Optics: Queer Eye(s)

With growing visibility for queer people and queer tales in fashionable tradition (see: the Netflix reboot of Queer Eye, FX’s Pose, and RuPaul’s Drag Race—now in its eleventh season), it’s essential to check out how we bought right here. This session of Optics commemorates the 1969 Stonewall Riots, and examines how Stonewall’s legacy has contributed to a visible language of queer resistance during the last 50 years. How have photos of queerness—and people created from a queer lens—troubled and expanded (inter)nationwide understandings of human rights, group, anger, and celebration?

Be a part of Optics collection host Reya Sehgal and journalist and curator Sarah Burke for this dialogue on what the queer eye can see, that includes a particular efficiency by Untitled Queen.

This can be a free occasion, however please register prematurely. ICP Members have entry to most popular seating in our reserved members’ part.

Our ICP Museum–public program mixture ticket grants $10 entry beginning at 4:30 PM to these attending this system. Tickets are solely accessible on-line once you register for this system.

In regards to the Collection

Hosted by artist and curator Reya Sehgal, Optics: A New Method of Seeing Modern Tradition invitations critics, artists, and imagemakers to investigate the photographs that form up to date tradition and present occasions. The collection considers the photographs, visible communications, and vision-related applied sciences that influence our occasions. In our present image-saturated society of 24-hour information cycles, social media, and memes, an understanding of the methods during which photos are formed, produced, distributed, remixed, and go viral is significant to an understanding of tradition itself.


Sarah Burke is a journalist and curator primarily based in Brooklyn, NY. Her writing focuses on artwork, identification, social justice, expertise, and the intersections therein. She is at the moment particular tasks editor at Broadly, co-host of the podcast Queerly Beloved, and co-curator of the collection Living Room Light Exchange New York.

Untitled Queen is a visible artist, drag queen, and graphic designer dwelling and dealing in Brooklyn, NY. She creates elaborate, colourful handmade DIY costumes and sculptural physique props which can be utilized in intensely emotional and narrative drag performances. By way of these means she challenges and dismantles constructed binaries of American physique, thought, and beliefs. Her latest work is a rumination on post-colonial American citizenship and its repercussions and origins.

Reya Sehgal is an interdisciplinary artist and curator primarily based in New York Metropolis. She has curated exhibitions and public packages on the Berkeley Artwork Museum/Pacific Movie Archive, Brown College, Queens Museum, Undertaking for Empty Area, Knockdown Heart, and BRIC. Her creative work has been seen, and skilled, on the DUMBO Arts Pageant, AS220, Distillery Gallery, RISD Museum, Arab American Nationwide Museum, and Massachusetts School of Liberal Arts. Sehgal is a member of the DIVERSITY FELLOWS! efficiency collaborative, and at the moment serves because the post-graduate fellow in visible tradition on the Worldwide Heart of Pictures.


Picture: Anthony Friedkin, Michelle, Feminine Impersonator, “C’est La Vie” Membership, North Hollywood, 1972. Worldwide Heart of Pictures, Reward of Mary and Dan Solomon, 2011 (2011.69.1) © Anthony Friedkin

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