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The Miami collector Jorge M. Pérez has donated greater than 100 photographic works to the Pérez Art Museum Miami (Pamm) by key Modern and up to date artists resembling Thomas Ruff, Ana Mendieta, Cindy Sherman and Isaac Julien. The works given are at present on present on the museum within the exhibition Language and Image: Conceptual and Performance-Based Photography from the Jorge M. Pérez Collection (till 11 January).
“The exhibition began in May. Although we had discussed the importance of the works, we didn’t know that it was definitely going to be a gift; we were hopeful as we had discussed how to compliment the works we already had in the collection of photography and these specific artists,” Franklin Sirmans, the museum’s director tells The Art Newspaper. He provides that pictures has been an integral a part of the museum’s assortment because it turned a amassing establishment in 1996.
“The Düsseldorf School of Photography is represented through artists like Thomas Ruff and Candida Höfer. We’re adding another photograph by [UK artist] Isaac Julien to the collection, Emerald City/Capital (Playtime), 2013, along with three works by Vik Muniz,” Sirmans provides.

Isaac Julien, Emerald City / Capital (Playtime), 2013 Jorge M. Pérez Collection. © Isaac Julien. Courtesy the artist and Victoria Miro
“A good thing about the conceptual nature of much of this work is that it also allows us to think about photography as a medium that has so much life in terms of moving imagery and also how we consider the digital prospects within the museum. It’ll be interesting to be able to add this [donation] to the conversation,” he provides.
Other works donated embrace El Cuerpo del Silencio (The Body of Silence), {a photograph} of a efficiency by the Cuban artist Tania Bruguera (1997-98), and Untitled (Barulho de fundo) (Untitled [Background Noise], 2005-06), a collection of gelatin silver prints by Renata Lucas of Brazil. Other items that can enter the gathering embrace candid portraits from the US artist Philip-Lorca diCorcia’s Heads collection and Tree Filling Window (2002) by Wolfgang Tillmans.
“We want to be the best at presenting the work of Latin America and the Caribbean, looking towards the African diaspora. Jorge has provided the blueprint in many ways since he donated the first big gift of Latin American art in 2011,” says Sirmans.

Juan Carlos Alom, Habana Solo (Havana Solo), 2000 Jorge M. Pérez Collection. © Juan Carlos Alom
Jorge Pérez and his spouse Darlene are main gamers within the Miami artwork scene and have given not less than $60m to the Pérez Art Museum Miami. The museum was controversially renamed following the reward in 2011, whereby Jorge Pérez donated $40m in each money and works to the Miami establishment. The couple donated an additional $25m in 2023. In 2019, Jorge Pérez opened El Espacio 23, a nonprofit artwork area in Miami’s Allapattah neighbourhood to show works from the couple’s assortment. He based the actual property improvement firm, The Related Group, in 1979; Forbes estimates his present web value to be $2.6bn.
Asked about Pérez’s influential function on the museum as a key patron, Sirmans says: “I don’t understand the criticism; Jorge has set an incredible example of generosity and patronage for hopefully others to exemplify. What he has done in partnership with his team and our curators is about what it means to lead. He’s a leader in this [philanthropic] conversation and wants to be a leader in this conversation.”
Last month the Pérezes donated 36 works by 15 artists from Africa and the African diaspora to Tate as a part of an ongoing partnership between the Miami couple and the UK establishment. The Pérezes have additionally funded a “multi-million dollar endowment” to assist Tate’s curatorial analysis that can assist to fund curatorial posts devoted to work on African and Latin American artwork.
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