The Hungarian-American Photography Connection | PetaPixel

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A man and woman in vintage swimsuits sit on the beach, leaning back to back, with the ocean in the background. The woman tilts her head back and smiles, enjoying the sun. The photo is in black and white.
Nickolas Muray (American, b. Hungary, 1892–1965),‬‭ Joan Crawford and‬ Douglas Fairbanks Jr., Santa Monica, California‬‭, 1929. Gelatin silver print.‬ George Eastman Museum, present of Mrs. Nickolas Muray. © Nickolas Muray‬ Photo Archives‬.‭

Hungary has a wealthy photographic historical past. The Central European nation has produced a number of the best photographers of the early twentieth century through the golden age of photojournalism — mainly Robert Capa, Brassaï, and André Kertész.

Many of those photographers traveled from Hungary to Berlin and Paris. While Brassaï — who turned shut buddies with Pablo Picasso — stayed in Paris, each Capa and Kertész carried on to the United States. Hungarian photographers made thier dwelling in New York, Chicago, and Los Angeles.

A brand new exhibit on the George Eastman Museum in Rochester, New York, will study the pioneering photographic artistry that emerged out of backdrops of persecution and perseverance because the Hungarian photographers reinvented themselves and made a huge effect on Hungarian images.

“This exhibition provides an exciting opportunity to understand the true impact that Hungarian émigrés had on the history of photography,” says Jamie M. Allen, Stephen B. and Janice G. Curator and Head of the Department of Photography.

“From artistic efforts through the Bauhaus and New Vision photography to remarkable photojournalistic efforts that have stood the test of time, the photographers in this exhibition underscore the many ways in which individuals can influence our worldview.”

A single small cloud floats near the top of a tall, modern skyscraper with many windows, photographed from a low angle against a clear sky.
‭ Andreá Kertész (American, b. Hungary, 1894–1985),‬‭ Lost Cloud‬‭ , 1937. Gelatin‬ silver print. The Museum of Modern Art, New York. Gift of the artist.‬
A woman in a long, patterned dress stands among large bamboo poles in a black and white photo, looking upward with a dramatic expression. Light and shadows create an atmospheric, artistic scene.
Laászloá Josef Willinger (American, b. Hungary, 1909–1989),‬‭ Virginia Bruce‬‭,‬ ca.1938–39. Gelatin silver print. Virginia Museum of Fine Arts, present of Howard‬ Greenburg, by change, 2020.186‬‭.
A black and white portrait of a middle-aged man with short, dark hair, wearing a dark shirt. He gazes slightly upward, and his eyes appear clouded or unfocused. The background is completely black.
Marcel Sternberger (American, 1899–1956),‬‭ Diego Rivera in Pose as Buddha‬‭, ca. 1952. Vintage silver gelatin print. The Marcel Sternberger Collection,‬‭ Curator Jacob Loewentheil, Copyright Stephan Loewentheil.‬‭
Abstract black and white photo featuring a translucent, perforated leaf-like shape, two circular forms, and soft, blurred light shapes on a dark background.
‬‭ László Moholy‑Nagy (American, b. Hungary, 1895–1946),‬‭ Photogram‬‭ , 1925. Gelatin silver print. George Eastman Museum, buy with funds from‬ Eastman Kodak Company.‬
Abstract photo featuring vibrant red, blue, and purple circular light patterns against a dark background. The circles overlap and radiate, creating a cosmic or galactic effect. A handwritten note is visible along the bottom edge.
‬Nicholas Haáz (American, b. Hungary, 1883–1953), Color abstraction, ca.‬ 1948. Dye imbibition print. George Eastman Museum, present of Dr. Eugene P .‬ Wightman, 1954.‬

The exhibition will have a look at the work of László Moholy-Nagy, identified for his avant-garde images, he moved to Chicago and impressed a “New Bauhaus” that may nonetheless be seen immediately within the type of the Institute of Design in Chicago, a part of the Illinois Institute of Technology.

More than 150 gorgeous and surreal pictures seize the sudden fantastic thing about fleeting shadows, gritty city life, glamorous celebrities, and the guarantees of America. Included are works by notable artists akin to André Kertész, Nickolas Muray, Martin Munkácsi, and György Kepes, together with much less acquainted names whose photographs are immediately recognizable. One instance is Robert Capa, a pioneer of contemporary photojournalism whose pictures of Omaha Beach on D-Day are among the many most well-known of World War II.

A man in military attire is captured mid-fall on a grassy slope, his head tilted back and arms outstretched, holding a rifle. The scene conveys a sense of sudden movement and dramatic tension under a wide, open sky.
Arguably probably the most well-known {photograph} taken by a Hungarian, Robert Capa’s ‘The Falling Soldier’ allegedly depicts the second a solider is fatally struck through the Battle of Cerro Muriano within the Spanish Civil War. | Wikimedia Commons

Seeking to “provide a missing chapter in art history,” American, born Hungary debuted on the Museum of Fine Arts in Budapest on April 5, 2024, earlier than shifting to the Virginia Museum of Fine Arts in October 2024. Its cease on the George Eastman Museum might be its closing venue.

The exhibit opens on September 25 at 6 P.M. Ticket info might be discovered on the Eastman Museum website.


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