In 2025, 20-year-old German photographer Luca Lorenz grew to become the youngest winner of the celebrated GDT European Wildlife Photographer of the Year 2025 title. Now he has gone on to win the GDT Nature Photographer of the Year 2026, additional cementing his status as an rising expertise in wildlife images.
Luca‘s successful picture, White on white, captures a mountain hare within the Swiss Alps utilizing lengthy publicity and intentional digicam motion (ICM). Through these strategies, he created a painterly impact that displays the animal’s close to invisibility in its snowy surroundings – and the picture conveys a critical message.
The Aline mountain hare is more and more threatened by local weather change. While its fur naturally shifts from brown in summer season to white in winter for camouflage, warming situations imply snowfall usually arrives too late, leaving the animals in white coats towards snowless floor. This mismatch makes them much more seen to predators, a phenomenon scientists confer with as “color mismatch.”
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GDT Nature Photographer of the Year 2026
Shot details
Gear: Nikon Z8 + Z 180-600mm f/5.6-6.3 VR Exposure: 0.4sec, f/32, ISO 32
Techniques: Long-exposure and ICM
The story behind the encounter
Luca discovered the hare while trekking through deep snow with two friends in the Swiss Alps. The animal was positioned around 30 metres below them, near the entrance to a small rock cave.
He explains, “For a long time, I observed the hare as it sat practically motionless, perfectly camouflaged with its white winter coat, gazing out across the distant Alpine peaks.”
His work reflects an important approach in contemporary wildlife photography – using artistic techniques to communicate environmental urgency.
“Alpine hares are deeply important to me,” Luca added. “In light of the significant challenges facing the species, raising awareness and supporting research into these extraordinary animals is more important than ever.”
Using a longer exposure and camera movements, Luca captured how the snow hare blends into its surroundings. “This allowed me to preserve its almost invisible presence despite the close-up, thanks to the telephoto lens, whilst the delicate, almost sketched streaks in the image emphasise the movement of the snowdrifts across the barren landscape,” he says.
For more information, visit the GDT website.
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