If I have been beginning my professional sports activities pictures profession once more, I’d purchase this 180-600mm lens – it is presently obtained $200 off and below $2,000

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I’ve carried some critical glass in my time, and if there’s one lens I genuinely want had existed after I was capturing skilled sport week in, week out, it’s the Nikon Nikkor Z 180-600mm f/5.6-6.3 VR. Right now, it’s sitting at just $1,996.95, down from $2,196.95, which makes this a $200 saving on a lens that rewrites what a sensible sports activities setup can seem like.

Sebastian Oakley gear

That’s me with a Nikon 600mm f/4 flung over my shoulder (Image credit: Future)

Back then, covering sport meant living with a 600mm f/4 slung over one shoulder, another body with a mid-telephoto over the other, and a bag full of compromises in between. It worked, but it was heavy, expensive, and physically punishing over a long season. Looking at the 180–600mm today, it’s hard not to think how much simpler life would have been with one lens covering virtually every telephoto focal length I ever needed.

From touchlines to circuits, athletics tracks to wildlife-style field sports, that 180–600mm range is pretty much the sweet spot. You’ve got reach when the action is distant, flexibility when it suddenly comes close, and the freedom to react without changing lenses or bodies. For a working sports photographer, that kind of coverage is gold.

My colleague Mike Harris using a Nikon Z8 and Z 180-600mm f/5.6-6.3 VR at Thruxton Race Circuit (Image credit: Mike Harris)

The real kicker is how it changes the rest of your kit. Pair this lens with a fast wide-angle or standard zoom, and you’re done. Every sport, every angle, every scenario covered without hauling around a small gym’s worth of equipment. It’s the kind of setup that lets you focus on timing, positioning, and storytelling instead of logistics and sore shoulders.

Sure, there was a time when big primes were the only way to get the shot, and they still have their place. But modern sensors, stabilization, and autofocus mean a lens like this doesn’t feel like a compromise. Instead, it feels like freedom—especially for anyone starting out or looking to streamline a professional workflow.

Image of just some of the kit I used to carry every event! (Image credit: Future)

At just under two grand, this isn’t just a good deal, it’s a smart investment. If I were starting again in pro sports photography today, this is exactly the kind of lens I’d buy first. One lens, endless reach, and far fewer reasons to lug around a 600mm f/4 ever again.


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