Images and the Strangeness of Colors

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A vivid aurora with pink and purple lights illuminates the night sky above calm water and a wooden pier, with a rocky breakwater in the background.

An understanding of colours and the way they will remodel our images is a talent we photographers should grasp. Therefore, attending to grips with the strangeness of shade is crucial for understanding easy methods to take higher photographs.

It’s Strange that Color Doesn’t Exist, Except in Our Minds

The first unusual factor we must always find out about shade is that it doesn’t exist. What we understand is simply our brains deciphering the alerts coming from our eyes’ retinas, which have collected photons at completely different wavelengths. Outside our minds, all that there’s are vibrating waves of photons. Red, inexperienced, blue, and all the opposite hues are simply our interpretation of these vibrations.

Rainbow Colors Are Not the Same as Paint Colors

The second strangeness is the confusion about what most of us could have learnt in school. We had been informed that seen white gentle contains the seven colours of the rainbow: purple, orange, yellow, inexperienced, blue, indigo, and violet. But if you happen to tried to combine these paint colours collectively, a brown mush would consequence.

That’s the distinction between additive and subtractive gentle. When we remix these rainbow colours as gentle, they add collectively to make white gentle. However, paints work by absorbing some colours and reflecting others. So, when mixing them collectively, every pigment absorbs sure wavelengths of sunshine.

When you mix two pigments, the ensuing combination absorbs a broader vary of wavelengths than both pigment does alone. The shade you see is the mixture of wavelengths that aren’t absorbed. Because every pigment subtracts gentle, mixing many colors ends in much less gentle being mirrored, so that you get darker, muddier colours.

A European starling with iridescent black and green feathers, speckled with white spots, stands on a concrete surface. Its yellow beak and reddish legs are visible. The background is softly blurred.
The iridescence seen on this starling is brought on not by a pigment however by the best way the sunshine is refracted and break up by its feathers.

The Strange Ways Our Eyes Work

If you studied human biology, you’d have found that the cones, the colour receptors in your eyes’ retinas, had been of three differing kinds. S-cones that detect blue gentle are thought of probably the most historic, being the primary to evolve round 500-600 million years in the past. They cones detect brief wavelengths and are present in practically all vertebrates, together with fish and amphibians.

In addition to the S-cones got here M-cones, that are green-sensitive. They advanced later, about 300-350 million years in the past. Numerous animals have dichromatic (two-color) imaginative and prescient, together with antelopes, horses, cows, canine, cats, rodents, and rabbits. The saying, a purple rag to a bull, is fake as a result of bulls can not differentiate purple.

Finally, L-cones are red-sensitive and had been the final to evolve. In primates, together with people, L-cones advanced comparatively not too long ago, solely about 30–40 million years in the past. L-cones detect longer wavelengths. This growth allowed trichromatic imaginative and prescient, which is especially helpful for detecting ripe fruits and younger leaves in inexperienced foliage.

People who’ve red-green shade blindness lack L-cones. However, they might see extra nuanced shades than the remainder of us. In the Second World War, it was found that shade blind folks might see the distinction between foliage and camouflage, in order that they had been used as spotters in airplanes.

Interestingly, individuals who have aphakia, typically attributable to having cataract operations, can see past blue into the ultraviolet. Consequently, they see a wider vary of colours than most of us. This can result in them growing the saturation of images to match their notion of the world, though that will appear unrealistic to you, me, or a contest choose.

Sunset over a calm sea with an orange sky. The sun is low on the horizon, and a small island with a lighthouse is visible in the distance to the left. The foreground shows dark, rocky tidal pools.
Not solely can we see colours in a different way, however just like cameras, a few of us understand fewer particulars in highlights and shadows on the identical time.

Our Camera Sensors Mimic Our Eyes

In our cameras, the sensor collects purple, inexperienced, and blue gentle, mimicking our eyes not solely in these colours, however within the proportions of every. There are 50% inexperienced, 25% purple, and 25% blue receptors each in our eyes and on a Bayer sample of the sensor. (Fujifilm makes use of a special sample in its APS-C sensors with round 55.6% inexperienced, 22.2% purple, and 22.2% blue receptors.)

Each pixel captures just one shade because of its purple, blue, or inexperienced filter. The particular person alerts from every pixel are despatched to the digicam’s processor (or uncooked growth program), and the full-color picture is reconstructed utilizing a course of known as demosaicing. However, for the reason that picture solely contains varied brightnesses of purple, inexperienced, and blue and never the complete spectrum of colours, the reconstruction course of interpolates any lacking shade data by inspecting neighboring pixels.

That demosaicing course of is usually underappreciated, but it surely is a vital function that we must always contemplate when selecting uncooked growth software program.

A seamless checkerboard pattern with alternating small squares in red, green, and blue, creating a colorful, repetitive grid across the entire image.
The Bayer sample mimics the proportions of reds, greens, and blues of our eyes’ shade receptors.

How Different Light Affects the Colors We See

When we take a look at any object, the way it seems to us will rely upon the sunshine’s depth and shade. For instance, the low-level yellow gentle of an incandescent gentle bulb will make an object seem very completely different from when a harsh halogen bulb illuminates it. However, our brains are fairly good at correcting for these adjustments, and we nonetheless know {that a} white sheet of paper is white, regardless of the lighting.

To illustrate this, if we sit indoors after sundown with the incandescent gentle bulbs lit, and we maintain a chunk of paper in entrance of us, it seems white. But once we look in direction of our home windows, the surface world appears blue. Step outdoors, and our consciousness of that blue disappears. That identical sheet of paper nonetheless seems white. But wanting again in direction of our house, the sunshine coming from our home seems very yellow.

Years in the past, I slept in a inexperienced tent. First factor within the morning, I’d step outdoors, and the world would look pink till my eyes grew to become accustomed to the daylight.

Just as our brains regulate to the assorted gentle colours, your digicam can too. It has a function known as auto white steadiness. Most cameras are fairly good at measuring the sunshine’s shade and adjusting the ensuing picture accordingly, so white stays white. By default, your digicam’s white steadiness will likely be set to Auto (AWB). However, additionally, you will have the ability to override that and manually set it relying on the colour of the ambient gentle.

A wide view of a calm sea at sunset with dramatic blue clouds streaking across the sky, reflecting on the water. Some rocks are visible near the shore. The horizon glows with hints of orange and pink.
Before dawn and after sundown, the sunshine turns into blue

The Strange Disparity Between the Psychology and Science of Color

When we see yellows, reds, and oranges, we contemplate them to be heat colours. Likewise, blues are regarded as being chilly. However, in science, reds and yellows are cooler than blues. We know this via a easy experiment most of us have seen. Imagine heating up an iron rod. It begins off glowing purple. As it will get hotter, it turns yellow after which blue-white.

When the digicam doesn’t get it proper, we have to right the white steadiness utilizing growth or enhancing applications. So, if the ambient gentle is simply too blue, we regulate it by growing the yellowness of the picture as a result of it must be psychologically warmed up (scientifically cooled down).

However, typically photographers wish to override the white steadiness. Many panorama photographers like their photographs to have a barely yellowish glow. Therefore, they are going to regulate the white steadiness to make the image seem (psychologically) hotter.

A dramatic sunset illuminates a lighthouse and distant buildings on a dark coastline, with large, blurred ocean waves crashing in the foreground under a vibrant orange sky.

Hue, Saturation, and Luminance

It’s important to know the distinction between hue, saturation, and luminance in colours.

Hue is what we generally consider as shade itself, and we all know the variations between purple, inexperienced, yellow, and blue, and many others.

We additionally know that every of these can change in depth or saturation. Highly saturated colours are daring, and their vividness offers affect and pleasure. Meanwhile, pastel shades with a low saturation present emotions of calmness in a photograph.

Meanwhile, the luminance of the colours is how darkish or shiny they’re.

In the event and enhancing software program, we are able to change the hue, saturation, and luminance of all colours directly or one shade at a time. One widespread mistake a novice photographer usually makes is being too heavy-handed with the saturation slider in software program. However, bear in mind what I mentioned earlier about aphakia. It’s potential that what some may contemplate an oversaturated picture might be a detailed interpretation of how they see the world.

You might even see a vibrance slider sitting alongside the saturation slider. It works in a different way in that it solely adjusts the saturation of the extra muted colours.

A lighthouse on a small island is illuminated by the soft glow of a sunset, with calm sea waves in the foreground and a colorful sky with purple and orange hues in the background.
Less saturated colours give pastel tones and a larger feeling of calmness.

The Strange Problem With Color Symbolism

Experienced photographers use shade to convey emotion and that means. However, these meanings aren’t fastened. They shift throughout each time durations and cultures.

Consider white. In many Western societies, it symbolizes purity, which is why brides historically put on white. But this practice solely dates to Queen Victoria, who wore white to her wedding ceremony to help a struggling lace business. It was not initially supposed to characterize innocence. Before that, brides wore clothes of all colours, usually merely selecting their “Sunday best” outfit, which was incessantly black amongst working-class girls, as black dyes had been low-cost.

In distinction, white in China is related to mourning and is worn at funerals. Red and gold, symbolizing happiness and prosperity, are the normal wedding ceremony colours.

Red within the U.S. flag stands for valor, in Kenya it represents sacrifice, and within the Aboriginal flag of Australia it signifies the earth.

Politically, purple and blue have the other associations adopted within the U.S. and the UK. In Britain, blue is the colour of the right-wing Conservatives and populist radical proper Reform Party. In the U.S, nonetheless, purple represents the conservative Republican Party. However, purple additionally seems in flags linked to communism, socialism, and even far-right actions such because the Nazis.

Even inside one tradition, a single shade can carry conflicting meanings. In the West, purple can evoke each love and aggression.

A calm seashore at sunset with smooth water, rocky shoreline, and an island with a lighthouse in the distance. The sky glows orange and red with a dramatic, long-stretched cloud above the horizon.
Red sky within the morning, shepherd’s warning.

This is simply touching the floor of what shade is, and the fascinating strangeness of it. There is a lot extra that we are going to cowl in additional depth in future articles.


This web page was created programmatically, to learn the article in its authentic location you’ll be able to go to the hyperlink bellow:
https://petapixel.com/2025/12/29/photography-and-the-strangeness-of-colors/
and if you wish to take away this text from our website please contact us