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The 78th annual Primetime Emmy Awards nominations have been revealed by the Academy of Television Arts and Sciences on the morning of July 8, with the American Society of Cinematographers nicely represented inside this yr’s pool of expertise.
The main 78th Emmy Awards ceremony will broadcast stay on NBC on Monday, September 14, (8-11 p.m. est/5-8 p.m. pst) from the Peacock Theater at L.A. Live and also will stream through Peacock the identical day. The 78th Creative Arts Emmy Awards happen on the Peacock Theater over two consecutive nights on Saturday, September 5, and Sunday, September 6.
Below are the nominees in every class for camerawork. A whole record with all Emmy classes will be discovered here.
Outstanding Cinematography For A Series (Half-Hour)
The Bear • “Scallop” • FX/Hulu • FX Productions
Andrew Wehde, Director of Photography
Hacks • “The Garden” • HBO Max • Universal Television in affiliation with Paulilu, First Thought Productions, Fremulon Productions, 3 Arts Entertainment
Adam Bricker, ASC, Director of Photography
A Knight Of The Seven Kingdoms • “In The Name Of The Mother” • HBO Max • HBO in affiliation with GRRM and Friendly Wolf Pictures
Gustav Danielsson, FSF, Director of Photography
The Upshaws • “Indy Streets” • Netflix • Savannah Sweet Productions and Push It Productions for Netflix
Chuck Ozeas, Director of Photography
Widow’s Bay • “Our History” • Apple TV • Apple Studios / Chum Films
Christian Sprenger, ASC, Director of Photography
Outstanding Cinematography For A Series (One Hour)
Alien: Earth • “Neverland” • FX/Hulu • FX Productions
Dana Gonzales, ASC, Director of Photography
Euphoria • “In God We Trust” • HBO Max • HBO in affiliation with The Reasonable Bunch, A24, Tiny Goat, Dream Crew, ADD, HOT and TCDY Productions
Marcell Rév, ASC, HCA, Director of Photography
Margo’s Got Money Troubles • “Flamingos” • Apple TV • A24 in affiliation with Apple
Tari Segal, ASC, Director of Photography
Pluribus • “We Is Us” • Apple TV • Sony Pictures Television in affiliation with Apple
Marshall Adams, ASC, Director of Photography
Spider-Noir • “Step Into My Office” • MGM+/Prime Video • Sony Pictures Television, Amazon MGM Studios, Marvel Studios
Darran Tiernan, ISC, Director of Photography
Task • “Crossings” • HBO Max • HBO in affiliation with wiip, The Low Dweller Productions Inc., and Public Record
Alex Disenhof, ASC, Director of Photography
Outstanding Cinematography For A Limited Or Anthology Series Or Movie
Beef • “It Will Stay This Way And You Will Obey” • Netflix • A24 for Netflix
James Laxton, ASC, Director of Photography
Black Rabbit • “Isle Of Joy” • Netflix • Netflix / Aggregate Films / Riff Raff Entertainment / Youngblood Pictures / Automatik
Pete Konczal, ASC, Director of Photography
Death By Lightning • “Destiny Of The Republic” • Netflix • A Netflix Series / Bighead Littlehead
Adriano Goldman, ASC, BSC, ABC, Director of Photography
DTF St. Louis • “Cornhole” • HBO Max • HBO in affiliation with Elephant Pictures, Bravo Axolotl, Aggregate, Escape Artists and MGM Television
James Whitaker, ASC, Director of Photography
Monster: The Ed Gein Story • “Buxom Bird” • Netflix • Ryan Murphy Productions for Netflix
Michael Bauman, Director of Photography
Outstanding Cinematography For A Nonfiction Program
My Mom Jayne: A Film By Mariska Hargitay • HBO Max • HBO Documentary Films presents a Mighty Entertainment Production
Tony Hardmon, Cinematography by
Ocean With David Attenborough • National Geographic • National Geographic Presents a Silverback Films & Open Planet Studios Production in affiliation with Altitude, All3Media International and Minderoo Pictures, co-produced with Arksen & 10% For The Ocean, Don Quixote Foundation, National Geographic Society and Pristine Seas, Prince Albert II of Monaco Foundation, Revive Our Ocean
Doug Anderson, Director of Photography
Toby Strong, Cinematography by
The Tale Of Silyan • National Geographic • National Geographic Documentary Films Presents a Ciconia Production with Concordia Studio and The Corner Shop
Jean Dakar, Cinematography by
Tucci In Italy • “Le Marche” • National Geographic • BBC Studios Specialist Factual Productions and Salt Productions for National Geographic
Matt Ball, Director of Photography
The Yogurt Shop Murders • “The End Of Wondering” • HBO Max • HBO Documentary Films presents an A24 Production, A Fruit Tree and Pig Village Production
Justin Zweifach, Director of Photography
Christopher LaMarca, Cinematography by
Outstanding Cinematography For A Reality Program
The Amazing Race • Series Body Of Work • CBS • WorldRace Productions, Inc. Joshua Gitersonke, Director of Photography Bryan T. Adams, Camera Kathryn Barrows, Camera Kurt Carpenter, Camera Petr Cikhart, Camera Stephen Coleman, Camera David D’Angelo, Camera Matthew Di Girolamo, Camera Chris Ellison, Camera Adam Haisinger, Camera Jamie Holland, Camera Kevin R. Johnson, Camera Tim Laks, Camera Regan Letourneau, Camera Daniel Long, Camera Lucas Kenna Mertes, Camera Will Shipp, Camera Alan Weeks, Camera Scott Shelley, Camera Holly Thompson, Camera Jay Kaufman, Camera
Love On The Spectrum • “Episode 4” • Netflix • Northern Pictures for Netflix
Geoff Thomas, ACS, Cinematography by
Cian O’Clery, Cinematography by
Survivor • Series Body Of Work • CBS • Amazon MGM Studios
Scott Duncan, Director of Photography Peter Wery, Director of Photography Russ Fill, Director of Photography Granger Scholtz, Director of Photography Christopher Barker, Director of Photography Cullum Andrews, Camera Tim Barker, Camera Marc Bennett, Camera James Boon, Camera Rory Boon, Camera Paulo Castillo, Camera Rodney Chauvin, Camera Lanza Coffin, Camera Bong Conde, Camera Luke Cormack, Camera Chris Ellison, Camera Ben Gamble, Camera Nixon George, Camera Marcus Hebbelmann, Camera Derek Hoffman, Camera Matthias Hoffman, Camera Kenny Hoffman, Camera Toby Hogan, Camera Derek Holt, Camera Jude Jatau, Camera Dionne Jones, Camera Efrain “Mofi” Laguna, Camera Kyle McAuley, Camera Ian Miller, Camera Nico Nyoni, Camera Jojo Oducayen, Camera Paul Peddinghaus, Camera Jeff Phillips, Camera Nejc Poberaj, Camera Louis Powell, Camera Jovan Sales, Camera Erick Sarmiento, Camera Dirk Steyn, Camera John Tattersall, Camera Holly Thompson, Camera Nic Van Der Westhuizen, Camera Paulo Velozo, Camera Dwight Winston, Camera
The Traitors • Series Body Of Work • Peacock • Peacock Original, Studio Lambert
Siggi Rosen-Rawlings, Director of Photography Matt Wright, Director of Photography Will Antill, Camera Jack Booth, Camera Alex Bruno, Camera Ollie Green, Camera Quin Jessop, Camera Guy Linton, Camera Scott McKee, Camera Joshua Montague, Camera Hazel Palmer, Camera Steve Peters, Camera Paul Rudge, Camera James Spencer, Camera Matt Thomson, Camera Alex Took, Camera Melvin Wright, Camera
Welcome To Wrexham • “Do A Wrexham” • FX/Hulu • More Better Productions, Maximum Effort, 3 Arts Entertainment and Boardwalk Pictures
Leighton Cox, Director of Photography Ed Edwards, Director of Photography Verdy Oliver, Director of Photography Tom Reece, Director of Photography Kieren Startup, Director of Photography
Explore AC‘s coverage of this year’s Emmy-nominated cinematography:
How Alex Disenhof, ASC Crafted a Tense Robbery Scene for Task
Marcell Rév, ASC, HCA Details the Creation of Kodak’s New Film Stock for Euphoria Season 3
James Whitaker, ASC Breaks Down His Approach to Lighting DTF St. Louis
Gustav Danielsson, FSF Captures Episode 5’s “Trial of Seven for A Knight of the Seven Kingdoms
Darran Tiernan, ISC on Shooting Black-and-White and Color at Once For Spider-Noir
Christian Sprenger, ASC on Shooting Widow’s Bay
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