Elliott Erwitt in Jesolo: 80 icons of twentieth century pictures at JMUSEO

by Redazione , printed on 21/05/2026
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Exhibitions

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From June 13 to Oct. 18, 2026, the JMUSEO in Jesolo hosts “Elliott Erwitt. Icons,” an exhibition curated by Biba Giacchetti that includes 80 pictures by the Magnum Photos grasp. The exhibition spans portraits, historic scenes and iconic black-and-white pictures of the twentieth century.

Jesolo’s JMUSEO, a four-level exhibition and cultural heart designed as an area devoted not solely to exhibitions but in addition to public occasions and actions, is internet hosting from June 13 to Oct. 18, 2026 the exhibition Elliott Erwitt. Icons, devoted to one of many protagonists of twentieth century pictures. The exhibition is promoted by the City of Jesolo and JMUSEO, in collaboration with Orion57 and Bridgeconsultingpro, and curated by Biba Giacchetti, with challenge administration and technical help by Gabriele Accornero and Valentina Bruno.

The exhibition challenge contains a choice of 80 pictures thought-about among the many most consultant of the profession of Elliott Erwitt (1928-2023), an American photographer recognized for an strategy that mixes documentary commentary, irony and a focus to the on a regular basis dimension. The pictures, all in black and white, return a broad and articulate narrative of the twentieth century, traversing historic moments, scenes of strange life and portraits of public figures.

The itinerary is about within the context of the bicentennial of the primary {photograph} in historical past, historically recognized with the View from the Window at Le Gras, taken in 1826 by Joseph Nicéphore Niépce, an episode that marks the start of the opportunity of completely fixing an actual picture on a bodily assist. Within this historic body of reference, the exhibition relates the evolution of photographic language to the work of Erwitt, former president of Magnum Photos, an company based in 1947 by Robert Capa and Henri Cartier-Bresson.

The chosen pictures doc a number of the best-known nuclei of the creator’s manufacturing. An necessary a part of the work is dedicated to animals, notably canine, recurring topics in his pictures. In these pictures, usually constructed from the animal’s viewpoint, human figures are lowered to partial parts equivalent to sneakers or legs, in keeping with a compositional alternative that goals to overturn conventional perspective and produce conditions of an ironic nature. To receive pure reactions, Erwitt additionally resorted to direct expedients equivalent to sudden sounds or vocal calls.

The itinerary additionally contains quite a few portraits of personalities from the worlds of tradition, leisure and politics. These embrace Ernesto Che Guevara, Jack Kerouac, Marlene Dietrich, Fidel Castro, Sophia Loren, and Arnold Schwarzenegger. Also featured is likely one of the creator’s best-known pictures of Marilyn Monroe in the course of the filming of Billy Wilder’s When the Wife is on Vacation, in a second that has turn into iconic within the historical past of the photographic picture.

The choice additionally contains pictures associated to historic occasions of the 20th century, such because the funeral of John Fitzgerald Kennedy and the assembly between Nixon and Khrushchev, immortalized in an episode of political rigidity through which the U.S. president factors to his Soviet counterpart. Alongside these public pictures, the exhibition additionally options works of a extra non-public and autobiographical nature.

Shots on show embrace California Kiss, made by way of the reflection of a rearview mirror, and different pictures set in Paris, a metropolis central to the creator’s manufacturing. This contains Umbrella Jump, {a photograph} depicting a person leaping over a puddle on the Trocadéro with the Eiffel Tower within the background and two lovers within the background of the scene. Also a part of the choice is a picture commissioned by a French vacationer board depicting a grandfather and grandson on a bicycle.

The exhibition additionally contains pictures devoted to the creator’s household, together with a shot of his toddler daughter noticed by her mom and a cat, and a bit of self-portraits through which Erwitt makes use of his personal picture as an object of self-mockery. The exhibition is accompanied by a catalog printed by Orion57 / Elliott Erwitt Studio, which paperwork the exhibition and the choice of pictures introduced to the general public.

Statements

“With the exhibition dedicated to Elliott Erwitt,” feedback Christofer De Zotti, mayor of Jesolo, “the JMuseo confirms its vocation to host the protagonists of international photography. His images, famous throughout the world, tell a century of history with irony and extraordinary sensitivity, restoring moments of everyday life, events and faces that have entered the collective imagination. Welcoming this exhibition to Jesolo means offering citizens and visitors a valuable cultural experience and continuing to strengthen the role of the JMuseo as a space open to contemporary culture, capable of enriching the offer of our city throughout the year.”

“Elliott Erwitt,” feedback Biba Giacchetti, co-curator of the exhibition and considered one of Erwitt’s main worldwide connoisseurs, “was not just a photographer, but an unparalleled visual storyteller, capable of transforming the instant into history, the everyday into art, irony into poetry. His images evoke in the viewer emotions that move on different registers, from emotion to a smile to the most spontaneous amusement. Passing away in November 2023 at the age of 95, he left us an immense legacy: an archive of photographs that cross eras, cultures and feelings with a universal language, inviting us to look at the world with more indulgence and wonder, always putting himself at our side in that profound lightness that he called ’The Art of Observation.’”

“Elliott Erwitt,” provides one of many exhibition’s two challenge managers Gabriele Accornero, “is, like his photographs: ironic, enigmatic, aerial. Behind all this one perceives a great personality and a sharp intelligence, almost disorienting. The artistic value of Erwitt’s work seems to reach itself almost incidentally, is never pursued, and perhaps that is why it is so often centered. Sterile reading schemes borrowed from art history do not suit Erwitt, he is only concerned with making good photographs; Erwitt’s photographs are generally light-hearted, carefree, luminous, but this does not detract from the fact that some images rise to manifestos of thought, even of social claim.”

Elliott Erwitt in Jesolo: 80 icons of twentieth century pictures at JMUSEO

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