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The Super Bowl comes with a number of givens – championship-level athleticism, one of the best commercials of the 12 months – and, on the sidelines, John Biever together with his digicam. Biever, 74, is the one photographer to {photograph} each single Super Bowl sport, and after Sunday, the longtime photographer plans to retire, making Super Bowl LX his final.
In reality, Biever’s historical past on the sidelines begins earlier than the NFL’s nationwide championship sport even earned the Super Bowl moniker. He was simply 14 when he photographed the NFL Championship Game in 1965, alongside his father, Vern Biever, who was the staff photographer for the Green Bay Packers. Despite being solely 14, one of many pictures that he took on the 1965 sport between the Packers and the Cleveland Browns was revealed in {a magazine}, a black-and-white photograph of quarterback Bart Starr.
The following 12 months, Biever would {photograph} the Packers’ win within the first-ever Super Bowl, once more alongside his dad, who would go on to {photograph} 35 Super Bowls alongside his son. The first ever Super Bowl wasn’t the identical crowds – or variety of photographers – that the sport has right now. One of Biever’s all-time favorite photos reveals extensive receiver Max McGee working to the top zone with a line of empty seats behind him.
“First of all, there weren’t that many photographers on the sideline for the first one, like there are now,” Biever told the Associated Press. “I remember Bob Hope being next to me at one point on the sidelines at the first Super Bowl. Hollywood stars would show up and just walk on the field and go where they wanted to go. And here’s Bob Hope, and it’s like, wow, for a kid from Wisconsin, that’s pretty cool.”
Now, Biever has famous that there are normally three rows of photographers, and the sidelines have far much less room to maneuver round.
The second 12 months, the teenage photographer would catch the profitable landing for the 1967 Ice Bowl on movie, a landing that allowed the Packers – and the Bievers – to {photograph} the second Super Bowl too.
The Packers’ Super Bowl streak ended after the primary two, however Vernon Biever’s buddy at NFL Films helped the father-son photograph staff get passes for the subsequent a number of video games, till each of the Vievers obtained full NFL credentials.
John Biever would go on to college, then work as a photo journalist before spending 30 years with Sports Illustrated, then photographing the games for NFL Photos.
That decades-long career comes with its fair share of stories. Once, he was hit in a play at the opening kickoff and broke his camera and his glasses. During the COVID-19 pandemic in 2021, photographers weren’t allowed on the field, but Biever managed to get a stadium seat near the end zone and continue his streak of games.
Over the years, the gear has changed too, evolving from film to digital. In 2003, Biever used digital for the first time at a Super Bowl – the Canon EOS 1D with the EF 600mm f/4L IS USM lens. “I’m sure the editors were not exactly sure these little digital flash media cards would work,” he said. Over the years, he’s labored with each Canon and Nikon techniques.
Biever told the New York Times that Super Bowl 60 can be his closing one, with retirement in his future. The photographer will flip 75 only a few days after this 12 months’s Super Bowl, abandoning an iconic sports activities images legacy.
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