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Vladislav Galgonek (14 May 1946 – 6 April 2026) was a Czech skilled photographer and photojournalist.[1]
Vladislav Galgonek was a local of the village of Horní Žukov, the place he spent his childhood and developed a optimistic relationship with nature that influenced each his private {and professional} life. He obtained his first digital camera from his uncle for Christmas whereas within the sixth grade, a second he thought-about life-changing. He was not solely in taking photographs but additionally within the growing course of; he arrange his personal novice darkroom within the lavatory, the place the enjoyment of seeing his first self-made prints left an enduring impression. To additional his expertise, he joined a pictures membership and purchased a greater digital camera, a Flexaret twin-lens reflex digital camera.
While his mom needed him to review to turn into a veterinarian, Galgonek was drawn to pictures and unsuccessfully utilized to the Film and TV School of the Academy of Performing Arts in Prague (FAMU). Following this, he studied at a secondary agricultural-technical college in Český Těšín, the place he continued to develop his craft and met his first well-known photographers. He continued taking photographs even throughout his army service in Mladá Boleslav, the place he served as a medic. After his service, he joined BorsodChem MCHZ (chemical plant in Ostrava), as he didn’t want to proceed in agriculture.
Knowing he needed to pursue pictures full-time, he accomplished a course in artwork pictures on the Jaroslav Ježek Conservatory (People’s Conservatory) between 1967 and 1969.[2] In 1971, he started his skilled profession as an artwork photographer on the Odra Mine in Ostrava.[3] On 1 February 1973, he joined the Czech News Agency (ČTK) in Prague, serving as a photojournalist for the Olomouc regional workplace. He continued to collaborate with ČTK even after his retirement.[1] Between 1981 and 1985, he lastly accomplished his research in reportage pictures at FAMU, the place he had been rejected as a younger man.[3]
Based within the Olomouc workplace, Galgonek was faraway from main political facilities, permitting him to concentrate on pictures relatively than political issues. Following the Velvet Revolution, he discovered larger skilled freedom as strict rules have been relaxed—permitting for the reporting of accidents, disasters, fires, spiritual issues, and even erotica. He significantly loved spiritual themes and any topic that allowed for a singular shot. Conversely, he discovered pure disasters tough, as he needed to face the struggling of individuals shedding their properties. He photographed each within the Czech Republic and overseas.[2]
Galgonek participated in quite a few exhibitions and competitions, notably with the group H 70, and arranged many solo exhibitions. He was a member of the Union of Visual Artists of the Czech Republic and the artwork group STŘET 2001.[3] Known for his dedication, he typically entered harmful places to seize high-quality pictures. He photographed well-known figures together with Pope John Paul II[1] and President Václav Havel.[2] His work was extremely regarded and obtained many awards, together with a number of from Czech Press Photo.[2] In June 2007, he was awarded the City of Olomouc Award for his contributions to high-quality arts and pictures.[4]
He most popular conventional pictures, together with growing and processing, and located the transition to digital pictures tough. He was extra keen on black-and-white pictures, which he felt was extra pure than shade, believing that shade “stole the spirit” of the {photograph}.[1] He was a photographer who took fewer however extra calculated photographs. In his personal life, he photographed nature as a stability to his skilled reportage work.[2]
Galgonek married twice; he had a son, David, from his first marriage and a daughter, Terezie, from his second.[2]
Galgonek died on 6 April 2026, on the age of 79.[5]
He held exhibitions starting within the Seventies, together with:[3]
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