Categories: Photography

Compact cameras are the final phrase in comfort… or are they? My mirrorless digital camera is smaller, extra pocketable and much more versatile

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Discretion is the higher a part of valor, if William Shakespeare’s Falstaff is to be believed. For my half, I’ve had loads of ‘man-sized’ cameras in my time, which have been a correct handful to deal with. Chunky full-frame DSLRs, trinity zoom lenses, pro-grade flashguns – you identify them, I’ve had them.

And sure, generally dimension actually does matter. When I’m on task as knowledgeable photographer and need to be taken severely by my shopper, imposing package with some actual gravity to it’s most probably to create the most effective impression. But generally, very totally different and even reverse guidelines apply – and discretion is a key issue.

The Sony A6000 is correctly slimline and the Viltrox AF 28mm is downright super-skinny (Image credit score: Matthew Richards)

When I’m taking photographs for enjoyable, somewhat than as a part of a paid job, I are typically out on the streets, exploring what life within the metropolis, city, village and countryside means to the people who find themselves residing it. When lots of these folks see a photographer lurking with a big-off digital camera, their suspicions are rapidly aroused.

Smaller is healthier. It pays to be candid, to keep away from drawing consideration to your self, and to go unnoticed within the milling crowd. Then there’s the sheer logistics of pictures. Why be weighed down by the burden of massive, heavy digital camera package, when a small point-and-shoot camera can literally take a load off?

The Viltrox pancake lens is a bite-sized prime if ever there was one, at just 15mm or just over half an inch thick (Image credit: Viltrox)

The problem is that point-and-shoots are all very well but tend to lack the kind of creative controls that adventurous, enthusiast photographers crave. A compact camera with a fixed lens gives you portability and anonymity on one hand, but can limit your creative potential on the other.

With all that in mind, I feel like I’ve just discovered the best of both worlds.

The whole Sony A6000 / Viltrox combo is eminently pocketable, the lens even more so if you’re shooting with a standard zoom and keeping it in reserve (Image credit: Viltrox)

As one of Digital Camera World’s principal lens reviewers, I test a lot of Sony E-mount lenses, both full-frame and APS-C. I’ve had a Sony A7 III for quite a while but its crop mode is less than ideal for properly testing APS-C format lenses.

That being the case, I shelled out on a used Sony A6000 – which looks and works as good as new, but was amazingly inexpensive to buy.

Compactness is a fat lot of use if image quality’s no good. Thankfully, the A6000 and Viltrox pancake combine to deliver impressive image quality with plenty of sharpness and bite, along with great color rendition (Image credit: Matthew Richards)

An instant hit as far as I’m concerned, the A6000 is wonderfully small, lightweight and pocketable. Indeed, it’s only about the size of a compact camera yet features a comprehensive set of advanced shooting modes and creative adjustments, catering to my every whim. It’s very much a ‘proper’ camera rather than a basic, simplified substitute.

But what about the lens? I’ve paired the Sony with a Viltrox AF 28mm f/4.5 pancake lens (also available in Nikon Z and Fujifilm X mount options).

To my mind, the lens’s fixed f/4.5 aperture is a good compromise, giving a decent depth of field for general shots and a fairly tight depth of field for close-ups, the latter shown here (Image credit: Matthew Richards)

Now this lens really is simple, right down to its fixed f/4.5 aperture. Even so, it features swift and near-silent stepping motor-based autofocus, a built-in lens cap and, astonishingly, is only 15mm or just over half an inch thick.

Indeed, when the lens is mounted on the A6000 it only sticks out about as far as the camera’s shallow sculpted handgrip. Like with a small compact camera, I can pop the Sony complete with mounted lens in a spare pocket and take it along for the journey – pretty much any journey, at that.

On an APS-C body, the lens has an ‘effective’ focal length of 42mm, which I find ideal for street shooting, being just a little wider than a standard prime. And what’s more, it’s insanely cheap to buy, at just $99 / £90 / AU$169.

The A6000 and Viltrox pancake combine to make a great slimline kit for walkabout and travel photography, without weighing you down (Image credit: Matthew Richards)

To make my joy complete, the Sony retains all the advantages of being an interchangeable lens camera – so if I need a different optic, whether it’s an ultra-wide-angle, telephoto, macro or other type of lens, I can just fit the right tool for the job. That makes it a whole lot more versatile than a ‘fixed lens’ camera.

What’s more, if I want to go full-frame, the Viltrox pancake lens is fully compatible, so I can pop it onto my Sony A7 III for further downsized delights.

On a full-frame camera like my Sony A7 III, with no APS-C crop factor, the lens naturally gives a more wide-angle perspective (Image credit: Matthew Richards)

Best of all the Viltrox delivers very pleasing image quality, with surprisingly excellent sharpness in the central region of the frame, and still holding up pretty well towards the edges and corners.

It’s a little lens that punches massively above its weight (all 60g / 2oz of it), fully deserving the tagline of ‘tiny buy mighty’ and earning a place as one of the best pancake lenses.


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