Two skinheads counting the takings from a neo-Nazi gig: Leo Regan’s greatest {photograph} | Artwork and design

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In 1990, I used to be working in photojournalism however doing music pictures on the facet to earn a living. At the time there was an increase in neo-Nazi music, with bands corresponding to Skrewdriver and the Blood and Honour movement. I used to be initially going to do {a magazine} piece on it nevertheless it grew right into a a lot greater mission and I ended up spending two years following these individuals across the nation. It led to a e-book and a documentary.

It was a tough mission and there have been ethical and moral challenges in addition to harmful ones, however that was a part of the attraction. The individuals have been suspicious of me however I used to be trustworthy about what I needed to do. They knew I didn’t agree with their politics however that I didn’t have an agenda.

I labored with a Jewish writer and editor on my resulting book, Public Enemies, however I acquired lots of stick from individuals who have been like, how dare you try this? But I feel the entire level of being an artist is to discover and problem issues which are uncomfortable. The digital camera provides you this wonderful privilege to be in different individuals’s lives. The skinheads have been so symbolic of a specific political viewpoint however I needed to transcend that and to get as shut as potential.

My driving perception is that we want to have the ability to talk, to the touch humanity, to attempt to join to one another in a roundabout way, however I’m additionally not attempting to forgive or underplay the extremities.

Initially, what I noticed was deeply stunning. When you’re in these environments, it’s so venomous and hateful. I used to be in conditions that have been full-on riots and there was all the time a struggle going off. I simply tried to maintain my head down. I acquired an occasional clip however I didn’t get too harmed.

In this picture, we’re in a really posh a part of Milton Keynes and behind us is a faculty. A gaggle of skinheads had rented a faculty corridor, claiming it was for a twenty first celebration nevertheless it was truly for a gig. So a neo-Nazi skinhead band and all their followers present as much as absolutely the horror of the people who find themselves renting out the corridor. Someone referred to as the police, who surrounded the constructing, however they needed to let the gig go on as a result of they didn’t need these guys spilling out on to the road – that might have been extra problem.

Inside, it was mayhem, there was a great deal of combating – both between totally different factions or simply for enjoyable. These guys within the image needed to depart the chaos of the room and go and rely up the cash they’d taken on the door in order that they mentioned to me: “Right, Leo, we’re using your car to count up.” I mentioned: “Fine, as long as I can take a photograph.” The gig was nonetheless occurring at this level however afterwards all of the attendees acquired a police escort to the closest prepare station to get them the hell out of that neighbourhood.

After two years protecting the neo-Nazi scene, I knew it was time to cease. I used to be popping up on individuals’s radar and the police have been me, I used to be being photographed, and I used to be being adopted by some leftwing group due to the affiliation. My timing was in all probability proper as a result of I used to be pushing my luck too far and issues type of exploded afterwards. That complete world grew to become an much more paranoid and unstable place due to the Combat 18 motion – a really harmful group. Some individuals I had frolicked with ended up in Combat 18 and doing life sentences. Others went off in all types of instructions – some denounced it, some didn’t. It was an extremely harmful factor to do however I stand by the work. When I look again, I feel “Jesus Leo, what were you doing?”

Photograph: Sarah Ainslie

Leo Regan’s CV

Born: Dublin, 1963
High level: The digital camera provides you entry to hidden worlds in all their messy glory. The ambiguity and the sudden, the highs and lows. It’s a mind-set and being. A novel privilege for which I’m grateful.
Top tip: Keep pushing. When you’ve gone too far, you’re in the appropriate place.


This web page was created programmatically, to learn the article in its unique location you may go to the hyperlink bellow:
https://www.theguardian.com/artanddesign/2026/feb/25/skinheads-leo-regan-best-photograph-neo-nazi
and if you wish to take away this text from our web site please contact us