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Of the 2 issues that I can declare any nice paternal accomplishment for, one is that my daughter, age 3, drinks a collard-and-dandelion-green smoothie virtually each morning. The different is that she loves Gene Kelly. You see, we’ve reached the purpose the place she’s sufficiently old for me to begin displaying her the issues I really like, which thrills me in the identical method I get excited to tour my very own metropolis when somebody comes to go to. “This guy sells the best carrots and strawberries at the farmers’ market.” “This is the shrimp taco from Mariscos Jalisco.” “This is Singin’ in the Rain.”
If something was going to spark my daughter’s fascination with Kelly, it needed to be the best film musical of all time. We started about half-hour into the movie, with Donald O’Connor’s rendition of “Make ’Em Laugh,” the slapstick quantity during which he runs up and crashes by partitions—and shortly she, like O’Connor, was thrusting her elbows and skating throughout the carpet on her knees (she calls the track “Dancing on My Knees”). She requested for it again and again till I insisted that we watch one thing else, and skipped forward to the song the film is named for. This time, Kelly was the star, and my daughter was transfixed—the pronounced jaw, the twinkle in his eye. “Who is that?” she requested.
The subsequent night time, we began the film from the start. It wasn’t lengthy earlier than Kelly’s character, Don Lockwood, turned smitten with Debbie Reynolds’s Kathy Selden, after which he was off, gliding round lampposts and stomping in puddles. But on this viewing, one thing modified in me. Watching Kelly by my daughter’s eyes—his bliss within the soundstage downpour, his physique a flexile stack of lean musculature and joyous masculinity—I felt a heavy swell in my core. It jogged my memory of being too drunk in my 20s, overreacting to one thing lovely and changing into in some way enraptured and despondent all of sudden. A flood of adrenaline unfold from my quickly beating coronary heart and exited as moisture from my eyes, and I noticed that possibly I wasn’t okay.
I may need forgotten that response as a mere aberration, however the subsequent night time my daughter requested, “Can we watch more Gene Kelly?” Although she additionally preferred having Mary Poppins and Willy Wonka and the Chocolate Factory on repeat, she had by no means requested to see “more Julie Andrews” or “more Gene Wilder.” In reality, I nonetheless don’t assume she has registered that Mary Poppins and Maria from The Sound of Music are the identical individual. But for her, Singin’ within the Rain was not about Don Lockwood—it was about Kelly. We watched once more, and it was as if a protecting seal had been peeled off my chest cavity, just like the lid from a can of Pringles. We watched Anchors Aweigh, and though my daughter was bored by most of it, she sprang to life when Kelly taught the cartoon Jerry Mouse how to sing and dance—and I felt as if I have been floating and sinking concurrently.
Another night time, I placed on Les Demoiselles de Rochefort, Jacques Demy’s underappreciated masterpiece—a French New Wave homage to American musicals—and though my daughter admired the brilliant colours of The Girls within the Hats, as she known as it, the remainder was past her. So I tucked her into mattress and stored watching alone. The film thrust ahead, and I felt my physique practically levitate when Kelly, now in his 50s, confirmed up, dancing through the streets, exuding athleticism and glee. But that levitation was shortly adopted by a steep decline. And the feelings stored hitting.
Perhaps, I believed, this was merely paternal pleasure—my fantastic daughter, dancing alongside to Golden Age musicals!—opening a floodgate of emotion. Or possibly I used to be simply changing into a cliché, one other “man of a certain age” who will get out of the blue teary on the sight of previous, elegant issues. But no, in some way, these sensations felt deeper, like one thing dormant woke up: Why the hell was Gene Kelly making me really feel a lot?
I had anticipated fatherhood to vary me. I knew it will make me care about my household greater than myself. But changing into a mother or father doesn’t mechanically take away ego or selfishness. Your baggage carries by even after your youngsters are born (my spouse and I even have a 1-year-old son), even after you assume you’ve grown up and gotten by the worst of it.
I had a bent towards despair in my 20s and early 30s. But traditionally—and right here I’m sure I’m not alone amongst males—I additionally tended to bottle it up, to place my head down and deny its existence. I used to be sometimes the final individual to acknowledge that I wasn’t doing effectively. Yet as I entered my 40s, I had turn out to be fairly certain that I had type of passively balanced out my feelings, that my situation had taken care of itself. As I watched Kelly gracefully leap up partitions and swing from rooftops, nonetheless, I noticed that stability and stability are associated however not the identical.
This entire time, I had figured that I’d reached a good keel by simply getting by it: put together breakfast, pack a lunch, take them to high school, meet your deadlines, prepare dinner dinner, present up, present up, present up. But what you do and the way you do it are very various things. Singing and dancing completely, however with out pleasure, doesn’t make you Gene Kelly. Or put one other method: “Doing everything” however being in a crappy temper when you do it doesn’t make you a great husband or dad. When I didn’t full a job completely, I’d overreact and beat myself up. Sometimes I’d get somewhat too mad—at my daughter, at myself—and beat myself up over again. Kids choose up on power, and my power was terrible. I sensed that I used to be standing with one foot shaking on a pinpoint, ready for the tiniest burst of air from a single jeté to knock me sideways. Kelly, of all folks, was the enthusiastic breeze who blew me over—a bellwether greater than an instigator of my emotional state.
It was clear to my spouse that one thing was incorrect lengthy earlier than it was to me. One afternoon, I made a mistake whereas attempting to assist her with a venture, costing her a few thousand {dollars} out of her personal pocket. It wasn’t an earth-shattering loss. But my error crushed me. I began hyperventilating, so I shortly hid in our bed room—after which the tears got here. When my spouse ultimately found me and held me, I collapsed.
I spoke with my physician about this episode throughout a routine bodily. She had not seen Rochefort, however she did refer me to the Harvard Study of Adult Development, the well-known, long-running evaluation of human well-being, and to analysis describing some folks’s tendency to hit an emotional all-time low of their 40s. Much of the analysis signifies that such declines can occur regularly, and even at completely different occasions, relatively than approaching because the all-of-a-sudden shock of a stereotypical midlife disaster—which made me assume that had I been extra emotionally conscious, I may need seen my very own breakdown coming from lots additional off. Learning in regards to the analysis was a consolation, in a method, nevertheless it didn’t precisely treatment me. Depression doesn’t work that conveniently.
Many years in the past, I learn the actor and author Stephen Fry discussing despair as being “similar to weather,” as one thing that comes and goes by itself. This taught me it was one thing that you’ve solely a lot management over and one thing that you may’t clarify by simply your circumstances or failures. I’ve since discovered that probably the most nefarious factor about despair is that it doesn’t merely feed you lies about your self to make you’re feeling unhappy. It takes the issues that you simply already really feel and are afraid of—you’re rotten inside; in some way, that rottenness will seep into your loved ones—and supercharges them, in order that they appear undeniably true. The Harvard research stated of depression that it might “take people who started life as stars and leave them at the end of their lives as train wrecks.” The query I wanted to reply, now that I used to be a father, was the right way to keep away from the wreck.

As I labored by my Kelly-tumbled emotions, I believed again to that well-known quantity in Anchors Aweigh, when he dances with the cartoon mouse. People can watch the clip on YouTube and marvel at it, out of context. But the rationale it exists inside the narrative of the movie is what strikes me now. Kelly’s Joe Brady is a sailor on go away after having acquired a medal throughout World War II. He visits the category of a younger boy, who asks Joe how he bought his award. Rather than inform a horrifying fact in regards to the battle, Joe makes up a fantastic story: One day, he occurred upon an animated kingdom the place the Mouse King, ashamed that he didn’t know the right way to sing or dance, had banned his topics from doing both. Joe takes it upon himself to show the king the right way to do each, delighting the king and spreading happiness to the land, incomes his medal. It is probably probably the most joyous suppression of trauma in cinema historical past—Joe’s obfuscation a touching strategy to defend these younger youngsters from no matter had occurred. I, much less healthily, was transferring by life in a fog, suppressing my feelings in a method that allowed them to develop like mildew.
This all twirls in my head as my daughter twirls in entrance of the TV, hammering residence what I now perceive as an apparent fact about parenthood on the whole and my very own fatherhood specifically: You can’t handle your loved ones with out taking good care of your self. Or, relatively, you—regardless of how a lot weight you might be able to withstanding—are liable for the load you make your loved ones carry too.
Many 1000’s of phrases have been written by folks apprehensive in regards to the state of “men today” and tussling over conceptions of masculinity. Frankly, I’ve been much less involved with these arguments and extra with determining for myself which elements of masculinity truly matter, particularly in relation to fatherhood. For occasion: “Providing” for your loved ones—a standard tenet of masculinity—is, to my thoughts, about a lot greater than cash. Fathers present their kids with an instance of the kind of individual we need to exist on the planet. It shouldn’t be inherently masculine to come back residence indignant from work or to drown your feelings in brown liquor. A “real” man is somebody robust sufficient to confess his faults and errors, and to try to enhance.
The Harvard well-being research notes that “the happiest and most satisfied adults” in midlife have been “those who managed to turn the question ‘What can I do for myself?’ into ‘What can I do for the world beyond me?’” This reframing has additionally made me assume extra about what serving to actually means. Yes, it helps the folks I really like once I prepare dinner them dinner. But it helps them an important deal extra if I’m engaged and current—by no means thoughts if dinner winds up operating 20 minutes delayed.
It’s nonetheless an absolute level of pleasure for me that my daughter desires to remain up late watching Gene Kelly. She doesn’t know that he was a maniacal perfectionist, that he practiced for terrifyingly lengthy hours to make every thing look straightforward. She doesn’t know that stability and stability don’t simply emerge naturally, however require plenty of common, onerous work. Those classes will come. For now, as my youngsters get older, I do know what I’ll preserve working to point out them: that admitting our flaws and failures is important, that displaying vulnerability is a type of energy—that in the end, a joyful and openhearted house is even higher for you than dandelion greens.
This web page was created programmatically, to learn the article in its unique location you’ll be able to go to the hyperlink bellow:
https://www.theatlantic.com/family/2026/01/gene-kelly-fatherhood-depression-masculinity/685408/
and if you wish to take away this text from our web site please contact us

