course of, primarily based on lengthy exposures and the unique use of pure mild, which permits for an in-depth notion of monumental interiors to be restored.
“My training as an architect makes me look at photography as a tool for interpretation: a way to experience and reveal architecture through the eyes of its original creators,” says Ahmet Ertuğ. “The size of my prints reflects not only the physical grandeur of these buildings, but also the vastness of the ideas they embody: faith, knowledge, power and humanity’s relentless pursuit of beauty and order.”
“Ertuğ’s work exists for all intents and purposes to preserve the historical legacy of any city, nation or continent,” Curti notes. “The monumentality of his art is an integral part of UNESCO’s World Cultural Heritage, an opportunity that allows him to extend indefinitely the life of extraordinary places, suspended between memory and light, that deserve to be cherished and admired.”
The exhibition highlights the dialogue between Italian heritage and the Mediterranean space, figuring out a symbolic level of contact within the relationship between Venice and Istanbul, cities that traditionally performed a central position alongside the Silk Road. Among the works introduced are the dome of Hagia Sophia in Istanbul and a few emblematic examples of Italian structure, such because the Pantheon in Rome, St. Peter’s Basilica and La Fenice Theater in Venice. According to curator Denis Curti, Ertuğ’s images is able to constructing a conceptual bridge between East and West, combining Asian-style consideration to element with a central European perspective. The photos, usually made in locations which might be tough to entry, provide the viewer a novel imaginative and prescient of architectural house.
The 2026 programming of The Rooms of Photography continues, from February 21 to July 5, with the exhibition Horst P. Horst. The Geometry of Grace, curated by Anne Morin in collaboration with Denis Curti. The exhibition is devoted to one of many main figures in twentieth-century images, Horst P. Horst, who was born in 1906 in Weissenfels-an-der-Saale, Germany, and died in 1999 in Florida. The exhibition affords an articulate studying of his work, going past the picture of the style photographer linked to the pages of Vogue.
“Horst P. Horst’s photographic language is not limited to capturing the visible,” explains curator Anne Morin, “but stems from a search for the essence, a desire to capture that living and vibrant dimension of the real in which each image contains ’that glimmer of truth’ that Plato defined as beauty par excellence. His work is thus inscribed in a tradition in which beauty is not mere appearance, but the manifestation of something that transcends the real.”
“Horst does not seek ephemeral decoration, but an elegance that flows from the perfection of forms and the purity of lines,” Denis Curti factors out. “His is a bold and innovative exploration, a continuous dialogue between figure and background, where formal rigor merges with artistic sensibility, in a masterful synthesis of European modernism and fashion photography.”
More than 300 works are on show, lots of them introduced for the primary time, together with colour images arriving in Italy on this event, classic prints, drawings, paperwork and unpublished supplies. The ensemble returns an creator who conceived of images as a rigorous development of type and light-weight, understood as visible structure based on proportion and steadiness. Horst’s coaching in structure, gained between Hamburg and Paris, and his expertise alongside Le Corbusier, emerge as central components of his poetics, during which influences from Bauhaus, classicism and modernism converge. The exhibition traverses the totally different areas of Horst’s manufacturing, from style images to flowers, nonetheless lifes and portraits of personalities akin to Ingrid Bergman, Maria Callas, Coco Chanel, Salvador Dalí, Marlene Dietrich, Yves Saint Laurent, Gianni Versace and Luchino Visconti. The exhibition highlights a continuing seek for concord and proportion, understood as rules able to uniting formal rigor and sensuality.
Alongside the exhibition, Le Stanze della Fotografia Foundation launched anopen name geared toward younger photographers and feminine photographers below 30, impressed by the themes of the exhibition devoted to Horst P. Horst. The competitors invited individuals to take three photographs primarily based on the quote “Fashion is an expression of time. Elegance is something else.” The entries might be judged by a jury composed of Denis Curti, Gert Elfering, Francesca Malgara, Francesca Marani and Anne Morin. Four to 6 finalists might be chosen from the individuals and introduced throughout a press convention on February 20, 2026. The chosen works might be displayed in the course of the exhibition on the Rooms of Photography and in addition introduced on the establishment’s sales space on the MIA Photo Fair in Milan, scheduled for March 19-22, 2026, the place the general public will have the ability to forged their votes. The three winners might be introduced on the finish of the truthful.
| In Venice, The Rooms of Photography dedicate two exhibitions to Ahmet Ertuğ and Horst P. Horst |
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