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Being an grownup with grownup cash and beforehand undiagnosed ADHD typically implies that impulsivity wins over logic relating to shopping for digital camera gear.
There are all kinds of outcomes – typically nice and typically horrible. I’ve had some nice buys and a few terrible ones. Let’s be clear, a few of these issues are nice merchandise, however my impulse to purchase them simply by no means panned out nicely.
Laowa 15mm Macro Shift lens
I purchased this as a Canon fit lens to use with my Viltrox Speedbooster to get wide shots with good verticals in tight spaces. I even bought it at The Photography & Video Show from the stand-that’s how excited I used to be about it.
When I bought dwelling and began to apply it to private take a look at tasks, I found the 2 main failings which have left this lens within the press for years. First, it was very mushy. Yes, you possibly can post-process to make it higher, however a greater lens is the higher resolution.
The second concern is the shift management drops with gravity. Other lenses have a locking screw. This one didn’t. Often, I’d have the shot arrange after which mid-shot on an extended publicity, the lens would slide down.
I haven’t given up on Laowa though. I have a dedicated Fujifilm X-fit Laowa 12-24mm f/5.6 Shift lens that just arrived and I’m excited to try it out.
7” External Monitor
In the times when stills cameras exploded onto the film-making scene, one bugbear was the tiny screen. It was simply too small for previewing, especially for gauging focus. I got a 7” SourcingBay external camera monitor online.
It had great reviews. For connections, it required full sized HDMI or sVGA. For power it had a mains 12v socket. To make it portable, I added a mounting plate for Sony NP-F550/750 video batteries. These are the ubiquitous power source in the video world. Given that a lot of panel lights used them, it was a no-brainer. Adding a micro to full HDMI and a cold-shoe adaptor meant I had a perfect large-scale preview. Or did I?
No matter what I did, the source was always slightly cropped in. This didn’t bother me ultimately. So why is it sitting in a press? Well, for the video work I’m doing, it was far easier to use a phone. For my tutorials, I use an old Fuji X-T2, which I can preview on my computer monitor. I simply just didn’t need it.
NEEWER Dimmable Bi-color LED Panel
Additional light is great for video, but it’s also very useful for still life and product photos. This light looked like it would be perfect. Tungsten and daylight balance options, and everywhere in between. Dimmable levels, working on two of the Sony batteries or on mains with the included power supply. The yoke bracket was built in and the light could tilt from a central axis. A diffuser panel could slide in to soften the 480 LEDs in this beast. It even had its own branded carry case. Right now with discounts, it’s under €100. Honestly, what could be better?
Well, for me, it turned out that two smaller LED panels, the Viltrox L116T ($80 the pair on Amazon), labored out much better. I exploit them day in, day trip for video tutorials, in addition to for on desk stills.
The Neewer continues to be an excellent product, however the measurement and weight dominated it out of basic use for me. If you’re doing interviews, three of those can be an excellent 3-point lighting setup.
Fujifilm X-H2S
If you thought that I’m a Fuji fanboi by means of and thru, this one will shock you. I heard about this digital camera earlier than launch and I used to be past impressed with all of the options I used to be seeing in a pre-production mannequin. The Fujifilm X-H2S felt great in hand. The top display shows settings. You get an incredible 40 frames per second continuous JPEG shooting. You get the faster focus. Even things like Frame.io compatibility allowing remote client viewing appealed to me. So I got one.
I loved using the camera, but it was a learning curve coming from an X-T4. Then the X-T5 came out and I got it. Some of my professional work involves broadcast, where I’m using two or even three cameras. In this situation, switching mindset from the X-T5 to X-H2S in high-stakes performance capture shifted me to using the X-T5 and the X-T4. This left the X-H2S in the cold and I eventually sold it to a friend who wanted to do more video work.
There was no issue with the camera itself, just how I worked with it. Furthermore, for certain location work, I use a very old and obsolete Eye-Fi card to wirelessly transmit the JPG from my camera. The JPGs were transmitted to an iPad with Shuttersnitch so the clients could see the shots in real time. I save Raw files to Slot 1 and Jpeg images to Slot 2. The Eye-Fi is an SD card, so that was out for the X-H2S (which has one CFexpress slot and one SD card slot).
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