Photography and portray meet in Edoardo Romagnoli’s solo exhibition in Milan, Italy

From Nov. 20, 2025 to Jan. 9, 2026, Still Fotografia gallery in Milan is internet hosting “Edoardo Romagnoli. Autobiography of a Photographer,” a solo exhibition that brings collectively greater than 30 works by the Milanese artist, exploring the connection between portray, images and reminiscence.

From November 20, 2025 to January 9, 2026, Still Fotografia gallery in Milan presents Edoardo Romagnoli. Autobiography of a Photographer, a solo exhibition that brings collectively greater than thirty works by Milanese artist Edoardo Romagnoli (Milan, 1952), recognized for his skill to mix images with a pictorial language. The exhibition presents a path by the primary levels of Romagnoli’s profession, highlighting the connection between reminiscence, emotion and technical experimentation. The exhibition consists of photographs from the Moon and Flowers collection, made with none Photoshop intervention within the early levels of the work, and recounts Romagnoli’s creative trajectory from his pictorial beginnings within the Nineteen Seventies. During that interval, the artist was guided by his mom, a painter, who influenced his coaching and method to visible composition. Over time, Romagnoli developed a photographic type able to mixing the immediacy of the painterly gesture with the precision of images, creating a relentless dialogue between motion and stillness, reminiscence and actuality, method and emotion.

“In the late 1980s I realized that I could paint with a camera,” says Edoardo Romagnoli. “I often went to the terrace at night and photographed the moon, tried to move the camera and got horizons, then moved again and tried to get what my mind was drawing. After repeated episodes of loss of balance due to Ménière syndrome, I forced myself to hold the subject (the moon) steady without moving the camera. In this direction I shot for months straining my instinct to paint with the camera. The background of the moving sea, shot at long times, painted for me. The result is the work Trying to Stop the Image, featured in the exhibition.”

Among the milestones in his profession, Romagnoli’s works have been exhibited at Lanfranco Colombo’s Il Diaframma, and on the Peggy Guggenheim Museum in Venice. The experiences helped consolidate his analysis, which is characterised by a stability between formal rigor and chromatic experimentation. In latest years, the artist has launched components of publish manufacturing within the new photographs of the Fiori collection, exploring deliberately uncommon and generally inconceivable tones and colours, able to restoring an intense and authentic emotional dimension. The new works discover their framework in historic components left by his grandfather, Giuseppe Palanti, a painter and trainer on the Brera Academy, making a temporal and stylistic distinction between modernity and custom. In addition to providing a complete overview of Romagnoli’s work, the exhibition additionally testifies to the artist’s skill to resume himself with out dropping the connection to his coaching and household custom. Through the cautious use of colour, the choice of topics and the care of historic frames, every work turns into a doc of the creator’s ongoing reflection on the connection between images and portray, between experimentation and continuity, between previous and current.

Photography and portray meet in Edoardo Romagnoli’s solo exhibition in Milan, Italy

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