Photographer Paul Harries Bethinks on the Nice Chester Bennington – The Phoblographer

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“Magazines always wanted shots of him with his shirt off, I am sure he found this tedious, but he never made a fuss about it,” says photographer Paul Harries about photographing Chester Bennington. “These shots were not used at the time but when the news came through about his death, I was asked to find something unseen for the cover of Kerrang! Magazine.” Paul was lucky sufficient to {photograph} Chester over time, and he shared a number of reminiscences with us.

Paul is operating a print giveaway on his web site till the tip of June, 2022. You ought to have a look.

I’m penning this story whereas listening to One More Light by Linkin Park; which is an extremely emotional tune. My relationship with their music is extremely emotional. When I used to be 14, I used to be caught in the course of a messy divorce and went by way of such a nerve-racking time that I used to be hospitalized with shingles. Upon returning residence, I’d hearken to Linkin Park’s Hybrid Theory on repeat. I’d prefer to assume that the voice of Chester Bennington continues to convey most millennials again to a sure time of their life. That’s what makes this interview with photographer Paul Harries so extremely emotional for me. On July twentieth, 2022, it will likely be 5 years since Chester handed. 

Chester and his music touched many individuals. His phrases went on to affect different artists in varied methods. And we hope this transient interview will contact you.

Phoblographer: Talk to us about the way you first acquired into pictures.

Paul Harries: One of my artwork academics transformed his stockroom right into a darkroom. For one lesson we made pinhole cameras with black & white picture paper performing as movie, watching these prints develop underneath the pink mild was magical. I used to be 11 or 12 on the time.

Phoblographer: What made you wish to {photograph} musicians?

Paul Harries: Growing up I had all the time been an enormous music fan so once I was sufficiently old to start out going to gigs, I needed to seize that on movie. One of my favourite venues was the recent and sticky Marquee Club. There was by no means an issue getting in with a digicam. It was really right here that led to my first photographs being printed, a merch man I knew noticed I had a digicam and I ended up taking pictures some photographs for his fanzine. This really led to me taking pictures for Kerrang! Magazine. This was means again in 1990 and I’m nonetheless taking pictures for them in the present day.

Phoblographer: You’ve photographed Chester many instances. Can you inform us a narrative a few session with him that you simply felt was actually distinctive to him?

Paul Harries: I used to be actually fortunate to shoot Chester earlier than Linkin Park grew to become enormous stars. I feel this helped with shoots as he all the time remembered me. Magazines all the time needed photographs of him together with his shirt off, I’m certain he discovered this tedious, however he by no means made a fuss about it. I went to Los Angeles in 2011, we had taken the photographs required for the journal however we had a while left to experiment slightly bit. Chester began to cowl his face together with his fingers and it regarded actually attention-grabbing. These photographs weren’t used on the time however when the information got here by way of about his dying, I used to be requested to search out one thing unseen for the quilt of Kerrang! Magazine. When I checked out that unused picture, I knew it must be the one and the group agreed. 

Phoblographer: Over the years, what do you assume had been a few of the greatest adjustments you noticed in Chester?

Paul Harries: To be trustworthy I didn’t discover a lot change, Chester was all the time a extremely pleasant, good man. A pleasure to {photograph} on and off stage.

Phoblographer: Have you ever checked out your photographs and thought he appears to be like a bit like Scott Weiland from STP? I do know he took over for Scott for a time.

Paul Harries: Not actually, I labored with Scott when he was in STP and Velvet Revolver. I’d say they had been very completely different individuals in order that in all probability prevents me making a visible comparability. Both wonderful entrance males on stage although.

Phoblographer: What’s your favourite picture that you simply shot of Chester, and what’s the story behind it?

Paul Harries: I feel the shot used on the tribute concern of Kerrang that I discussed earlier, it appears to ring a bell with followers. 

There is one other shot that was taken that day of him strolling away from digicam together with his head barely down, that picture appears to have new which means now he’s gone.

About Paul Harries

PAUL HARRIES IS A RENOWNED LONDON-BASED MUSIC PHOTOGRAPHER MOST KNOWN FOR HIS WORK WITH A WIDE RANGE OF BANDS – OVER THE COURSE OF MORE THAN TWO DECADES, IF A GROUP HAS EMERGED THAT ARE LOUD AND PROUD OF IT CHANCES ARE ITS MEMBERS HAVE STOOD IN THE FRAME OF THIS MAN’S LENS.

ARMED WITH A VALID PASSPORT, HIS FAITHFUL CANON, AND A KEEN EYE FOR DETAIL, PAUL HARRIES HAS AMASSED A PORTFOLIO THAT AMOUNTS TO NOTHING LESS THAN A MUSIC FAN’S DREAM. AS A RESPECTED FREELANCE PHOTOGRAPHER, PAUL HAS CLOSED HIS SHUTTER ON SUCH LUMINARIES AS NIRVANA, MUSE, GREEN DAY, METALLICA, BIFFY CLYRO, OZZY OSBOURNE, RED HOT CHILI PEPPERS, BLINK 182, LINKIN PARK, AND SLIPKNOT.

OVER THE PAST FEW YEARS PAUL HAS EXHIBITED HIS PHOTOGRAPHS IN PRESTIGIOUS VENUES IN LONDON, MANCHESTER, AND LOS ANGELES. HIS BOOK, “SLIPKNOT: DYSFUNCTIONAL FAMILY PORTRAITS” IS OUT NOW.

All photographs offered to us with permission by Paul Harries. Be certain to go to his website, Linkin Park gallery, and Instagram.






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