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As a passionate film enthusiast, I have a fascination with the YouTube series featured on the Criterion Channel – titled Closet Picks – where actors and filmmakers step into a closet stocked with the entire Criterion film collection and select their preferred titles. This frequently leads to remarkable suggestions along with an explanation of why the films they’ve selected are essential viewing.
This occurred during the episode featuring the renowned cinematographer and photographer, Sir Roger Deakins, along with his associate, James Deakins, who recommended the 1967 film In Cold Blood. Adapted from a true crime novel by Truman Capote, the movie revolves around two offenders who devise a scheme to rob a wealthy family in Kansas, only for their plan to unravel, forcing them to flee.
The film itself is compelling, however, what truly captivated me was the stunning cinematography crafted by Conrad Hall.
ABOVE: Watch Deakins’ Criterion collection selections
For those who are not familiar, Sir Roger Deakins is recognized among the finest cinematographers of all time, credited with the aesthetic and atmosphere of iconic films like No Country For Old Men, 1917, and The Assassination of Jesse James. Additionally, he has recently published his first photography book Byways, which serves as a source of inspiration itself. Thus, any suggestions provided by him were ones I had to explore further – and I’m pleased that I did!
In Cold Blood stands as a prime example of black-and-white cinematography, and I wholeheartedly recommend it to anyone interested in creating black-and-white video or photography. Each frame has the potential to be an exquisite still image, showcasing remarkable compositions and an exceptionally refined manipulation of light and shadow. There is much to be gleaned from studying this film’s technical excellence.
But don’t simply rely on my opinion – Deakins mentions in the video, “Not only
A remarkable film, but for me, arguably the finest black-and-white cinematography I have ever encountered, crafted by Conrad Hall… featuring some of the most impressive transitions.
“Additionally, the cinematography is magnificent as it captures the desert scenery in an unprecedented manner, but it also portrays the murder and the shadows, and the flashlights – encapsulating the tension and horror in a truly spectacular fashion. If someone seeks to view one film solely for its cinematography to comprehend the art, it would certainly be In Cold Blood.
Viewing In Cold Blood with a renewed outlook, guided by Deakins’ accolades, transformed my approach towards lighting, composition, and texture in my personal photography. It serves as a reminder that exemplary cinematography transcends mere technical skill – it revolves around crafting an emotional and palpable experience that draws the audience into the film’s realm.
Conrad Hall’s contribution to In Cold Blood illustrates the significance of restraint, the elegance of subtlety, and how even the tiniest elements can enhance an entire narrative. As Deakins points out, it’s a masterclass in visual storytelling.
For anyone eager to enhance their comprehension of cinematography or simply to relish the artistic brilliance behind monochrome visuals, this film is essential viewing. In Cold Blood continues to influence our perceptions of cinematography, and as Deakins’ comments vividly demonstrate, it remains one of the supreme illustrations of visual narrative in the history of cinema.
I highly suggest exploring the Closet Picks series on YouTube. There’s also the Criterion Channel, which provides a curated assortment of films, exclusive premieres, and a wealth of extras including audio commentaries, interviews, and supplementary materials. It’s a treasure trove of cinematic wonders. You never know what might spark your next creative breakthrough!
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Take a look at our guides to the finest filmmaking camera and the best black and white camera.
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