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Exhibitions
From September 12 to November 15, the Casa Giorgione Museum in Castelfranco Veneto (Treviso) is internet hosting an exhibition of about 100 pictures—largely classic and a few beforehand unpublished—to retrace the historical past of the “Città di Castelfranco Veneto” Prize in 1954 and 1955 and spotlight the function of Gino Oliva.
From September 12 to November 15, 2026, the Casa Giorgione Museum in Castelfranco Veneto, within the province of Treviso, will host the exhibition *Italian Photography 1955. The New Men of Photography and Gino Oliva in Castelfranco, curated by images researcher Simona Guerra. Sponsored by the Municipality of Castelfranco Veneto in collaboration with the El Paveion Photography Club and the Università Popolare, and underneath the patronage of S.I.S.F. (Italian Society for the Study of Photography), the exhibition reconstructs a interval in post-World War II Italian images starting with the National Exhibition and City of Castelfranco Veneto Photography Award, held in 1954 and 1955.
In the postwar interval, as Italy grappled with materials and cultural reconstruction following the battle, images too was present process a part of transformation. Freed from the stylistic conventions of the regime and the rhetoric of propaganda, Italian photographic follow started to interact with the worldwide scene. Provincial facilities additionally performed a task on this course of, significantly Castelfranco Veneto, which within the Nineteen Fifties turned a hub for gatherings, discussions, and exchanges devoted to the brand new languages of the picture.
The exhibition takes its cue from the historical past of the Award, conceived by Gino Oliva, a distinguished determine in native mental life and the driving power behind the initiative. Linked to this story is the publication of the e-book *Fotografia Italiana 1955*, which helped doc that part of renewal. The exhibition brings collectively roughly 100 works, largely unique classic prints from that period—a few of which have by no means been proven earlier than—sourced from private and non-private archives, libraries, and establishments of nationwide significance.
The exhibition options works by Fulvio Roiter, Giulio Parmiani, Paolo Monti, Carlo Bevilacqua, Ferruccio Ferroni, Piergiorgio Branzi, Paolo Bocci, Giovanni Salani, Alfredo Camisa, Pio Baldo Camici, Luciano Ferri, Francesco Giovannini, Toni del Tin, Nino Migliori, Gianni Berengo Gardin, Bruno Simoncelli, Mario de Biasi, and Giuseppe Cavalli, in addition to different artists who participated within the exhibition.
A selected part can also be devoted to feminine artists, in a context the place images competitions had been nonetheless dominated by male contributors. The exhibition options the works of Ada Gazzaniga, Laura Martinelli Stroili, Lavinia Ruggieri, and Maria Sartori—4 feminine artists who participated within the competitions of that period, bringing their very own inventive exploration and sensibility. Two in-depth sections spherical out the exhibition. The first is devoted to Gino Oliva, photographer and mental. Oliva helped make Castelfranco a gathering place for among the most lively photographers of these years, establishing private relationships and exchanges of concepts with them. The number of his pictures additionally permits us to look at the affect exerted on him by the photographers with whom he got here into contact and who had been his buddies.
The second part, however, traces the early profession of Mario Giacomelli. In 1955, the photographer—who had solely begun utilizing a digicam on Christmas Eve 1953—acquired his first main nationwide recognition in Castelfranco. It was Paolo Monti who acknowledged his expertise early on, calling him “the new man of photography.” The works on show embrace a number of early pictures and experiments that doc the beginnings of Giacomelli’s inventive exploration. Alongside the pictures, the exhibition encompasses a documentary assortment consisting of registers and handwritten notes by jury members, correspondence between organizers and artists, periodicals from the time, and unique catalogs. These paperwork additionally make it doable to reconstruct the organizational dynamics, the relationships among the many key figures, and the aesthetic and cultural context by which the Prize developed.
The exhibition additionally serves as a follow-up to the Study Day held on November 22 underneath the patronage of the S.I.S.F., which was attended by historians, critics, and students of images. Contributors included Claudio Masiero and Giancarlo Baggio of the El Paveion Association in Castelfranco Veneto; images historian Manfredo Manfroi; Simona Guerra and Marta Camisa of the Alfredo Camisa Archive in Milan; Massimo Stefanutti, president of the La Gondola ETS Photography Club in Venice; Alvise Rampini, director of the CRAF Center for Research and Archiving of Photography in Spilimbergo; Michele Smargiassi, a journalist for *La Repubblica*; Stefania Rössl of the University of Bologna; and Massimo Sordi, photographer and curator of OMNE Fest in Castelfranco Veneto. Finally, the official exhibition catalog, printed by the Municipality of Castelfranco Veneto, might be introduced on the opening.
Opening Hours
Tuesday, Wednesday, and Thursday: 10:00 a.m. – 1:00 p.m.
Friday, Saturday, and Sunday: 10:00 a.m. – 6:00 p.m.
Closed on Mondays
Tickets
Full worth €7.00 | Reduced worth €5.00
| Italian Photography 1955: The Postwar Pioneers Return to Castelfranco Veneto (Treviso) |
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This web page was created programmatically, to learn the article in its unique location you’ll be able to go to the hyperlink bellow:
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This web page was created programmatically, to learn the article in its unique location you…
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