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‘Pay attention! This shit is real!” screams an on-screen warning at the start of this overstuffed horror-comedy-action outing. As much as the deadly fungus it foists on Earth, an outbreak of sardonic attitude runs rampant here. It falls to two bantering storage facility workers, played by Stranger Things’ Joe Keery and Barbarian’s Georgina Campbell, to include a possible apocalypse occasion – with intermittent high-grade thespian assist from Lesley Manville, Vanessa Redgrave and outdated trustworthy Liam Neeson. (Somebody clearly referred to as in a number of favours right here.)
Things kick off because the Skylab house station falls out of orbit in 1979 – one among its analysis containers winds up within the Australian outback. Fast-forward to the early 00s and a group of bioterror operatives, together with Robert (Neeson) and Trini (Manville), wipe out the virulent fungus that escapes – although not earlier than it turns one among them right into a human smoothie. But the Kansas facility the place they stow a pattern is later decommissioned, and the bottom ground transformed into storage lockers. Before you’ll be able to say “heinous government negligence”, night-shifters Teacake (Keery) and Naomi (Campbell) are itching to take a look at the random alarm sounding someplace behind the partitions.
Screenwriting maestro David Koepp, adapting his personal 2019 novel, could have been affected by a case of mind spores himself; he lets the movie feverishly propagate by means of a discipline-free mixture of simple pestilence thriller, Kevin Smith-esque wage-slave comedy and gleeful B-movie grossfest. The mutant mildew obeys no discernible guidelines apart from encouraging its hosts to distribute it in probably the most splatterhouse manner potential, from encrusting rat kings to self-skewering cats. Meanwhile, Keery’s ex-con and Campbell’s veterinary pupil are saddled with stretches of prolix wisecrackery that, due to the sheer quantity, hardly ever zings à la Shane Black.
Director Jonny Campbell, final seen in cinemas with 2006 poorly-received Ant and Dec comedy Alien Autopsy, retains the tempo frantic, all the way down to a Fight Club-style inner bodycam that programs alongside contaminated synapses. Not even Neeson, stocked to the gills with flinty quips (“We are at pucker factor 10”), introduces a lot rigour – particularly as he falls over each time he goes into motion. You can’t knock the cranial explosion depend, however solely as soon as does Cold Storage rise to making a extra insidiously disturbing second of parasitic horror: through the intro, when the digicam rises up above tin shack roofs to disclose the townsfolk all erupted like human pork crackling. Where it initially threatens to be a brand new The Thing, it lastly serves up sloppy zomcom; nearly sufficient for a Friday night time however not a lot else.
This web page was created programmatically, to learn the article in its unique location you’ll be able to go to the hyperlink bellow:
https://www.theguardian.com/film/2026/feb/20/cold-storage-review-mutant-mildew-plague-horror-comedy-stuffs-fun-into-the-fungi
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