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Franco Fontana, some of the vital figures in shade images, has handed away on the age of 92. He had greater than 400 solo exhibitions to his credit score, and his works are featured in additional than 50 museums all over the world.
Franco Fontana, one in all Italy’s biggest masters of modern images, has handed away on the age of 92. The Modena-based photographer, thought of one of many world’s main figures in modern artwork images, died at his dwelling.
Born in Cognento, a hamlet of Modena, in 1933, Fontana started taking pictures in 1961, initially frequenting images golf equipment and dealing primarily as an newbie, although even in these early years he was already conducting aesthetic explorations on varied themes. Among these, his explorations of the summary expression of shade had been notably vital , carried out throughout a historic interval when summary images was pursued virtually completely in black and white. His private fashion took form within the late Nineteen Sixties, below the affect of Abstract Expressionism and Minimalism: amongst his factors of reference had been modern artists barely older than him, corresponding to Mark Rothko, Barnett Newman, and Ed Reinhardt. Fontana’s work, centered on kind and shade, stood in sharp distinction to the classical black-and-white artwork images that dominated the scene in these years.
In 1963, he exhibited on the Third International Biennial of Color in Vienna, and the next yr, *Popular Photography* journal devoted a portfolio to him for the primary time, accompanied by a vital essay by Piero Racanicchi. His first solo exhibitions befell in 1965 in Turin, on the Società Fotografica Subalpina, and in 1968 in Modena, on the Galleria della Sala di Cultura: it was exactly this exhibition in his hometown that marked a major turning level in his creative journey.
Fontana has at all times proven a selected curiosity in the interaction of colours, and his early experiments in shade images, as early because the Nineteen Sixties, had a profoundly revolutionary and disruptive impression on fashion. Fontana labored with 35-millimeter cameras and adopted distant viewpoints via using telephoto lenses, a method that allowed him to flatten the contours of the panorama, remodeling fields and crops into bands of intense, saturated shade. The photographer and critic Franco Lefèvre outlined this explicit strategy as a type of “dialectical landscape photography.” In 2019, on the event of the retrospective devoted to him titled *Sintesi*, held on the Fondazione Modena Arti Visive, curator Diana Baldon described his geometric compositions as characterised by sensible colours, flat views, and a geometrical, formal, and minimalist language, emphasizing how this strategy—adopted as early because the Nineteen Sixties—had introduced new vitality to the sector of artistic shade images at a time when multicolored imagery was on no account in vogue in creative images. The curator additionally famous how Fontana’s photographic fashion finally dematerialized the objects he captured, which misplaced their three-dimensionality and realism to develop into a part of an summary design.
In addition to the agricultural panorama—which stays maybe the topic most intently related along with his work—Fontana utilized his graphic sensibility to different fields as nicely, starting from city structure to portraiture, from vogue to nonetheless life, and even to the nude. His pictures have additionally been used as album covers for a number of data launched by the jazz label ECM Records.
Over the course of his lengthy profession, Fontana has held over 4 hundred solo exhibitions and took part in quite a few group reveals at main worldwide establishments, together with the Maison Européenne de la Photographie in Paris, the National Museum of Fine Arts in Buenos Aires, the Tokyo Metropolitan Museum of Photography, and Palazzo Reale in Milan. The photographer has additionally collaborated with worldwide publications corresponding to *Time*, *Life*, *Vogue USA*, *Vogue France*, *Il Venerdì* (of *La Repubblica*), *Sette* (of *Corriere della Sera*), *Panorama*, *Class*, and the German *Frankfurter Allgemeine*, along with having labored on quite a few events on promoting campaigns for manufacturers corresponding to Fiat, Volkswagen, Sony, Volvo, Canon, Kodak, Snam, Robe di Kappa, and MaxMara.
His works are held in additional than fifty museums worldwide, together with—along with the aforementioned museum in Tokyo—the George Eastman House International Museum of Photography and Film in Rochester, the Ludwig Museum in Cologne, the San Francisco Museum of Modern Art, the Museum of Fine Arts in Boston, the Museum of Modern Art in Paris, the Pushkin State Museum of Fine Arts in Moscow, the National Gallery of Victoria in Melbourne, the Victoria and Albert Museum in London, the Gallery of Modern Art in Turin, and the Museum of Fine Arts in Houston, Texas, in addition to main company collections corresponding to these of Deutsche Bank, UniCredit, and UBS. Other establishments that maintain works by the Modena-born photographer embody the Museo Nacional de Bellas Artes in Buenos Aires, the Muscarelle Museum of Art in Williamsburg, the WestLicht Museum in Vienna, the IVAM —Valencian Institute of Modern Art, the Musée de l’Elysée in Lausanne, the MAXXI and MACRO in Rome, the MyArt Museum in Seoul, the Santa Giulia Museum in Brescia, and the Ara Pacis Museum, additionally in Rome.
As a testomony to the complexity and worldwide significance of his work, over seventy books have been devoted to Fontana’s life and work, revealed by Italian, French, German, Swiss, Spanish, American, and Japanese publishers. Throughout his profession, the photographer has exhibited in public museums and personal galleries all over the world, for a complete of over 4 hundred exhibitions, together with each solo and group reveals.
| Farewell to Franco Fontana, Master of Color Photography |
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