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At Presidio Park, with the Golden Gate Bridge within the background, Assistant Concertmaster Yuan-Qing Yu and bass Andrew Sommer snap some selfies.
Todd Rosenberg Photography
After a triumphant efficiency in Mesa, Arizona, the Chicago Symphony Orchestra’s West Coast Tour 2026 rolled on to the Bay Area for a weekend of live shows and actions.
After touchdown in San Francisco, CSO musicians loved a day of sightseeing within the City by the Bay, with stops at landmarks reminiscent of Coit Tower, the Golden Gate Bridge, the Presidio, Fisherman’s Wharf and naturally, the cable-car system, thought of the United States’ solely transferring National Historic Landmark. The system was designated as such in 1964 due to its significance in city transportation and as a logo of the town’s heritage.
The CSO used San Francisco as its weekend base for live shows in Berkeley (on Jan. 17), web site of the flagship of the University of California system, after which in Davis (on Jan. 18), house to a different U. of C. campus. The Davis live performance, in Jackson Hall of the Mondavi Center for the Performing Arts, marked a venue debut for the CSO.
Built in 1968, Zellerbach Hall consists of two fundamental theaters: the two,015-seat Auditorium and the 500-seat Playhouse. In Berkeley, the CSO carried out a program of Brahms, Stravinsky and Ravel, underneath Music Director for Life Riccardo Muti. The live performance was offered by Cal Performances, the performing arts presenting, commissioning and producing group based mostly on the University of California, Berkeley. The CSO and Muti beforehand carried out at Zellerbach Hall on Oct. 13-15, 2017.
Next up on West Coast Tour 2026 might be a live performance Jan. 21 on the McCallum Theatre in Palm Desert, adopted by one other venue debut, this time on the Younes and Soraya Nazarian Center in Northridge. #CSOonTour
CSO musicians Robert Chen (from left), John Sharp, Richard Hirschl and Ken Olsen strike an “Abbey Road”-like tableau as they roll their instances over an airport crosswalk.
Todd Rosenberg Photography
CSO violin Susan Synnestvedt flashes her finest “who, me?” look as she boards the flight to San Francisco..
Todd Rosenberg Photography
Ready for my closeup, Mr. Rosenberg: CSO viola Max Raimi heads for the departure gate at Sky Harbor Airport.
Todd Rosenberg Photography
Considered considered one of most stunning and iconic American bridges, the Golden Gate opened in 1937.
Todd Rosenberg Photography
The California Street cable-car line heads into San Francisco’s Financial District, which overlooks the Bay Bridge.
Todd Rosenberg Photography
The Powell & Mason cable-car line ends at Fisherman’s Wharf, one of many metropolis’s high points of interest, well-known for its seafood and buying.
Todd Rosenberg Photography
Rising atop Telegraph Hill, Coit Tower has been a logo of San Francisco since its completion in 1933.
Todd Rosenberg Photography
Darkness descends over Berkeley as CSO musicians head to Zellerbach Hall, web site of that evening’s live performance.
Todd Rosenberg Photography
Opened in 1968, Zellerbach Hall consists of two venues, with its fundamental auditorium seating simply over 2,000.
Todd Rosenberg Photography
Patrons bustle about within the spacious foyer of Zellerbach Auditorium.
Todd Rosenberg Photography
Before the live performance begins, bassoon Miles Maner snaps some photographs together with his cellphone.
Todd Rosenberg Photography
Danny Yehun Jin, assistant principal second violin, takes intention backstage.
Todd Rosenberg Photography
The live performance begins with Riccardo Muti, Music Director Emeritus for Life, main the CSO in Brahms’ Fourth.
Todd Rosenberg Photography
For this efficiency, the CSO horn part (from left) consists of David Griffin, Susanna Gaunt, James Smelser, Mark Almond (principal) and visitor musician Alex Love.
Todd Rosenberg Photography
Principal Clarinet Stephen Williamson (left) leans into Brahms’ Fourth Symphony.
Todd Rosenberg Photography
CSO brass part comes into view: trumpets John Hagstrom and Esteban Batallán (principal) and trombones Tim Higgins (principal), Michael Mulcahy and Charles Vernon.
Todd Rosenberg Photography
CSO trombone part (from left), Tim Higgins (principal), Michael Mulcahy and Charles Vernon take a bow.
Todd Rosenberg Photography
Concertmaster Robert Chen seems at centerstage in Divertimento, Suite from Stravinsky’s “The Fairy’s Kiss.”
Todd Rosenberg Photography
The Chicago Symphony Orchestra’s low strings, the cellos and double basses, come into sight.
Todd Rosenberg Photography
Kenneth Olsen (left), assistant principal, and John Sharp, principal, anchor the cello part.
Todd Rosenberg Photography
Vadim Karpinos (left) and David Herbert, principal timpani, spherical out the rhythm part.
Todd Rosenberg Photography
William Welter, principal oboe, takes a bow after the suite from Stravinsky’s “The Fairy’s Kiss” ends.
Todd Rosenberg Photography
Principal Percussion Cynthia Yeh solos on the snare drum in Ravel’s percussive “Boléro.”
Todd Rosenberg Photography
Maestro Muti leads the Chicago Symphony by the ultimate measures of Ravel’s “Boléro.”
Todd Rosenberg Photography
CSO stage technician Paul Christopher breaks down risers because the load-out course of begins.
Todd Rosenberg Photography
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