Unveiling Hidden Stories: A Photographer’s Journey Through America’s Heartland Communities


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A triptych of monochromatic images: a convict’s hands through a gap in a cell door, a firefighter engulfed in smoke, and a woman in lingerie and stilettos clutching a pile of cash.
Photo credit: Richard Sharum

A documentary photographer dedicated three years traversing the spine of America to investigate division in the U.S. by engaging with individuals he believes have been overlooked politically, socially, and culturally for many years.

Photographer Richard Sharum examined the 100-mile wide corridor stretching from the Canadian border down to the Mexican border, encompassing the Dakotas, Kansas, Nebraska, Oklahoma, and Texas. This region is frequently labeled as “flyover” country, a phrase Sharum considers derogatory.

A figure stands in a snowy landscape, wearing overalls and a hoodie. They are holding a staff with a fish sculpture atop it. The sky is overcast, and snow blankets the ground. The scene appears bleak and wintery.
Ice fisherman with fresh northern pike, Hemand, North Dakota.
A black and white photograph of an older individual in front of a wooden wall, clutching a bowling ball. The wall has several bowling pins with names and numbers inscribed upon them. The person is donned in glasses, a sweater, jeans, and sneakers.
Bowler in O’Neill, Nebraska.
A monochrome photograph featuring a man with long hair standing confidently against a fabric backdrop. He sports an unbuttoned shirt revealing his toned stomach and jeans, with his hands in his pockets and a composed expression.
State Fair patron, Huron, South Dakota.
A child's rendition of the United States map with "United States of America" inscribed above and "Spino" vertically on the map. Surrounding the map are doodles of stars, arrows, and hearts. Signature "Lilly" in the bottom right corner.
Spina Americana map.

Sharum interacted with over 4,000 individuals and captured upwards of 14,000 photographs, which ultimately culminated in a publication titled Spina Americana. He was not solely documenting that geographical region; he was also investigating what has been causing a rift within the United States in recent times, which he claims has reached a plateau not observed since the years leading up to the Civil War.

“I have grown increasingly concerned and apprehensive regarding our national divides, and I sense that I am not solitary in this concern,” he articulates to PetaPixel.

“The governing forces have effectively provoked divisions over the past two

decades. Furthermore, I have consistently held an interest in recording communities that are often overlooked and disregarded en masse.”

Three children in swimsuits positioned in front of a wooden platform stacked with timber. An American flag is showcased on the structure behind them. The image is rendered in black and white.
Two sisters and a cousin, Macksville, Kansas.
A monochrome image depicting an outdoor assembly on a grassy slope, showcasing a large circular arena surrounded by individuals and several tents. Automobiles are parked in proximity, with expansive fields and undulating hills in the backdrop.
Wacipi Pow Wow grounds, Yankton, Sioux Reservation, South Dakota.
A monochromatic image showcasing four individuals bent over while laboring in an expansive crop field. They are arranged in rows, caring for the plants. Numerous baskets lie on the ground, presumably used for gathering.
Migrant laborers harvesting oregano, Edinburg, Texas.

An individual sporting a cowboy hat and a checkered shirt stands in a field clutching a large leafy vegetable. They are wearing gloves and hold a small knife in the other hand. The backdrop consists of a cloudy sky over rows of crops. The image is in black and white.

Sharum captured the project from February 2021 to November 2023. Raised in Corpus Christi, Texas, he witnessed individuals laboring long hours for minimal compensation, which he states significantly impacts his artistry.

“I personally encountered a fair amount of verbal and physical aggression due to my skin color, and had to swiftly learn how to protect myself,” he recounts.

“This experience allowed me to perceive humanity for what it truly is and to recognize how delicate one’s convictions can be when confronted with an alternate reality. I have carried that understanding into adulthood, and it is evident to me that nearly all of what we consider to be differences among us is an illusion.

“We are essentially identical, irrespective of color, language, culture, and so forth. Thus, the obstacles hindering unity and advancement exist solely because we permit them.”

When queried about his insights from the endeavor, he mentions that “most individuals simply desire to be acknowledged and listened to, and once that occurs, they blossom like a flower.”

A firefighter clad in protective equipment, complete with a helmet and gloves, stands amidst smoke and scorched earth. He is staring directly at the camera, framed by dense smoke and sparse flora. The image is monochrome.
Firetech amid a grassfire, Huntsville, Kansas.
An individual stands in a kitchen holding a sizable cotton candy. They don an apron over a white shirt and denim pants. The kitchen features various tools and containers, displaying a trash bin and cotton candy machine. Monochrome image.
Cotton candy seller, Lake Andes, South Dakota.
A monochromatic image of a prison corridor. Handcuffed hands extend through a small gap in a cell door to the left. The passageway is vacant, with closed doors and overhead fluorescent lighting.
An isolation unit at the James River Correctional Center, Jamestown, North Dakota.
A lady with curly hair sits on a bench in a changing area, attired in lingerie and stilettos. She grasps a pile of cash in her hands and gazes upwards, wearing a pensive expression. A mobile phone lies beside her. The photograph is in black and white.
A young performer with cash, Mitchell, South Dakota.

Sharum utilized a Sony RX1R II for this project and opted against color.

“It is monochrome for two reasons: Firstly, I am severely color-blind and unable to perceive colors. Secondly, for me, black and white enables me to distill the essence of what I want to convey without any distractions to the audience,” he articulates.

“It’s challenging to draw the viewer’s attention to the eyes of a laborer, positioned in a field, if he is also clad in a vivid red shirt. Black and white permits me to reach the core of my message.”

A monochrome image of a woman and a child standing on a wooden deck. The woman, donned in a light dress, stands centrally, while the child, dressed in darker attire, stands to the right. Sunlight casts prominent shadows on the porch. Trees are visible in the backdrop.
Mennonite sisters, Partridge, Kansas.
Monochrome photograph of an individual angling beneath a large bridge near a tranquil river. Trees and palm trees line the opposite shore, reflected in the surface of the water. Overcast sky overhead.
Two Mexican fishing boys, Rio Grande River, Mexico-United States border, Texas.
Two youthful baseball athletes stand together in uniform against a metallic wall. One sports a "Tolar" jersey, while the other wears "Rattlers." Both are holding baseball mitts and wearing helmets, gazing at the camera with a grave demeanor. Black and white visual.
Two high school baseball athletes, Tolar, Texas.
A shadowed figure traverses a grassy slope beneath a striking, cloud-laden sky. The photograph is done in black and white, emphasizing the distinctions between the dark clouds and the terrain.
Storm chaser, Burlington, Oklahoma.

Spina Americana authored by Richard Sharum is released by Gost Books. Additional works by Sharum can be discovered on his official site and Instagram account.




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