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Daniel Arnold, Jerry Hsu, Jingyu Lin, Heather Sten, Rosie Marks, Adam Powell, Samone Kidane and Caroline Tompkins are simply a few of those that’ve contributed work to Breathless in Glowing Air, with a view to seize the subtleties of Pomegranate’s universe: one that’s open-ended, optimistic and delightful. In Jesse’s personal phrases, the present is “a suggestion of another world being possible”.
Why placed on the exhibition in London? Well, why not. “I really wanted this show to be a love letter to contemporary photography and I thought the most honest way to do that was to extend beyond [photographers whose work I’ve published before],” Jesse says. “I wanted to showcase people I have worked with and uplift them, but not every photographer I admire is in a place to make a book or they’ve already made a book, so this felt like a great way to introduce the idea of working on something together, and for them to see their work through my curatorial lens in a way they wouldn’t have been able to otherwise.”
Said “curatorial lens” precedes Jesse. Kyle Berger, a Canadian photographer whose photobook Twenty Four Hour Fantasy was printed by Pomegranate in 2020, says: “He has a particular outlook on life that I find quite craveable.” In reference to the Pomegranate-shaped “universe” Jesse has created: “It’s one of intentional whimsy and romantic simplicity. There is a dreamy quality in the images highlighted by Pomegranate; they feel warm, hazy, and evocative, like tokens of a memory.” The exhibition’s title, Breathless in Glowing Air, lends itself properly to what Kyle describes.
“The collection of photographs [in the show] is about the endlessness of discovery,” Jesse says. “I tried to think of a phrase that might encapsulate what that feeling could sound like or could be quantified as. At least in my mind, there’s something about the experience [of seeing all these works in one place] that kind of stops you in your tracks, changes the texture of the atmosphere around you, and forces a sort of pause.”
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