This Daredevil Aerial Photographer From the Nineteen Twenties Was Additionally a Photoshop Pioneer

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A vintage photo collage showing an aviator in flying gear and goggles on the right, and a biplane flying above a rural landscape with a river and a large bridge on the left.
Alfred Buckham, proper, was a pioneer of aviation and within the darkroom. | National Galleries of Scotland.

Alfred Buckham was an aerial photographer who took to the skies at a time when pilots’ lives had been measured in weeks, not years. But he was additionally a grasp manipulator within the darkroom and paved the best way for Adobe Photoshop and right now’s AI picture apps.

Buckham’s work is at the moment on show on the Scottish National Portrait Gallery in an exhibit that explores the pioneering photographer’s life and portfolio.

A maverick of early aviation, Buckham suffered 9 crashes throughout his profession, however regardless of the final of these leading to his larynx being eliminated, he by no means stopped pushing his images.

Four vintage biplanes fly in formation over a river, with a large iron bridge spanning the water below and dramatic clouds filling the sky. Fields, houses, and distant land are visible beneath the aircraft.
Alfred G. Buckham, The Forth Bridge, about 1920. National Galleries of Scotland. Purchased with Art Fund assist, 2008. © Richard and John Buckham.
Aerial view of a volcanic crater with smoke and ash billowing upward, surrounded by snow-covered slopes and rugged terrain. The image appears in sepia tones, giving it a vintage look.
Alfred G. Buckham, Volcano. Crater of Popocatepetl, about 1930. National Galleries of Scotland. Purchased with Art Fund assist, 2008. © Richard and John Buckham
Aerial view of a lake with small islands and a lone building, under a dramatic cloudy sky. Two vintage biplanes fly above the landscape, casting shadows on the water below.
Alfred G. Buckham, Castle Island, Loch Leven (Where Mary Queen of Scots was Imprisoned), about 1920. National Galleries of Scotland. Purchased with Art Fund assist, 2008. © Richard and John Buckham.
A black and white photo of the Christ the Redeemer statue atop Mount Corcovado in Rio de Janeiro, surrounded by lush forest and dramatic, wispy clouds in the sky above.
Alfred G. Buckham, Christ the Redeemer, Rio de Janeiro, 1931. Collection of Richard and John Buckham. © Richard and John Buckham.
A vintage biplane flies above snow-covered hills, with dramatic clouds dominating the sky and sunlight streaming through, casting shadows on the landscape below.
Alfred G. Buckham, Uplands. Snowstorm Passing, about 1920. National Galleries of Scotland. Purchased with Art Fund assist, 2008. © Richard and John Buckham.
A vintage biplane with British markings is tangled in the branches of tall trees in a forest. The aircraft’s wings and tail are damaged, and a ladder leans against a tree beneath the wreckage.
Unknown photographer, Alfred Buckham’s aeroplane hanging in a tree after a crash through the First World War, 1916. Collection of Richard and John Buckham. © Richard and John Buckham.

Viewing himself as an artist, Buckham was much less fascinated with capturing scenes precisely and extra in enthralling the viewers with a way of surprise. To obtain this, Buckham experimented with composite images and would mix a number of negatives right into a single print. Using dry-plate cameras, Buckham saved a 2,000-strong “cloud library”, which he used to boost his pictures within the darkroom.

It was by means of the strategy of composite images that a few of Buckham’s most well-known works had been born, together with an iconic aerial view of Edinburgh, circa 1920. This hanging {photograph} reveals a biplane hovering amongst wispy clouds above Edinburgh Castle, with Arthur’s Seat seen by means of the mist within the background, and the bustling metropolis under. The exhibition will show the three glass negatives Buckham used to make it.

A vintage, sepia-toned aerial photograph shows a biplane flying above a sprawling city with a prominent castle or fortress on a hill, dramatic clouds overhead, and distant mountains on the horizon.
Alfred G. Buckham, Edinburgh, about 1920. National Galleries of Scotland. Purchased 1990. © Richard and John Buckham.
A vintage biplane flies over a patchwork of farmland below a dramatic, cloudy sky, creating a nostalgic, historical atmosphere.
Alfred G. Buckham, Sunshine, and Showers, about 1920. National Galleries of Scotland. Purchased with Art Fund assist, 2008. © Richard and John Buckham.
A large zeppelin airship flies through dense, fluffy clouds in the sky. The black and white image shows the airship partially surrounded by the clouds, giving a sense of altitude and tranquility.
Alfred G. Buckham, R100, about 1920. National Galleries of Scotland. Purchased with Art Fund assist, 2008. © Richard and John Buckham.
Two pilots wearing leather jackets and flight goggles sit in the cockpit of a vintage biplane. The main pilot looks toward the camera. Hangars and blurred buildings are visible in the background.
Unknown photographer, Alfred Buckham in an aeroplane, 1918. Collection of Richard and John Buckham. © Richard and John Buckham.
A vintage black box camera with a bellows body, lens in front, and a lens cap lying nearby, displayed on a plain light surface. The camera shows signs of wear and includes a side leather strap.
Camera belonging to Alfred G. Buckham, about 1920. National Galleries of Scotland. Purchased from Richard and John Buckham, 2019. © Richard and John Buckham

To take images from his airplane, Buckham would arise with out holding onto something apart from the digital camera, as he rightly believed that holding onto the fuselage would spoil the images.

“It is not easy to tumble out of an aeroplane,” Buck wrote in January 1927. “Unless you really want to, and on considerably more than a thousand flights, I have used a safety belt only once, and then it was thrust upon me. I always stand up to make an exposure and, taking the precaution to tie my right leg to the seat, I am free to move rapidly, and easily, in any desired direction; and loop the loop; and indulge in other such delights, with perfect safety.”

Although he was based mostly within the Scottish capital, Buckham traveled all world wide in airplanes that had been generally made out of flimsy timber and Irish linen. In 1931, a fee from Fortune Magazine took Buckham on an epic fifteen-week journey throughout the Americas, protecting 19,000 miles and setting a world report. Starting in New York City and taking the chance to seize the newly constructed Empire State Building, Buckham photographed his intrepid journey from the United States to the tip of South America to share with the world.

“Alfred Buckham’s eye-catching photograph of Edinburgh is one of the most popular artworks in the National Galleries of Scotland collection,” says curator of images on the National Galleries of Scotland Louise Pearson.

“This enthralling image becomes even more intriguing when you learn that it is a darkroom jigsaw — a composite photograph made through a combination of technical skill and creative vision. Alfred Buckham: Daredevil Photographer tells the remarkable story of this maverick of early aviation whose adventures took him from aerial reconnaissance photographer to intrepid explorer via numerous loop-the-loops.”

Alfred Buckham: Daredevil Photographer is a free exhibition at National Galleries Scotland: Portrait and can run till April 19, 2026.


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