Netherlands’ National Museum of Photography Has a Beautiful New Dwelling

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A collage with three images: a man with a bandana and a cross necklace, a modern building interior with a geometric staircase, and two women in traditional clothing smiling and standing close together.

On February 7, the Nederlands Fotomuseum, the National Museum of Photography of the Netherlands, will unveil its beautiful new dwelling within the Santos warehouse, a nationwide monument perched on Rotterdam’s Rijnhaven. With a group of over 6.5 million objects, it ranks among the many largest pictures collections on the earth, providing a daring new imaginative and prescient for the best way pictures is skilled, studied, and celebrated.

A tall, brick building with "Santos" written on the front stands amid construction work. The upper floors have a modern, geometric metal structure. Nearby, contemporary buildings and a street are visible.
Nederlands Fotomuseum – entrance view
© Photo Studio Hans Wilschut
Sunlit industrial loft with exposed brick walls, wooden beam ceiling, open green double doors, large windows, and polished concrete floor. Cityscape and blue sky visible through the doors and windows.
Nederlands Fotomuseum – restored warehouse inside
© Photo Studio Hans Wilschut

A Legacy in Focus: The History of the Nederlands Fotomuseum

The Nederlands Fotomuseum was based in 2003, thanks largely to a beneficiant bequest from beginner photographer Hein Wertheimer, whose donation supplied the monetary basis for a devoted nationwide pictures establishment. From the start, the museum’s mission has been to gather, protect, research, and current Dutch photographic heritage, capturing each the creative and societal significance of the medium.

The museum grew out of the consolidation of a number of key photographic organizations, together with the Dutch Photo Institute, the Dutch Photo Archive, and the National Photorestoration Atelier, bringing collectively archival experience, scholarship, and conservation beneath one roof. For a few years, it was situated on the Wilhelminakade in a former workshop constructing owned by the Holland America Line, serving as a hub for professionals and pictures fans alike.

A vintage oval photograph in a gold frame shows a seated woman in a dark dress and gloves beside a man in a suit and bow tie, both looking at the camera with neutral expressions.
Portrait of the Married Couple Johannes
Ellis and Maria Louise de Hart,
Paramaribo, Suriname, circa 1846
Attributed to J.L. Riker or Warren
Thomson
A woman with short, curly hair sits by a window, gazing outside. The wall behind her has sketches and handwritten notes. Soft, natural light fills the room, creating a calm, contemplative mood.
We are 17, 1955
© Johan van der Keuken (1938-2001)
Three young women stand close together, smiling and embracing. They wear traditional clothing and headscarves, with bracelets on their arms, against a textured wall background. The photo is in black and white.
Tuareg Women, Mali, 1964
© Violette Cornelius (1919-1998)
A group of young men with 1970s hairstyles and clothing gather around and sit on a white car parked on a residential street, while people, including a woman with a pram, pass by in the background.
South Moluccans, Tiel, 1970
© Ed van der Elsken (1925-1990)

Over time, the Fotomuseum developed one of many largest and most essential photographic collections within the Netherlands, tracing the medium from early daguerreotypes of the 1840s by way of postwar socially engaged pictures to modern works. It now homes over 175 full estates of Dutch photographers, safeguarding negatives, glass plates, slides, and prints, and incomes a global fame for assortment administration and conservation.

Beyond its assortment, the museum has turn into a middle for analysis, schooling, exhibitions, and publications, connecting pictures to broader cultural and societal conversations. Its position as an advocate for Dutch pictures has prolonged internationally, making it a key voice within the international photographic group and setting the stage for its new dwelling within the historic Santos warehouse.

Historic black-and-white photo of a large brick warehouse labeled "Santos," with arched windows and people standing in front, located at Rijn- en Maashaven in Rotterdam.
Santos warehouse, Rotterdam
Designed by Architects J.P. Stok & J.J. Kanters
Photo credit score: Graafland, 1917
Blueprint drawing of a five-story brick building from 1901, showing the front and rear elevations. Architectural details and Dutch text, including "BLAUW HOEDEN VEEM," are visible across the top of the façade.
J.J. Kanters & J.P. Stok Wzn
Santos warehouse, entrance façade
Rijnhaven aspect, 1901
Collection Rotterdam City Archives

From Coffee Storage to Cultural Landmark

Built between 1901 and 1902 to retailer espresso from the Brazilian port of Santos, the Santos warehouse is among the most interesting examples of early Twentieth-century warehouse structure within the Netherlands. After a cautious restoration and enlargement by RENNER HAINKE WIRTH ZIRN ARCHITEKTEN in collaboration with Rotterdam-based WDJArchitecten and realized by Burgy Bouwbedrijf, the constructing now homes a nine-story, state-of-the-art museum that blends heritage with transparency, making the museum itself a residing a part of the customer expertise.

Glass partitions reveal the museum’s open storage areas and restoration studios, permitting guests to witness conservation and cataloguing processes firsthand. The constructing additionally options the Gallery of Honour of Dutch Photography, non permanent exhibition areas, a darkroom, open studios, a library with Europe’s most intensive assortment of picture books, and a café and restaurant with panoramic views of the Rotterdam skyline.

A man wearing a bandana and a large cross necklace gazes confidently at the camera. He is dressed in a button-up shirt over a white t-shirt, with a blurred outdoor background.
Tupac Shakur, 1993
© Dana Lixenberg (1964)
A girl lying on a blue blanket.
Saskia (Aged 8), 1995
From Mind of their Own, 1995
© Erwin Olaf (1959-2023)
A man stands on a beach wearing patterned pants and a watch, with a child draped playfully over his shoulders. The ocean waves and blue sky are visible in the background.
D.N.A., 2007 From Flamboya, 2008
© Viviane Sassen (1972)
A group of people ride a motorboat on calm water near a lush island with tall palm trees, all tinted in surreal shades of purple and blue under a cloudy sky.
The Island of the Colorblind, 2018
© Sanne de Wilde (1987)

Celebrating Dutch Photography

Photography has held a central place in Dutch artwork and tradition, from the early adoption of the medium within the nineteenth century to postwar socially engaged pictures that influenced the world. The Gallery of Honour charts this historical past by way of 99 iconic works by artists together with Anton Corbijn, Rineke Dijkstra, Erwin Olaf, Dana Lixenberg, Ed van der Elsken, Paul Huf, and Violette Cornelius. Visitors themselves will select the one centesimal work, underscoring the museum’s dedication to inclusivity and public participation.

A lone motorcyclist rides on a road between large industrial tanks, with a sprawling refinery and smokestacks visible in the background under a hazy sky.
Cas Oorthuys, Vondelingenweg, 1957-1958
Nederlands Fotomuseum
© Cas Oorthuys/Nederlands
Fotomuseum

Two main exhibitions will inaugurate the brand new museum. “Rotterdam in Focus: The City in Photographs 1843 — Now” presents over 300 photos tracing the town’s transformation over practically two centuries. Works by Hans Aarsman, Iwan Baan, Eva Besnyö, Cas Oorthuys, Otto Snoek, and others spotlight each skilled and beginner views. Curated by Frits Gierstberg and Joop de Jong, the exhibition runs till May 24, 2026, and is accompanied by a publication from nai010.

Meanwhile, “Awakening in Blue: An Ode to Cyanotype” celebrates the wealthy, artisanal cyanotype approach. Featuring 15 modern artists who discover ecology, colonialism, and the physique by way of this historic course of, the exhibition bathes the galleries in a deep, resonant blue. Curated by MAISON the FAUX, it runs till June 7, 2026.

A translucent plastic bag is captured in white against a deep blue background, creating a cyanotype effect with crumpled textures and shadows highlighting the bag’s delicate, floating form.
Suzette Bousema, Future Relics 40, 2025
© Suzette Bousema

A Living Room for Photography

The floor flooring provides a café, library, museum store, and reception, accessible to all guests, ticket or not. Here, at what the museum has nicknamed a “living room for photography,” the visible artwork turns into a shared expertise, amplified by a brief movie by Rotterdam-based photographer Marwan Magroun, commissioned particularly for the reopening.

With its vertical galleries, open studios, and panoramic metropolis views, the brand new Nederlands Fotomuseum reimagines what a pictures museum may be: half archive, half laboratory, half civic salon. It stands as a monument not solely to the artwork of pictures but additionally to the ability of the picture to attach, problem, and encourage.


Image credit: Nederlands Fotomuseum, particular person artists as credited.


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