Categories: Technology

Breaking News: Supreme Court Deliberates TikTok’s Future – Live Coverage


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Two years back, Jeneane O’Riley independently released her fantasy romance novel, “How Does it Feel?,” a story of adversaries transforming into lovers involving a woman who encounters a charming, untamed fairy prince. Lacking a publisher to assist with the promotion of her book or to help it reach bookstores, she opted to market it herself via TikTok.

Before long, TikTok users began sharing their own viral responses to the book, resulting in a spike in sales. One video from a reader astonished by the novel’s unexpected turns garnered over six million views. The book ascended to No. 1 on Amazon.

“This kind of free exposure for a small, independent writer is unprecedented,” remarked O’Riley, who subsequently secured a contract with Bloom Books, a romance imprint under Sourcebooks.

With a law prohibiting TikTok in the United States scheduled to come into effect on Sunday, O’Riley and fellow authors are racing to preserve their communities of supporters. O’Riley, who boasts over 52,000 followers on TikTok, has been encouraging individuals to connect with her on Instagram, Threads, and Facebook. However, she fears that her tightly-knit TikTok audience might scatter.

“I’m anxious about the impact it will have on my readers and friends as their sense of community dissipates,” she expressed.

In recent years, publishers, authors, and booksellers have increasingly relied on TikTok to boost sales. Several of the leading fiction authors in the United States — including Colleen Hoover, Sarah J. Maas, Freida McFadden, Ana Huang, and Rebecca Yarros — attribute part of their success to visibility on TikTok.

“If TikTok vanishes, there will be a significant gap in the market,” stated Dominique Raccah, the publisher and CEO of Sourcebooks, which showcases BookTok breakout stars such as Scarlett St. Clair, McFadden, and Huang.

The future of TikTok has been uncertain ever since President Biden enacted a law last year mandating the app’s Chinese parent company, ByteDance, to divest from the platform or face a ban in the U.S. Proponents of the law contend that the app presents national security hazards since the Chinese government might exploit the platform for propaganda or to monitor Americans.

On Friday, the Supreme Court unanimously voted that the law may be enforced, dismissing TikTok’s argument that a prohibition would infringe upon the First Amendment. Uncertainties persist regarding how enforcement of a ban will be carried out. Some legislators have urged Biden to prolong the deadline for a sale to preserve the app, while incoming President Donald J. Trump is reported to be mulling the issuance of an executive order to permit TikTok’s continuity. Yet, it increasingly appears that the platform, utilized by 170 million Americans, will soon go offline in the United States.

As the ban approaches, certain figures in the publishing sector are gearing up to adapt, hoping that alternative apps will fill the void, noting the historical trends of social platforms rising and falling. Others expressed concerns that nothing will replicate the unique dynamics of TikTok, where a single viral clip can propel an author to the best-seller list, and readers transform into advocates for other readers— a far more potent marketing strategy compared to conventional advertisements.

“Will something emerge to offer the same value and influence? No, it will not,” asserted Thad McIlroy, a book industry analyst. “An extraordinary phenomenon occurred with BookTok.”

Over recent years, TikTok has profoundly transformed nearly every facet of the literary world. Barnes & Noble, Target, and Walmart established both in-store and online displays featuring books that are trending on TikTok. Booksellers monitor what’s gaining traction on the app and stock up on titles that have gone viral.

Moreover, publishers have discovered new authors through the platform. Writers like Lucy Score, Hannah Grace, and Jasmine Mas, who initially self-published and witnessed their titles thrive on TikTok, have inked significant contracts with publishers.

“It pulled numerous publishers into the 21st century,” remarked Shannon DeVito, the director of books at Barnes & Noble. “It has compelled them to be more adaptable and observe what readers are seeking.”

TikTok became a key contributor to print sales, as influencers prefer tangible items to feature in videos and display on their shelves. It transformed younger and hesitant readers into avid book purchasers and passionate fans. In some respects, it democratized book marketing, providing readers with as much or greater influence than traditional gatekeepers.

“Anyone can achieve virality in a moment, granting users the ability to express what they wish to read,” stated Anna Hall, the director of digital marketing for Zando, an independent publishing firm. Zando has been assisting its authors in building followings on other platforms, such as Patreon and YouTube, according to Hall.

“We’re monitoring closely and prepared to adjust,” she noted.

The BookTok uplift hasn’t been evenly spread across the industry. The most favored genres on the platform comprise plot-centric romance, thrillers, and fantasy. However, there have also been viral surges surrounding older works and more literary titles, such as Madeline Miller’s “The Song of Achilles” and Hanya Yanagihara’s “A Little Life.”

Many publishers and authors are now anxiously rushing to expand their networks on various social media platforms like Instagram, Threads, and Facebook.

“If everyone migrates to Substack, we’ll collaborate with our authors on Substack; if everyone transitions to Reels, we’ll excel at Reels,” declared Molly Waxman, vice president and executive director of marketing at Sourcebooks.

BookTok creators — some of whom have established profitable careers as influencers — are preparing for a potential ban and are distressed about the possible erosion of income and networks.

Cait Jacobs, 26, began suggesting books on TikTok in late 2019, gaining viewers at the pandemic’s onset. Jacobs currently has approximately 314,000 followers on the platform and has produced sponsored content for major publishers including Penguin Random House, Macmillan, and Simon & Schuster.

“It has always been a dream for me to discuss my favorite books and shout about my favorite authors daily,” said Jacobs, who generally earns a couple of thousand dollars per month as an influencer. “I attribute everything to TikTok.”

Currently, Jacobs is striving to retain her network of followers on other platforms such as Instagram, though she is apprehensive that it won’t be the same.

“There’s a considerable amount of grief and anxiety,” Jacobs remarked regarding the sentiment encircling BookTok creators. “We’re losing a community that we’ve fostered, which has become integrated into our everyday lives, where we’ve formed lifelong bonds.”


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