“Does this channel have more juice in it?” YouTuber J.J. McCullough on a “sustainable” life as a information creator

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The data is in: News creators and influencers are a significant supply of reports for Americans, particularly individuals below 30. This is the primary version of Creators of Record, an occasional collection of interviews with fashionable creators about how they do their jobs.

When J.J. McCullough first began making YouTube movies in 2015, he was 31, and frightened he was too previous to interrupt by on an already saturated platform.

McCullough had misplaced his job as a political commentator on the conservative Canadian TV channel Sun News Network when the station abruptly shut down. “I bought a little camcorder at Best Buy,” he mentioned, and determined to offer YouTube a strive.

Ten years and almost 600 movies later, McCullough is one of Canada’s most successful YouTubers, with over 1,000,000 subscribers and 384 million video views.  As a full-time content material creator, he instructed me he earns six figures and that content material creation can help a “middle-class lifestyle.”

McCullough’s movies deal with U.S. and Canadian tradition and the way they intersect. A sampling of latest movies: How bad is the PragerU guide to presidents?“, “What 2025 permanently added to American culture,” “whatever happened to Canada’s Online Streaming Act?”, and the four presidents that lead America into (and out of) war.

His viewers is round 80% male, with most of his viewers between the ages of 20 and 35 and about half primarily based within the U.S.

“I prefer to ask individuals, ‘What are you interested in? What other kind of YouTube channels do you like?’” McCullough told me. “It seems like a lot of them are more interested in history and politics than they are in some of my other cultural things, and that’s how I’m steering my channel going ahead.”

From his dwelling in Vancouver, McCullough and I chatted by way of Zoom in regards to the street to 1,000,000 subscribers, the variations between information organizations and creators, and extra. Our dialog, edited for size and readability, is beneath.

Hanaa’ Tameez: How did you get began?

J.J. McCullough: I assumed I had a fairly candy gig with this TV station. I’d thought that was my profession trajectory. I’m comparatively good on digicam. I can communicate extemporaneously, with some extent of fluidity. I had blogged and issues previously, so I had a preexisting web viewers and a preexisting viewers of folks that knew me from TV as properly. So I used to be like, properly, perhaps I ought to give this YouTube factor a strive. I purchased just a little camcorder at Best Buy, and I began making movies in a spontaneous means. It was one thing to do after dropping my job, a solution to preserve me related on-line.

When I speak to younger individuals [on YouTube] at this time, they typically have a really well-developed sense of what metrics they should be hitting at what time — like, “If this video isn’t getting 6,000 views, I’m finished,” or “If this video gets 6,000, then [the next] video needs to get 7,000, and then 10,000.”

Because I used to be coming into this so naive and ignorant, I actually didn’t have any metrics like that in my thoughts. I used to be extra considering of it from my very own perspective: How can I develop these expertise? How can I get used to creating movies repeatedly? How can I change into disciplined sufficient to obey a schedule of content material manufacturing?

It’s exhausting for me to recollect precisely after I “broke through.” Around the identical time, I received a job provide to start out writing a weekly column for The Washington Post. That job introduced a bit of monetary stability whereas I used to be doing this experimental YouTube factor. I misplaced the Post job three years in the past. At the time, it didn’t seem to be that massive of a deal as a result of my YouTube cash had exceeded my Post cash.

The quantity was regularly going up and reaching highs that I’d by no means seen earlier than — throughout COVID, [going up] to a level that I feel made me just a little delusional about how a lot cash I used to be going to be making. But the COVID bubble was short-lived. People didn’t have time to spend all day watching YouTube movies anymore.

I’ve positively come down from a excessive. It’s change into a sustainable life-style. The income fluctuates a good bit, and that may be fairly demanding, as any YouTuber will let you know. But so far as my skill to take care of the approach to life that I need, this can be a good job for that.

Tameez: Why is that this work essential now?

McCullough: We stay in a time in which there’s a lot data and media out there to devour, and plenty of it isn’t high-quality. Quite a lot of it’s frivolous, ridiculous, or actively dangerous. We can all consider examples of the type of content material that’s not helpful to be spending a substantial amount of time consuming. I need to be a very good instance on this crowded media market. I need to offer one thing that could be a helpful, wholesome different that folks could possibly be consuming as a substitute.

Tameez: What makes a J.J. McCullough video distinctive?

McCullough: That’s positively a query that every one creators ought to ask of themselves: What are they providing that’s distinct? I feel I do good analysis. I worth being trustworthy and blunt. I put plenty of effort into clearly illustrating the issues I’m saying. I’m going to the library lots to do analysis; I don’t simply Google issues and spit again the primary outcomes that I get.

Some individuals discover it just a little bit novel that I’m from Canada. I generally get annoyed after I see different YouTubers who’re from some fascinating a part of the world and don’t ever acknowledge it. They simply attempt to fake that they’re American, that nobody ought to ask questions on the place they’re from or what kind of fascinating new perspective which may provide.

Tameez: How do you get your video concepts? How does the method begin?

McCullough: The world is an enormous, difficult, fascinating place, and I’m typically intrigued by random issues that I come into contact with. I’m simply ending up a video in regards to the Indigenous peoples of Canada. During the course of researching that video, I used to be wanting on the Canadian census to see what number of native Canadian individuals there are on this nation and I got here throughout numerous ethnicities I’d by no means heard of earlier than — ethnic teams which have solely a pair thousand individuals in Canada. A deep dive into that may be an fascinating video.

After making movies for thus lengthy, you be taught to suppose in a sure means. It’s the identical with after I was a columnist: You practice your mind to kind totally different stimulus into whether or not it’s one thing you’re feeling excited sufficient about make a protracted engagement with it.

Tameez: How do you do your analysis?

McCullough: I attempt to discover the definitive guide as a lot as attainable on a few of the issues that I’m discussing, which is often not that onerous to do in the event you go to the library. In my movies I’ll typically maintain up a guide that’s a complete abstract of some matter, and [viewers are] stunned that anyone has written a guide on that.

I actually like C-SPAN as a result of they’ve plenty of interviews with authors. You can get a fairly good abstract of a fancy matter simply by listening to an creator who’s finished plenty of analysis on one thing discuss the subject material. I never use Wikipedia.

Tameez: Why not?

McCullough: Wikipedia is written in a really explicit fashion with a impartial perspective. It’s not misleading, but it surely’s written from [the point of view of] a small minority of people that dominate the creation of Wikipedia articles.

The perspective I’m fascinated about is commonly from journalists or critical researchers. I [read] critical journalistic retailers [like] The New York Times and The Washington Post, the place I used to work. I like The New Yorker and The Atlantic lots as properly. These are locations the place you’ve journalists writing critical, in-depth investigations on all types of various cultural, historic, and political phenomena.

I feel ambiguity is essential to belief the viewer with. Quite a lot of channels attempt to at all times have an ideal, tidy story, notably in relation to cultural issues…
I’m in search of supply materials that conveys a few of the messiness of the world and the diploma to which issues typically don’t have a wonderfully tidy reply.

Tameez: How do you credit score exterior sources?

McCullough: I’m not a journalist. I’m not doing impartial investigations. I’m principally summarizing the analysis different individuals have finished. There are different channels that supply that, however I’m principally summarizing the literature.

Some YouTubers provide an extended listing of sources, works cited, that type of factor. I don’t do this, principally as a result of it provides to the manufacturing time, however I attempt to a minimum of maintain the books up and put up screenshots of articles, in order that if persons are curious they’ll confirm the issues I’m saying.

Tameez: How do you go about issuing corrections and fact-checking?

McCullough: I don’t suppose I’ve ever had an enormous controversy about that type of factor. There have been a handful of instances when there’s been factual errors. In one video I discussed some man as being Catholic when he wasn’t Catholic, so I deleted the video and re-uploaded it with that modified.

My viewers catches little issues in a short time, and as quickly as I add a video, I typically have a bit of hysteria. In the uncommon circumstances that one thing improper will get by, the viewers lets me know, often inside the first hour or so. If there’s a critical sufficient drawback, I’ll delete it.

Before any video goes stay, I put up the video to my Discord server and attempt to get a minimum of three viewers to test it. They typically discover issues, and I typically make small modifications primarily based on their observations. In these circumstances it’s much less about info and extra about typos. I’m just a little bit dyslexic, so I’ve an actual tendency to make use of the improper numbers or put numbers within the improper order — 1798 as a substitute of 1978, issues like that. It’s helpful to have a number of eyes wanting on no matter you make.

Would I prefer to have a New Yorker-style fact-checking crew? Absolutely. But inside the context of the type of content material that I’m making and the ambition it has, I really feel like I’m doing issues fairly responsibly.

Tameez: Who is your viewers?

McCullough: My viewers is comparatively younger, though as I grow old my reference for what’s younger is shifting lots. It’s principally males. Half of the viewers is from the U.S., Canada is perhaps 20%, after which different components of the world in smaller slivers. It’s principally individuals of their early-to-mid 20s to early-to-mid 30s.

[When I meet viewers on the street], all of them seem to be fairly reasonable individuals. They don’t seem to be they’ve very strident political opinions in a single path or the opposite. I feel they’re fascinated about getting outdoors the noise machine of overly tendentious left-right politics.

I used to work for a TV channel that was fairly conservative, with a fairly clear perspective. At one time I considered myself as being predictably conservative. As I’ve gotten older, I’ve mellowed out a good bit. I’ve realized that the world could be very complicated and there are not any simple solutions to any of this stuff, and that there are unattractive currents in conservative politics that I feel are value being on guard in opposition to — in the identical means that, after I was extra conservative, I used to be hyper-vigilant in regards to the excesses of the left. I really feel like now I’m extra vigilant in opposition to the excesses of the correct, and plenty of my viewers might be the identical means. They’re not tremendous left-wing, however they’re not ardent conservatives both. They’re in search of somebody who has the integrity to be trustworthy in regards to the second that we discover ourselves in and communicate in a blunt means.

Tameez: Was there a specific second when your political leaning shifted?

McCullough: I used to be fairly turned off by Trump, truthfully, as I feel plenty of reasonable conservative individuals have been. I used to be not in favor of his election the primary time, however I attempted to have a extra standoffish perspective the place it was simply type of like, “Oh, well, let’s see where this goes.”

As the Trump authorities received extra odious, I turned extra agency that this isn’t one thing that I’m fascinated about. It wasn’t till his second election in 2024 that I made a video the place I got here out exhausting in opposition to him.

That triggered me to lose a good variety of subscribers. I feel I nonetheless had various MAGA-type individuals who have been following me as a result of I had been fairly studious within the first time period about weighing in an excessive amount of about that type of stuff.

Now I’m desirous about it extra like: Have we reached the restrict of how goal you will be within the context of a political determine who you simply really feel is, objectively, very terrible in a really distinctly detrimental and damaging means? Is it attainable that some political leaders are simply actually unhealthy, and you need to say that with a purpose to be goal? To attempt to deal with them “fairly” is definitely simply to be participating in a type of misinformation.

So a lot of our political system relies on the premise that that must not ever be the case — that it should at all times be attainable to be truthful, as a result of all people should at all times have some redeeming qualities in equal proportion to their unattractive qualities. But the likelihood that that’s not true — that there are some individuals [whose] scales aren’t objectively weighed evenly — that’s one thing that I’ve needed to grapple with as I proceed to make my content material.

Tameez: What do equity and objectivity imply to you? How do these play out in your work?

McCullough: There’s a quote from Marty Baron the place he says the target of the journalist is to report what you’ve discovered — to offer a good-faith effort to analyze one thing, however then to inform the reality in regards to the data that you just’ve acquired. That to me is the gold commonplace of objectivity. It’s to deal with the viewers like adults who can deal with listening to the reality, even when the reality won’t be flattering to preconceived notions that they may have about sure theories, politicians, philosophies, or coverage approaches.

If you might take some form of reality serum and simply be compelled to solely communicate truthfully about issues, what would you say? That’s a thought train that I take into consideration lots myself. I feel that all of us deep down know that we aren’t being trustworthy on a regular basis. We all type of know on some degree that we’re type of massaging info. We’re type of hoping that issues lead in a single path and never one other. I attempt to overcome that pure inherent motivation in the direction of bias that all of us have.

To be trustworthy, to be goal, to be truthful, requires exceptional self-discipline. I’m hardly good, but it surely’s one thing I attempt to try for in relation to the pursuit of objectivity.

Tameez: What did it imply to you to hit a million YouTube subscribers?

McCullough: I don’t need to be ungrateful, as a result of it’s an amazing landmark to have handed. I received the golden plaque and every part, however on the identical time, my channel had been rising very slowly for the previous couple of years. Around the time I received 800,000, it felt like issues actually began to decelerate. When I lastly handed 1,000,000, it was actually gradual going. I’m dropping subs in what generally appears like equal proportion to gaining them.

I generally prefer to joke that I not solely hit 1,000,000 subs, I hit 1,000,000 subs like 10 instances within the final yr as a result of I might go 1,000,000 after which I might lose a couple of.

When I hit 1,000,000, it hit me extra as a reminder of the stagnancy of my channel relatively than the expansion that I feel passing a mark like that’s speculated to symbolize. It’s extra of a second of reflection for me than delight. Does this channel have extra juice in it? Is there one other grand landmark I can aspire to go, or is that this pretty much as good because it’s going to get for me?

I hope there’s extra that I can get out of this. I like being a YouTuber. It’s the most effective job I’ve ever had. But on the identical time, a vital factor in life is to really feel that you just’re not stagnant and that you just’re without end advancing in your profession — a minimum of, that’s crucial to me as a inventive particular person. So what’s that going to seem like in my post-million-sub period?

Tameez: Since sponsorship is considered one of your income streams, how do you steadiness making movies about critical points whereas working with manufacturers?

McCullough: I’ve by no means had an issue with that. Quite a lot of instances the sponsor doesn’t even know what video their advert goes in. I feel once you’re smaller, sponsors are inclined to care about that. But when you’re established, there’s a way of ‘J.J.’s not going to do something too on the market.’

I attempt to not do a few of the extra political movies with sponsors, as a result of it’d hassle the sponsor, but it surely additionally type of cheapens the seriousness of the video. If I’m making a video on an essential political matter that I really feel passionately about, it’s awkward and bizarre to transition into hawking some product. It undermines the dignity I’m attempting to go for.

You see it on a regular basis: Somebody makes some very critical video on, like, a humanitarian tragedy, after which they segue into shilling for some silly cell sport app. I don’t need to be like that. Even although it comes at a monetary value, there’s an integrity that I need to keep.

Tameez: What are a few of the surprising prices of being a YouTuber?

McCullough: There are extra of these than individuals would possibly suspect. For plenty of YouTubers, it’s labor prices, however I don’t pay individuals apart from [a person in Ottawa] who helps me with the enhancing. I purchase plenty of issues for the movies, like after I maintain up like books and stuff.

I spend a good bit of cash on inventory footage subscriptions. I’ve a subscription to the Oxford English Dictionary that’s like $100 a yr. I’ve a subscription to Newspapers.com, additionally round $100 a yr. I’m paying for lots of little issues for that assist with the analysis and the general high quality of the video.

Tameez: Is being a YouTuber worthwhile for you?

McCullough: It’s worthwhile. Sometimes I meet mother and father who’re like, “My kid wants to be a YouTuber,” they usually deal with it as if this can be a ridiculous fantasy — what a dopey concept. But I used to be in a position to do it. I’ve tons of mates who’re skilled YouTubers. Not everybody can do it within the sense that not all people has the ability set or the self-discipline to do it, however I feel it may be a wonderfully snug [livelihood]. It generally is a path to a middle-class life-style.

You’re not going to be the following Logan Paul. But if you would like a middle-class life-style — perhaps equal to what your mother and father had — it’s attainable to try this. I do know numerous YouTubers who’re married and have youngsters they usually have a standard middle-class revenue and life-style. Just as a result of it’s a brand new sort of job, simply because it’s public-facing, simply because it has a type of veneer of movie star to it, that doesn’t imply that it’s utterly out of attain.  [Ed. note: McCullough isn’t married and doesn’t have children.]

Tameez: How have your views about legacy and mainstream journalism modified because you began this work?

McCullough: I respect mainstream media an important deal. I feel they’re doing higher work than plenty of new media individuals do.

No one has actually risen to dethrone them by way of news-gathering. Lots of people have risen to dethrone them on the opinion and commentary aspect of issues — individuals will go to YouTubers and podcasts in a means that they used to should go to the editorial pages or roundtable reveals on CNN or no matter, the place individuals yap at one another and argue about politics. I made a complete video just lately about how opinion journalism has been changed largely by on-line content material creators. But so far as I do know, by way of journalistic enterprises that do critical on-the-ground reporting…there’s little or no of that being finished [in the content creator space].

Legacy media nonetheless is in a fairly privileged place and deserves respect and deference for that. When you see these individuals that supply themselves up as “the new wave of online journalism,” half the time, all they’re doing is reacting to anyone else’s reporting, versus contributing reporting of their very own.

The problem of our time is whether or not or not audiences care about that type of stuff. Do audiences care about reporting? Do audiences care about conventional journalism, or are they solely fascinated about opinion content material? Are they solely fascinated about evaluation of the information relatively than the gathering of the information?

I fear about newsrooms operating out of cash and never having the ability to financially maintain themselves, which is why I feel it’s essential when you’ll be able to to subscribe to media retailers whose work you take pleasure in, as I do.

Tameez: What challenges lie forward in 2026 for information creators?

McCullough: How will we distinguish the type of content material that persons are consuming that includes politics and the information — as in, consuming it for informational causes versus consuming it for leisure causes?

This comes up lots with these wacky characters who’re supposedly gaining affect within the political commentary area. You can consider whoever you need, however there are plenty of wackos on the market and other people typically fear that the wacko’s strategy to politics or no matter is gaining traction in American democracy.

Maybe that’s a respectable factor to fret about. Horrible extremism, prejudices, bigotries, hate — all types of stuff we don’t need to see acquire a foothold in politics. But then again, I generally surprise: Is plenty of that stuff simply low-cost leisure? Like, are [viewers] watching this simply because it offers them a little bit of a thrill as a result of these persons are nuts, they usually’re wacky, they usually’re saying horrible issues which might be however type of titillating?

That’s one thing anyone who observes the political scene and the journalistic scene has to develop a greater sense of.

When I used to be a child, it was a golden age of speak radio. There was plenty of loopy right-wing speak radio, and plenty of bizarre guys who did conspiracy theories, UFO tales, and paranormal reveals. I by no means purchased into that, but it surely delighted me on some degree as a result of it was entertaining and bizarre and enjoyable.

I feel there’s a level to which plenty of that is without doubt one of the motivations behind why persons are consuming a lot wacko stuff on-line. They discover it entertaining, and it doesn’t essentially inform their view of the world.

I feel the priority is acceptable, however I additionally suppose it’s essential that we don’t sensationalize and thus overstate the cultural or political relevance of stuff which may solely be consumed for fairly shallow and frivolous causes.

Image created utilizing photograph by Markus Winkler:


This web page was created programmatically, to learn the article in its unique location you’ll be able to go to the hyperlink bellow:
https://www.niemanlab.org/2026/01/does-this-channel-have-more-juice-in-it-youtuber-j-j-mccullough-on-a-sustainable-life-as-a-news-creator/
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