‘Hey Balwanth’ Movie Review: Mostly Fun, Slightly Uneven

Movie: Hey Balwanth

Rating: 2.75/5

Banner: Trishul Visionary Studios

Cast: Suhas, Shivani Nagaram, VK Naresh, Sudarshan, Harsha Vardhan, Vennela Kishore, Annapurnamma, Ajay Ghosh, Babu Mohan, Sravanthi Chokarapu and others

Dialogue: Midhun Shankar Reddy

Music: Vivek Sagar

DOP: Mahi Reddy Pandugula

Editor: Viplav Nyshadam

Art: A.Ram Kumaar

Producers: B. Narendra Reddy

Written and Directed by: Gopi Atchara

Release Date: Feb 20, 2026

Suhas just lately went by a low section with a string of flops. However, this movie has generated appreciable buzz due to its aggressive promotions and the intrigue constructed across the mysterious enterprise run by V. Ok. Naresh’s character within the story.

Let’s take a better have a look at what’s working in its favour.

Story:

The story is ready in Guntur. Krishna (Suhas) falls in love with Mithra (Shivani), an idealistic younger girl decided to serve society by her NGO. While Mithra is pushed by goal, Krishna has just one ambition in life: to take over and broaden his father’s enterprise.

However, he has no actual concept what his father (VK Naresh) truly does. When Krishna discovers that his father runs a lodge that operates as a entrance for prostitution, his world comes crashing down. Disillusioned and heartbroken, he begins to resent and distance himself from his father.

Complications come up when Mithra’s grandfather lands on the identical lodge. From that second, Krishna and Mithra’s relationship take dramatic and unexpected turns.

Artistes’ Performances:

Suhas delivers a neat efficiency. But there are standout moments from his efficiency. Shivani Nagaram is spectacular as a woman from an orthodox household, portraying her position with sincerity and charm. The actual scene-stealer, nonetheless, is VK Naresh. Though he doesn’t get a lot display time within the first half, all the second half rides on his shoulders, and he as soon as once more proves his mettle with a standout act.

Vennela Kishore gives just a few real laughs, whereas Sudarshan’s jokes work in elements. Ajay Ghosh generates humor along with his straight-faced seriousness, and Annapurnamma does a neat job in her position. Sravanthi Chokrapu, taking part in Champa, additionally makes an impression.

Technical Excellence:

The songs composed by Vivek Sagar fail to make an impression and don’t add a lot worth to the narrative. The cinematography and manufacturing design are respectable, particularly contemplating the movie’s modest funds.

However, the movie would have benefited from sharper modifying to make it extra participating. On the optimistic facet, the dialogue writing stands out.

Highlights:

VK Naresh’s character and his efficiency

Comedy parts constructed across the enterprise angle

Twist and parts at Ghosh’s home

Drawback:

The ultimate half hour

The justification given to Naresh’s enterprise

The central concept might not attraction to all

Analysis

“Hey Balwanth” was initially titled “Hey Bhagawan,” however the CBFC requested the makers to vary it. The controversy across the title and the thrill created throughout promotions about Naresh’s character and his enterprise generated appreciable curiosity. The movie’s central battle additionally revolves across the nature of his occupation.

Naresh hides his actual occupation from his son to guard him from social stigma. Forced into this line of labor since childhood, he merely tells his son that he runs a “business.” This secret types the spine of the narrative and successfully drives the drama in Suhas’s character arc in addition to his love story. The suspense across the hidden occupation retains the narrative participating as much as the reveal.

However, as soon as the reality comes out, the impression is awkward fairly than highly effective. The drama main as much as the interval twist has its share of highs and lows. Some comedy parts land effectively, whereas the prolonged lodge sequences really feel overstretched and infrequently tedious.

The movie regains momentum with the twist involving the heroine’s grandfather and the following drama at Ajay Ghosh’s home. When the households shift there, the situational comedy reminds one of many entertaining parts of “Ready.” These scenes work successfully and generate real laughs.

The director, nonetheless, doesn’t accept a simple comedy. He makes an attempt to form the movie into an emotional father and son drama. In doing so, he tries to justify Naresh’s character and his enterprise. Emotional backstories, sympathetic portrayals of the ladies within the lodge, a police officer praising Naresh’s goodness, and the sentimental reconciliation between father and son flip the narrative into compelled melodrama. This stretch fails to resonate and feels uncomfortable in elements.

Overall, Hey Balwanth presents a number of genuinely humorous moments and interesting parts, besides the ultimate half hour. If you set logic apart and watch it purely as a lightweight entertainer constructed round situational comedy, it manages to maintain you amused. The humour lands effectively for probably the most half, however the core concept and the best way it’s dealt with might evoke combined reactions. That stated, the movie by no means feels boring or tiresome; it really works as a breezy, time-pass weekend watch that guarantees a fair proportion of guffaws.

Bottom-line: “Sounds Interesting”