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You’re in all probability pondering it is a foolish argument. If it’s selections I would like, what’s to cease me making a choice about how my images ought to look after I course of my RAW information? If I would like black-and-white, I can have it. If I would like classic, pale colour, I can have it. RAW information allow me to decide on no matter model I like – so what’s the issue?
Well it’s change into obvious to me that there are two issues specifically. Whatever the technical benefits of capturing RAW, it’s definitely made me indecisive.
My Lightroom catalog is littered with RAW editing experiments, often with multiple versions of the same image styled in all sorts of different ways. With RAW files you can undo, redo, re-edit and revise, and it’s hard to stop. I started out as a photographer but I’ve ended up as a digital dabbler who can never quite commit to a final version of anything.
Maybe it’s just me, but I doubt it. With every new editing technique we learn, there’s that irresistible itch to go back over your old RAW files and re-do them; with every new Lightroom feature, you think about all your past RAW files that could benefit.
Non-destructive editing sounds like a blessing, but it can also be a curse. The urge to keep experimenting can become stronger than the desire to finally finish, export and commit to an edited image.
That’s dangerous sufficient, however there’s one thing worse. I strongly imagine from my very own pictures that the processing model, the topic and the way in which you shoot it are locked collectively. If you shoot with colour in thoughts after which resolve on a black-and-white remedy later (for instance), it’s inferior to capturing for black-and-white within the first place.
With digital cameras, and particularly with the EVFs on digital cameras, we’ve received it made. We can select an in-camera image model and the digicam will ‘visualize’ that model for us after we shoot.
Shooting to match a method will change your framing, your composition, your publicity, your white steadiness – possibly even your shutter velocity and lens aperture. I’m now not satisfied which you can shoot a generic RAW file with the intention of making use of a method later and anticipate it to be as efficient.
So right here’s a 3rd factor. In the previous I’ve all the time really helpful RAW information due to their wider tonal vary, the additional shadow and spotlight element you’ll be able to deliver out later. But does this make pictures higher?
If you select and compose a shot for the lighting, the distinction between gentle and shade, for an etheral high-key look or moody low-key, why mess it up later along with your RAW processing? Is it the urge to placate the silent rebuke of your clipped histogram, or a persistent reminiscence of digicam membership judges insisting on element within the shadows and the highlights?
Perhaps essentially the most telling level is that if I am going again later and evaluate my in-camera JPEGs with my processed RAW variations, the RAW information have a wider tonal vary and extra enhancing potential from a technical standpoint, however fairly often it’s the JPEGs, for all their flaws, that seize the spirit of what I used to be making an attempt to attain.
What I might recommend is, don’t cease capturing RAW, however shoot JPEGs on the identical time – and take an extended, exhausting take a look at each units of pictures later to see which captures your topic greatest. Not technically, however creatively.
RAW information are nice for getting you out of a gap the place you’ve shot with the unsuitable settings, or for making an attempt out a dozen completely different enhancing kinds on the identical pictures.
But possibly – simply saying – it is likely to be higher to hone your digicam work so that you simply don’t want the protection web of RAW information. And possibly it’s higher to decide to a method for the time being of capturing while you match your photographic method to that model – after which keep on with it.
Maybe shoot RAW+JPEG with the purpose of retaining the JPEGs and having the RAWs as backups? I’ll attempt something if it brings me again to being a photographer, not a digital dabbler.
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Want nice in-camera JPEGs? Take a take a look at the best Fujifilm cameras, loaded with Film Simulations, or the best cameras for black and white photography for ultimate mono shooting.
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