Nadav Kander’s new trio of photographic works are elemental wonders of contemplation

Nadav Kander is a Kentish Town-based photographer who’s well-known for his moody, atmospheric pictures. Scratch that, he’s the person behind a few of my most beloved pictures of artists, akin to David Lynch, Adam Pearson, Benicio Del Toro and different magnetic topics, through which his photographic eye for mild and darkness pulls highly effective auras from the superstar faces we’ve seen 1000’s of instances. But now, Nadav’s new exhibition brings collectively three our bodies of labor: Dark Line, Colour Fields, and Treow – however these should not straight forwardly his nice portraits, which Nadav as soon as stated “capture more than likeness”, however these are emotive panorama pictures that rework how we see and really feel panorama pictures. “I do not see a big divide between a portrait and a landscape that shows human intervention and/or human history,” says Nadav. “There is a landscape in the portrait and a portrait in the landscape.”

This a lot is true inside Nadav’s pictures of timber, which he generally superimposes on high of his well-known portraits. Treow, the latest set of pictures on this trio, means not solely tree in Old English, but additionally belief and promise (giving new which means to the phrase “as strong as oak”). “How perfect as I, for a long time, have been photographing trees or including them in my landscapes,” says Nadav. “I only found the dormant tree, the sleeping giants, the tree waiting for renewal profound to me. There is a strength to their endurance, their age and a solid patience to their waiting.” Within these pictures of towering timber, Nadav reveals a human ingredient inside their prowess – their wrinkles, their age, their distinctive shapes – these pictures humanise the unbreakable promise of their presence. After all, oak trees are close relatives to humans.