Few individuals know that Yves Saint Laurent (1936-2008) had an intimate relationship with pictures that went past capturing his creations on the runway or for trend magazines.
The well-known French couturier and designer noticed the digital camera as far more than only a advertising instrument; he considered it as a strong artistic system, collaborating with the twentieth century’s most famous trend photographers resembling Richard Avedon, Helmut Newton and Irving Penn, to outline his model’s iconic picture.
Now the International Center of Photography in New York will honor Saint Laurent’s shut ties to pictures, solid over a interval of some 4 many years, with Yves Saint Laurent and Photography – an exhibition that includes practically 300 photos and different archival supplies from the photographers he knew and collaborated with.
Along with works from the aforementioned names, creations by a wider array of trend’s most well-known figures – together with Andy Warhol, Annie Leibovitz, and Helmut Newton – will also be on display.
Saint Laurent recognized the power of photography early on, understanding its importance in shaping both his own persona and the identity of his fashion house, with his use of the artistic medium evolving in two key phases.
In 1957, Saint Laurent grasped the medium’s impact on personal branding, most famously exemplified by a portrait taken by Irving Penn when Saint Laurent was just 21 years old. A photograph of him following Christian Dior’s funeral cemented Saint Laurent’s image as Dior’s successor.
Later, in 1971, Saint Laurent demonstrated how photography could challenge boundaries and provoke scandal when he posed nude in a Jeanloup Sieff portrait to promote his men’s fragrance, Pour Homme.
Yves Saint Laurent and Photography will happen on the International Center of Photography Museum in New York from June 11 via September 28, with supplies on show coming from the huge collections of the Musée Yves Saint Laurent Paris, devoted to the late designer and his legacy.
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