Photographer Behind MAGA Shut Ups Shares Wild Epstein Story

The photographer, whose portraits of high White House officers featured in a bombshell Vanity Fair article that made waves throughout the web, has opened up about encountering intercourse abuser Jeffrey Epstein in 2015.

“I didn’t know much about him, other than the fact that he had heavy connections to powerful men,” Christopher Anderson wrote in an Instagram post on Tuesday. “He wanted to meet me before the shoot to negotiate buying out the pictures after publication.”

Anderson informed followers he first met Epstein in 2015 when he was assigned a undertaking by New York Magazine to accompany an article by journalist Michael Wolff, who was apparently in communications with the billionaire financier on the time about then-presidential candidate Donald Trump.

He shared copies of images taken in the course of the undertaking, which featured a black-and-white close-up of Epstein and his desk, displaying a printed e-mail change between Epstein and the British Royal Government workplace.

The e-mail was addressed to Amanda Thirsk, the non-public secretary of former Prince Andrew, who now goes by Andrew Mountbatten-Windsor. It partially reads: “I have expressed my concern to you that despite all our concerted efforts I still remain unpaid. The financial arrangements have been agreed directly between the Duke, the Duchess and I for some 2 months.”

Anderson recalled Epstein wanting to fulfill him earlier than the photoshoot to barter shopping for out the rights to the images after publication.

“When Epstein arrived, his eyes sized me up like someone always looking for the angles,” Anderson stated. “He quizzed me about my pictures and how the shoot would go and how much I thought my pictures were worth.”

Epstein reportedly informed the photographer he didn’t need anybody else to have the pictures after publication, provided him $20,000 to personal them and handed him a private verify. He clarified that New York Magazine had already given him permission to make such an association.

“It was all the money in the world to me at the time,” Anderson wrote. “I had a young family and lived basically month to month.”

However, a number of days later, Epstein determined to drag out the story, in keeping with Anderson, and started calling to demand the images, however he reiterated that the images weren’t Epstein’s till after publication.

“Then the threats started,” Anderson stated. “He sent his bodyguard/ driver, Merwin, a massive guy in a long black overcoat and black, leather gloves, to my studio to intimidate me (it worked).”

Anderson claimed publication killed the article, and he cashed in Epstein’s verify. Merwin allegedly confronted Anderson to gather the exhausting drive and ensure there have been no copies, however they had been later discovered.

The photographer made headlines in December after portraits of Trump’s internal circle had been brutally dragged on-line. Among the photographs Anderson took that drew probably the most consideration was a photograph of press secretary Karoline Leavitt, who Vanity Fair labeled “The Mouth Piece,” displaying what commentators speculated had been lip injection websites on her higher lip.

He defended his work, telling The Washington Post, “I didn’t put the injection sites on her.”