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A pictures gallery in Belfast has come beneath fireplace for internet hosting an exhibition that featured one artist who submitted a collection of AI pictures.
Jonny Sheridan’s work, titled Galatea, is described as an “AI-based photographic work depicting a failed near future romance between a man and his robotic AI girlfriend.”
47-year-old Sheridan, initially from Dublin, says that his work explores the perils of AI, “whether AI compounds misogyny or if it merely reflects it.” It was exhibited alongside eight different Master’s graduates from Ulster University.
Sheridan’s challenge is impressed by the Greek delusion of Pygmalion, a Cyprian sculptor who despised actual girls and carved an ivory statue of an excellent lady — he fell deeply in love with it.
“It took far more than pressing a button,” Sheridan tells the Belfast Telegraph. “Each scene began with an idea and went through rounds of prompting, rejection, and revision.”
“Everything was considered and reworked, including composition, background, character development, lighting, style and symbolism,” he provides. “Concerns about AI alignment with human values, the impact on employment and fears about the end of humanity are addressed.”
Belfast Exposed, which is internet hosting the exhibition titled ‘Beneath the Surface’ and describes itself as “Northern Ireland’s premier photography organization”, has confronted appreciable criticism for together with Sheridan’s AI pictures.
“The fact that this AI slop sits alongside real works by actual photographers is a complete insult to the artists and to the audience,” says Chris on Instagram, who went to see the exhibition.
One photographer tells the Belfast Telegraph that there must be a “no AI” coverage, claiming it’s “unethical” to make use of the expertise in any respect.
“There was an idea there that Sheridan had, and rather than using the skill and creativity of photography, he opted to use AI. It’s a shame because this has become the story about it,” says Belfast-based photographer Brendan Harkin.
Belfast Exposed has defended its resolution to host Sheridan’s work, saying that the gallery has a “long-standing partnership with Ulster University to present the annual MFA Photography exhibition, providing emerging artists with the opportunity to exhibit their work in a professional gallery setting.”
“Our role is to provide a platform for contemporary photography, critical thinking and creative dialogue, while supporting the next generation of photographic talent,” it provides.
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