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In a realm where cameras have predominantly been shrinking, I’ve consistently been drawn to larger full-frame models, exemplified by my Nikon D800 and Nikon Z8. However, larger bodies combined with heavier lenses for expansive sensors result in a heftier equipment load, which can intensify a photographic issue I refer to as ‘ball-head creep’.
You’re likely familiar with the scenario: having to essentially dangle the camera and lens off to one side to orient it vertically, only to set up the perfect shot and witness gravity pulling it downwards. At best, it’s bothersome; at worst – particularly during long exposures – it can ruin your image.
For many years, I never contemplated utilizing one of the finest L-brackets. But one day, I watched Digital Camera World’s own News Editor, Adam Waring, cheerfully photographing portrait-oriented landscapes with his L-bracket. Cue Billy Ocean’s Suddenly, swirling in my head, my vision surreal and foggy, as I held an angel-wing-and-halo-adorned L-bracket – in a cinematic slow-motion moment – for the very first time.
It was instantly captivating.
An L-bracket attaches to a camera’s tripod screw. Its L configuration permits the bracket to sit flush against both the bottom of the camera and one of its sides. Each axis features a tripod-head-compatible connection on both axes, whether it be Arca Swiss or a proprietary design. This enables direct mounting of your camera on the tripod head in either horizontal or vertical orientations. Most importantly, this keeps a favorable center of gravity when capturing portrait-orientation photographs.
Personally, I have yet to discover a superior quick-release system than the renowned Arca Swiss attachment on my 3 Legged Thing Ellie Universal L-Bracket (now succeeded by the 3 Legged Thing Lexie), so having an L-bracket with this attachment affords me even greater ease, allowing for rapid attachment and detachment of my camera while effortlessly switching between orientations.
Ellie (a fantastic name for an L-bracket) accompanies me everywhere, although I frequently intend to acquire Zooey, designed specifically for the Nikon Z8 by 3 Legged Thing. The company offers a variety of custom L-brackets for Canon, Sony, Fujifilm, and OM System cameras, as well. Furthermore, a multitude of other L-brackets are accessible from brands such as Manfrotto and Kirk Enterprises.
If you haven’t experimented with an L-bracket before and you possess a tripod, obtaining one is a logical decision. I haven’t encountered anyone yet who dislikes them. You may even discover yourself utilizing your tripod more frequently – I certainly did. As Digital Camera World’s How-To Editor, I firmly believe that equipment doesn’t define the photographer and that skill and imagination are paramount. Nevertheless, no matter how small or unassuming an L-bracket may be, it undeniably enhances the comfort of capturing long exposures.
This allows you to focus less on ‘ball-head creep’ and concentrate more on the scene before you and the photograph you are creating.
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If you plan to invest in a high-quality L-bracket, it’s wise to have a reputable tripod as well. I recently reviewed the Manfrotto Befree Advanced Carbon Fiber travel tripod, although it isn’t compatible with Arca-Swiss. Alternatively, consider checking out the finest tripods available. Additionally, here are some tips for improving your professional long-exposure photography in low light.
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