This web page was created programmatically, to learn the article in its authentic location you’ll be able to go to the hyperlink bellow:
https://www.theguardian.com/artanddesign/2026/feb/18/peugeot-103-morocco-satellite-dishes-hiba-baddou-best-photograph
and if you wish to take away this text from our website please contact us
This picture, Parabomobile, exhibits a dwelling sculpture I created. A person is driving via the desert on a street close to Marrakech that’s nonetheless partly beneath building. He rides a Peugeot 103 bike and carries 21 satellite tv for pc dishes – every pointing in a special route. But the particular person driving the bike is so overstimulated, he can’t select which option to go – and finally ends up going nowhere.
It is a part of a wider multidisciplinary challenge, Paraboles, that’s an inquiry into Moroccan individuals’s id, our creativeness and the way in which we see the world. It can really feel to Moroccans – and people in different postcolonial nations – that their minds have been colonised in addition to their land.
I grew up in Rabat, in a diplomatic household. My grandpa had a key function within the French Protectorate (1912-56). I attended a French faculty the place every part we realized was European. Back then there weren’t many good universities in Morocco, and we at all times knew we’d go to check overseas. I lived in Paris for 10 years, and it made me realise a number of issues about Morocco that I didn’t see after I was dwelling there.
When I returned and began wanting round my nation, I noticed satellite tv for pc dishes in every single place. These objects crystallised one thing about this previous century, and I made a decision to make use of the satellite tv for pc to create an entire fiction, a Hertzian Republic – named after the hertz, the unit of frequency of radio waves. In this republic, individuals in exile go in quest of a greater future, however that hope is a mirage.
The challenge contains texts, installations and a brief movie wherein we see individuals occurring a pilgrimage to locations they’ve seen on their screens. I additionally created goat-skin passports – goat pores and skin is a cloth with a particular significance in nomadic cultures in Morocco. The passport closes when the fabric is chilly and opens when it’s scorching. I even invented a language associated to the 72-megahertz waves despatched from satellites in Morocco, with 72 corresponding letters: my very own sacred e-book with its personal code. And I believed I must also create transportation for my imaginary republic.
The Peugeot 103 bike is iconic in Morocco. In the Nineteen Nineties, it grew to become an emblem of contemporary Morocco and social mobility. I made a decision to make use of one from that decade, which is when my fictional narrative takes place, and I reworked it with the satellite tv for pc dishes. This picture and this challenge have been a option to remind us of the issues we overlook to see; how we don’t at all times wish to see what’s occurring within the current.
I returned to Morocco a 12 months in the past. The nation is shifting so quick – it’s inspiring. It is an interesting place. It could be very unified, though some individuals within the north may communicate Spanish however not a phrase of French, and we communicate completely different dialects of Amazigh and Darija. The cultures are so completely different however on the identical time, we really feel shut to one another, we really feel like a nation. Language is an enormous a part of my questioning as an artist: the way in which phrases carry ideas and make us assume in another way. In Darija, you by no means miss a practice – the practice leaves you behind. When you’re unwell, it’s the chilly that hit you.
My fact is in between two cultures: French and Moroccan. The questions that almost all curiosity me stem from this. How we form ourselves with our beliefs, and what provides us a way of route in life. It is likely one of the most mystical issues about being human.
Hiba Baddou’s CV

Born: Rabat, Morocco
High level: The Dakar Biennale in 2024 and profitable the Saatchi Art for Change prize in the identical 12 months was a serious second of recognition; it made me consider this work may go wider and communicate to individuals of various cultures. Also my current solo present on the Macaal in Marrakech – my largest institutional exhibition thus far
Top tip: Keep your eyes open on a regular basis
This web page was created programmatically, to learn the article in its authentic location you’ll be able to go to the hyperlink bellow:
https://www.theguardian.com/artanddesign/2026/feb/18/peugeot-103-morocco-satellite-dishes-hiba-baddou-best-photograph
and if you wish to take away this text from our website please contact us

