Hasselblad X2D II vs Sony a7R V: Actual Marriage ceremony Take a look at

Shooting an actual, paid elopement on a Hasselblad X2D II is a really completely different factor than capturing nonetheless life or managed portraits with one. The autofocus questions, the low-light tradeoffs, the uncooked file high quality in comparison with cameras just like the Sony a7R V — these solely get answered whenever you’re truly working.

Coming to you from Benj Haisch, this candid video follows Haisch taking the Hasselblad X2D II and the Hasselblad XCD 35–100mm f/2.8–4 out on an precise elopement shoot, independently and with out Hasselblad’s involvement. He’d beforehand accomplished contracted work with the model however wished to return and use the system on an actual job with no strings hooked up. One of the primary issues he addresses is the scale comparability between the Hasselblad zoom and his typical workhorse, the Sony FE 28–70mm f/2 G Master. Both lenses share 86mm filter threads and are surprisingly shut in bodily dimension, which issues if you happen to’re eager about how this method matches into an current equipment.

Haisch additionally hung out at an actual marriage ceremony to judge autofocus, and his conclusion is restricted: he reviewed each body from that day and did not come away with a single out-of-focus shot of somebody strolling towards him or alongside him. He’s not calling it a sports activities digicam, as he truly spent a couple of decade capturing for the Seattle Seahawks and makes the excellence clearly. For wedding-pace motion, the X2D II holds up. He places it above the Leica SL2 sequence in autofocus reliability, whereas being trustworthy that it does not contact Sony’s AI-driven methods. That’s a helpful bracket to learn about.

On the file high quality facet, Haisch shot the elopement alongside a Leica M11 and the Sony a7R V. The 16-bit uncooked recordsdata from the Hasselblad stood out instantly — extra malleable, barely extra dynamic vary, and a bit simpler to get the place he wished them to go in publish. He describes it as a small however constant benefit, someplace within the 2–5% vary over already wonderful sensors. Where issues get extra sophisticated is low mild. Coming from quick primes at f/1.4 or f/1.2, the leap to a variable aperture zoom that tops out at f/2.8 and narrows to f/4 means ISO climbs quicker than you’d count on, particularly shifting from out of doors to indoor environments. Haisch flags this as one thing to plan round if you happen to’re contemplating this lens as your major choice indoors.

Check out the video above for the total rundown from Haisch, together with the true elopement photos and his last tackle whether or not the 35–100mm zoom earns a everlasting spot in his equipment.