Australian avenue photographer brings ‘chaos’ of New York to Sydney

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Sydney avenue photographer Sam Ferris is ready to unveil his newest exhibition, New York Times, capturing the electrical, chaotic power of New York City within the weeks main as much as the 2024 U.S. Presidential election.

Brooklyn’s Bike Kill.On a late-afternoon in Brooklyn’s industrial backstreets, Bike Kill unfolds — riders wobbling atop Frankenstein bicycles while a raucous, costumed crowd cheers. It’s part anarchy, part carnival, all celebration. Riders and bikes veer into spectators, but remarkably, no one seems to mind — or be hurt.
Brooklyn’s Bike Kill. On a late-afternoon in Brooklyn’s industrial backstreets, Bike Kill unfolds — riders wobbling atop Frankenstein bicycles whereas a raucous, costumed crowd cheers. It’s half anarchy, half carnival, all celebration. Riders and bikes veer into spectators, however remarkably, nobody appears to thoughts — or be harm.

Shot throughout Manhattan and Brooklyn, Ferris’s photos doc a metropolis on edge but alive with theatre, efficiency, and resilience.

Reflecting on his work, Ferris stated, “I hurled myself into New York like whiskey down a dry throat, chasing the manic heartbeat of a city that refused to slow down… Democracy was theatre, chaos was ritual, and the streets of New York were the stage.”

Madison Square Garden, Trump Rally.Outside Madison Square Garden, Donald Trump’s campaign rally drew supporters who queued around the block until the venue hit capacity. Police formed a barrier between them and a sea of protestors voicing their opposition. As the afternoon stretched on, tension escalated.
Madison Square Garden, Trump Rally. Outside Madison Square Garden, Donald Trump’s marketing campaign rally drew supporters who queued across the block till the venue hit capability. Police shaped a barrier between them and a sea of protestors voicing their opposition. As the afternoon stretched on, rigidity escalated.

In his photos, Trump loyalists and protestors converge on Madison Square Garden, cyclists stage anarchic parades at Bike Kill, and Halloween prophets flood the Village, whereas the streets themselves turn into levels for town’s adrenaline-fueled spectacle.

Staten Island Ferry, Sunset.Golden hour at day’s end: I’d take the Staten Island ferry to watch the sun dip behind the Statue of Liberty, joining waves of commuters and tourists who make the crossing daily.
Staten Island Ferry, Sunset. Golden hour at day’s finish: I’d take the Staten Island ferry to observe the solar dip behind the Statue of Liberty, becoming a member of waves of commuters and vacationers who make the crossing day by day.

The exhibition guarantees a sensory expertise of images, noise, and the faint whiff of political delirium.

Empire State Building, MidtownAs the evening sun ignites the Empire State Building, Midtown glows in neon from colossal billboards, while the halogen glare of food carts casts passersby in spotlight — as if on a film set.
Empire State Building, Midtown As the night solar ignites the Empire State Building, Midtown glows in neon from colossal billboards, whereas the halogen glare of meals carts casts passersby in highlight — as if on a movie set.

For Ferris, photographing town was as a lot about survival as storytelling.

“I carried a digital camera not as a defend, however as a method to sieve by way of the noise,” he says.

New York Times opens on Friday 26 September, at Studio 551, 551 King Street, Newtown. Entry is from 6:00 – 9:30 PM. 


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