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A brand new arts challenge pairs photographers and poets with farmers, fishers and meals growers to inform highly effective tales of regeneration. These grassroots efforts supply hope – and a blueprint for a extra sustainable future
Worm charmers, carbon capturers, wildflower whisperers, insect allies: regenerative farmers and fishers are working with nature, up and down the UK, in a time-honoured group.
Now, the We Feed The UK arts challenge and an accompanying e book profile 10 of these which can be main the way in which, from Black-led rising initiatives in London to a majority-women staff cooperative in Edinburgh.
Rowan Phillimore and Ally Nelson from The Gaia Foundation, the charity which is behind the challenge together with greater than 40 collaborators, refer of their introduction to the e book to Nobel prize-winning chemist Ilya Prigogine.
“He said that ‘when a complex system is far from equilibrium, small islands of coherence in a sea of chaos have the capacity to shift the entire system to a higher order,’ they wrote.“The stories in this book are such ‘islands of coherence’”.

Sankofa
Series photographed by Arpita Shah

In north London, two rising initiatives are tending to injustices within the meals system. Sandra Salazar D’eca based Go Grow With Love in Tottenham and Enfield, to help ladies of African and Caribbean heritage in nurturing a reciprocal relationship with native land.
In Haringey, Paulette Henry, Pamela Shor and their group run Black Rootz. The UK’s first multigenerational, Black-led rising enterprise is reconnecting Londoners with seed, ancestral information and earth. This cultivates greater than crops. Together they’re rising grassroots options for racial equality, land reparations and meals justice.
“We call it agroecology. We call it permaculture. But these lessons have been passed down and we’re just trying to keep them alive,” says Shor, from Black Rootz (pictured above). “Our ancestors taught us to protect the land, and we all have a duty to future generations to live in balance with nature. Being able to connect food with communities allows them to understand heritage, allows them to understand power; it allows us to share.”
A Fish Called Julie
Series photographed by Jon Tonks

“Oceans have nourished us for thousands of years, but the bounties of our blue planet are ebbing,” writes photographer Jon Tonks. He targeted his lens on the fisherfolk who’re making an attempt to work with, not in opposition to, waters off Cornwall and the Scilly Isles. Pictured on Scilly are Jof and son, Inigo, holding up handmade withy (willow) pots.
“Being a small-scale fisher offers a few metaphors for life,” Tonks continues. “When the climate tells you to not fish, pay attention. Allow the seas to replenish. Sustainable fishing means one thing completely different to everybody, however actual sustainability teaches us to not be grasping, to provide nature an opportunity, and depart sufficient for the following era.
There is an understanding in these components, an environment, of people that dwell by the ocean. Knowing when to fish, however extra importantly when to not.”
Cultivating Equality
Series photographed by Sophie Gerrard

Sons inherit Scottish farms in 85% of instances, but over half of UK household farm staff are ladies. In Edinburgh, Lauriston Farm is run by a majority-women staff’ cooperative, whose members are restoring a 100-acre city rising web site.
“There’s a plot run by a group of over-50s who didn’t know each other before, and one further up who are all from Kenya,” says Lisa Houston from the challenge. “We have a Ukrainian group, a Polish group, a group from Hong Kong, from South Africa. We only have communal sheds so that allotment holders can grow these diverse crops, cook together and eat together. We’re creating an abundance of food, and saying to people: ‘You can eat it’. Simple as that.”
Intergenerational Custodians
Series photographed by Andy Pilsbury

Bannau Brycheiniog (the Brecon Beacons) is residence to the UK’s largest intergenerational nature restoration challenge.
The Penpont Project’s custodians are a co-management council fashioned of 13 to 18-year-olds, tenant farmers, landowners and representatives from charity Action for Conservation. They make selections by consensus, younger individuals making bonds with older generations.
“It is incredible to witness how much fresh energy young people bring to a sector that desperately needs creativity,” says native farmer, ecologist and educator Forrest Hogg. “We live in a beautiful part of the world that needs nurturing back to life. But we all stand on the shoulders of our ancestors. “Yes, there is a story of degradation, but there is also a deeper story of connection and of love for the land.”
The Clean Blue of Linen
Series photographed by Yvette Monahan
Irish fax has been changed into linen for two,000 years, or so the peat bogs inform us. But a twentieth century tangle of shifting circumstances, together with two world wars, was the downfall of homegrown handkerchiefs. After 50 years, Helen Keys and Charlie Mallon (pictured) are reviving the custom of rising flax for fibre in County Tyrone. Their ‘wee blue blossom’ is chemical free, sown with a fiddle, harvested by hand, scutched on a restored turbine, and threaded into native provide chains.
“We’ve been so lucky that we’ve been able to speak to people who remember the industry and worked in it,” says Keys. “It’s not just us. There have been little pockets of people that have kept bits of knowledge and kept things going. Our flax is part of a crop rotation. It’s not taking land out of food production; it’s part of a food production system. It’s important to view it as part of this diverse system where we are growing lots of things that fit together.”
We Feed The UK is out now, created by The Gaia Foundation and printed by Papadakis
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