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The craft of minimalist photography, showcasing visuals that are recognized for their simplicity, has long been an esteemed category. The focus on minimal compositions that refrain from excessive hues, designs, and details can often craft surreal visuals that offer an alternative viewpoint from our routine lives.
The absence of color in this style indicates that the focus of minimalist photographs frequently resides in monochrome gradients, which generate an emphasis on forms, shapes, and the material traits of subjects. The significance of arrangement as well as the positioning of illumination and shadow are critical in realizing this aesthetic, with all these factors converging to produce surreal and possibly abstract visuals.
Incorporating human figures into the artwork is a strategic method to reconcile
the divide between a real-world impression and a minimalist image. This technique is one employed by Iranian-born artist Sara Goli to create captivating visuals that leave a memorable impact and a narrative to unfold. While a minimalist photograph typically comprises a limited number of components, the accuracy and intentionality in their arrangement are vital.
Sara adeptly layers the composition by integrating shadows and uniting two subjects (Image credit: Sara Goli)
In her works, Sara typically includes negative space alongside human subjects. Here, it is essential to distinguish between active negative space and dead negative space. Sara creates the former to steer the viewer’s attention towards more elements within the frame, enhancing the impression of the photograph or adding to the enigmatic atmosphere of her art. Considering all these aspects, she crafts visuals that transform our perception of reality, owing to her sharp eye and sensitivity to light balance and contrast management while skillfully arranging the frame.
We engaged with Sara to explore the hurdles she has navigated while working in Iran within a field that has traditionally been dominated by male photographers. She also discusses how she employs her camera to highlight issues such as the Iranian women’s resistance movement over recent years.
Interview
Born in Iran in 1989, Sara Goli is a fine art and minimalist photographer boasting five years of professional expertise. Her creations are marked by their simplicity, elegance, and depth, earning her global recognition. Sara’s imagery has been featured in numerous international publications, and she has been honored with over 45 international photography accolades.
“Contrast is essential in crafting minimalistic narratives,” states Sara (Image credit: Sara Goli)
Hi Sara, what sparked your interest in minimalistic B&W photography, and what attracted you to this specific style?
I’ve always been captivated by the simplicity and beauty of forms. Black-and-white photography grants me the ability to concentrate on the essence of a subject, eliminating distractions and uncovering its foundational structure. The stark contrasts and tonal spectrum of black-and-white photography evoke profound emotions in me, and I endeavor to elicit similar sentiments in my audience.
Is there a specific project that holds particular significance for you?
My ‘Corona and Minimal’ series was a pivotal moment for me. I spent months exploring the vacant streets of my city, capturing the calm…beauty of derelict structures and neglected spaces. This initiative enabled me to cultivate my minimalist approach and investigate concepts of solitude and ephemerality. These images were captured during the COVID-19 crisis when I aimed to seize the tranquility and seclusion of the metropolis. My goal was to produce visuals that were documentary in essence yet adhered to a minimalist and fine-art aesthetic.
How do you tackle the challenge of identifying subjects to photograph in a minimalist fashion?
I derive motivation from the mundane. I constantly search for patterns, forms, and textures that can be reimagined into minimalist arrangements. I frequently employ negative space to cultivate a sense of equilibrium and unity within my works.
What significance does storytelling hold in your creative work?
Even though my pieces are frequently minimalist, I maintain that each photograph narrates a story. I strive to elicit emotions from my audience by instilling a sense of enigma or fascination. By meticulously considering composition, lighting, and subject, I aspire to create visuals that resonate profoundly.
What message or emotion do you wish to impart through your visuals?
I aim for my images to encourage viewers to pause and recognize the beauty in the commonplace. I hope to elicit a sense of serenity and reflection, inviting viewers to engage with their own emotions and experiences.
Who are some of your most significant influences or sources of inspiration?
I have been profoundly inspired by the works of American photographers, including Ansel Adams, Minor White, and Edward Weston. Their capacity to encapsulate the spirit of a location or object with such simplicity and grace is genuinely motivating.
Is your equipment as minimalist as the style you are capturing?
Minimalist photography doesn’t inherently demand premium gear; all that’s necessary is a discerning eye, a dash of creativity, and a fundamental grasp of editing – stunning minimalist visuals can even be captured with your smartphone. The minimalist philosophy seeks simplicity, even in the editing stage. I utilize the Xiaomi 12lite, a Canon EOS 6D DSLR, and a Canon EF 24-105mm f/4L lens.
What has been your proudest achievement in your career thus far?
A significant moment for me was when my works were chosen for the Xposure exhibition at an esteemed gallery. It validated my artistic perspective and highlighted the impact of minimalist photography. Exhibiting my pieces alongside renowned American photographers, such as Steve McCurry and James Nachtwey, who were selected by photography experts for this biennial showcase, was truly an exceptional privilege.
How do you envision the evolution of your work in the future?
I am eager to keep probing the potential of minimalist photography.
I am particularly keen on innovating with different materials and approaches to create more tactile and engaging experiences. I also aspire to partner with other artists and designers to develop multidisciplinary undertakings.
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