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Readers of The Strad are little doubt aware of the latest plights of musicians trying to board flights with their devices. From cellos being denied onboard regardless of having secured a separate ticket, to violinists pressured to journey with their devices on their laps, there have been quite a few incidents that trigger musicians to method air journey with comprehensible trepidation.
Serbian cellist Maja Bogdanović skilled a difficulty with safety whereas passing by means of Amsterdam’s Schiphol Airport on Monday 1 September, not due to her instrument, however one other, sudden merchandise.
Bogdanović’s Bluetooth foot pedal, which was contained in her hand baggage, triggered a crimson alert at safety. Within seconds, she was surrounded by 5 policemen.
She tried to clarify what the machine was to the officers. ’I even mentioned to them, ”I do know it seems like a detonator, however it’s only a foot pedal,”’ she recalled.
’But that solely made issues worse. They requested, how are you aware it seems like a detonator? I answered that one other safety officer at one other airport (years in the past) had informed me that.
’People close by began backing away as if I have been harmful. Even although you’ve performed nothing fallacious, it’s such an ungainly, uncomfortable feeling.’
Bogdanović states that the officers remained well mannered however persistent of their questioning. At one level, they wrote down ’Food Pedal’ of their notes.
After some on-line analysis and explanations about foot pedals and their relevance to Bogdanović’s work as a performer, the officers allowed her to proceed her journey.
Bogdanović was travelling en path to Odense, Denmark, the place she’s going to carry out Shostakovich’ Cello Concerto no.1 this week with the Odense Symphony Orchestra, performed by Eugen Tichindeleanu.
Having arrived at her resort in Odense late final night time, Bogdanović joked: ’Buy tickets for the explosive cellist. I’d even convey a meals pedal on stage.’
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