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What does it actually take to interrupt into the photographic business? We caught up with a seasoned music and occasion photographer, Carrie Davenport, who works solely with Nikon gear, to listen to how she carved out a reputation for herself behind the lens.
Carrie Davenport
Specialisms: Music and occasions, business, portraiture. See extra of Carrie’s work on her website or on her Instagram account.
Carrie is a extremely regarded photographer based mostly in Belfast, Northern Ireland, recognized for her dynamic work throughout music, occasions, business tasks and portraiture.
Her ardour for pictures started throughout her college years, finally main her to depart a profession in design and set up her personal pictures enterprise in 2005. Since then she has constructed a formidable portfolio, capturing every little thing from high-energy reside performances to putting business imagery.
With a pointy, artistic eye and a deep understanding of visible storytelling, Carrie often travels all through Europe and additional afield for skilled shoots. Let’s take a better take a look at Carrie’s journey – from her early days behind the lens to the influences that form her work – and uncover the instruments and methods she makes use of to convey her imaginative and prescient to life.
Career Path
When did you start out in your current photographic genres?
I’ve been freelancing since 2006 and have always shot a mixture of things. I never specifically wanted to be a music photographer, which is where I started; I just wanted to photograph people.
From live music, I started shooting portraits of musicians, then got asked to do work for magazines and websites. Having a good understanding of working with lighting led to me being approached by theater companies for work and other events for coverage. Weddings are basically an event, albeit an incredibly emotionally important and one-off event, so those come with time. Then I started teaching others how to do it, too.
What challenges did you face as a startup and how did you overcome them?
When I first went freelance, I had just left a design agency that wouldn’t let me use any images I took there in my portfolio. I thought I’d love working there, as it was a photography job, but it was the most unhappy I’ve ever been. Long hours, impossible deadlines that involved working all night, terrible pay and an even worse manager. When I walked out I didn’t even have my own digital camera. I shot a lot for free, but you need to break out of that by changing clients.
I found it hard to get any help from other photographers, too, so now if anyone gets in touch asking for help, I try my best to answer. I have groups such as Artsekta, with whom I’ve worked for 15 years – building relationships and friendships is critical.
What key skills are needed for your line of work?
You need to be able to move fast, plan how to shoot an event of any type and make sure you get the shots you need. That involves working with constantly varying conditions and a lot of people, so you learn to think on your feet and be flexible. I work with a lot of different people and making them feel at ease in front of the camera so that they enjoy the experience is vital. I don’t ever want anyone going away saying, “Ugh I hated that!”
Which social platforms are you on, which are your favorites and how do you use each for your business?
I still rely on word of mouth and get a lot of work this way. Being based in Northern Ireland, it’s a small world and I find that if you do a great job for someone, they tell others – you can’t beat that for advertising. I do use Instagram and have separate accounts for my commercial, event and wedding work. It’s good for inspiration, chatting to other photographers and getting my work out there.
Carrie’s Photo Kit
“This is a workhorse! It is weatherproofed, reliable and I love it – I never go to a job without it. This camera just has gorgeous colours, tones and AF speed.”
This is Carrie’s backup camera, of which she has two. It features a full-frame (FX) format sensor, so is compatible with the same lenses as Carrie’s D6 body.
“I love my 85mm f/1.4 lens for portraits – it gives gorgeous depth of field and has such warm tones,” says Carrie of this short telephoto prime lens.
Nikon AF-S 70-200mm f/2.8G ED VR II
“I couldn’t do without the 70-200mm f/2.8 for events,” she says. “I recently bought this due to a work accident, but I preferred the old version due to its ring placement.”
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