A Decade in Focus: The Heartbeat of Jerusalem Through the Lens of a Dedicated Photographer


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A monochrome depiction divided in two: the left features a group of joyous nuns in religious habits with crosses; the right shows a young individual aiming a toy gun, silhouetted against a stone backdrop.
Ofir Barak

The Old City of Jerusalem is a site truly unlike any other globally. A significant center for all three Abrahamic faiths, the narrow cobblestone streets are alive with Christians, Muslims, and Jews.

Photographer Ofir Barak, a resident of the area, has focused on the religious passion that pervades the Old City: chronicling Christians at the Church of the Holy Sepulchre, Muslims praying at Al-Aqsa Mosque, and Jewish individuals leaving notes in the Western Wall.

“This subject is intricately woven into the tapestry of my everyday existence. Be it witnessing religious parades en route to my work or engaging in local cultural festivities, the city’s profound religious legacy is a constant reminder,” he shares with PetaPixel.

Through his art, Barak aims to “provide a distinctive and personal” viewpoint of Jerusalem that may not be appreciated by the multitudes of tourists who flock there each year.

“I am a third-generation resident here, and by investing considerable time in understanding these varied worlds,” he continues. “I endeavored to uphold meaningful relationships and to depict a more complex representation of Jerusalem.”

A black and white image of an ancient stone fortress with a tower, silhouetted against a cloudy sky. The structure displays crenellated walls and appears timeless and robust, invoking a sense of history and endurance.

A monochromatic picture of a group of individuals dressed in traditional attire, gathered outdoors beneath a draped canopy. The emphasis is on the attendees in the center, with surrounding hands and fabric partially depicted.

An aged wall exhibiting deteriorating paint and noticeable cracks. The surface showcases what seems to be a faded outline of a dome structure. The monochromatic texture highlights the vintage and distressed state.

A gathering of individuals dressed in uniforms resting on a stone pavement, some leaning against columns. They appear to be relaxing, with a few seated and one individual standing. The scene is captured in monochrome.

Monochrome image of an individual carrying bundles, strolling through a confined passageway between stone edifices, heading towards a substantial structure topped with a dome and a cross. Sunlight creates shadows throughout the scene.

A monochrome representation of an elderly figure with a lengthy beard, donning a headscarf and traditional garb, possibly from the Middle East. They appear contemplative, clutching a stringed instrument.

Barak’s endeavor, Old City Jerusalem, which he has published in a book format, represents the result of a decade spent documenting the historic city, during which his technical abilities have developed alongside his viewpoint on common human experiences.

“Although the religious and cultural distinctions among Jerusalem’s varied communities are evident, there exists a more profound layer of shared humanity that surpasses these separations,” he articulates.

“The intricacies of faith, while anchored in unique traditions, frequently give rise to surprisingly comparable manifestations of devotion and selflessness, regardless of the underlying religion.

“By immersing myself in the daily lives of these groups, I discovered that empathy and comprehension were more widespread than I had originally expected. It became apparent that in spite of the obstacles confronting the city as a whole, there is a powerful thread of optimism and endurance, along with an individual’s yearning for connection and coexistence.”

Barak states that in order to evade the pitfall some photographers encounter, becoming so well-acquainted with a location that it loses its inspiration, he would concentrate on a small section of the Old City for extended durations allowing him to “forge a deeper bond” with that area.

A man wearing a traditional cap stands in profile facing the Western Wall, filled with notes crammed into its crevices. The wall comprises large, textured stones. The scene is captured in black and white.

Monochrome image of two boys beside a stone wall. The foreground boy brandishes a toy firearm, posing as if to aim. The other boy stands in silhouette, observing the first. Graffiti adorns the wall.

Two youngsters positioned in front of an ancient stone arch embellished with intricate carvings and inscriptions. Sunlight casts striking shadows, emphasizing the ornate features of the architecture. The image is captured in black and white.

A collection of nuns clad in black habits and white collars, grouped together outdoors. They adorn crucifix necklaces, and some are smiling towards the camera. The background showcases a stone wall. The image is in black and white.

A monochrome image of a crowd traversing a narrow pathway, with some individuals carrying wooden crosses. The path is bordered by stone structures, and the atmosphere appears clear. The ambiance is somber and intent.

Monochrome portrayal of an individual navigating a cobblestone corridor in a dimly lit alley. The person is adorned in a hat and a lengthy garment, wielding an umbrella. The interplay of sunlight and shadows generates striking patterns on the pavement.

A monochromatic representation of an antique stone courtyard where a small child is seen pushing a stroller in the foreground. In the backdrop, a female figure stands by a doorway alongside two children. The structures feature arched windows and apparent wiring.

A monochromatic capture illustrates an ancient stone archway with a bird soaring through it. Below, a glass exhibition case houses a scroll and inscriptions on a large plaque, bordered by two vertical wooden structures.

Barak opted to pursue photography in 2014 after receiving a Leica M240 and a 50mm summicron lens as a present from his grandmother.

“In retrospect, choosing to utilize the rangefinder camera as a medium for my craft was a significant turning point, compelling me to accept its distinctive pros and cons,” he reflects. “For the most part, I have remained with this configuration ever since.”

Since then, Barak has also acquired the more advanced Leica M10 Monochrom, but notes that the camera “connects the analog essence with digital photography.”

Old City Jerusalem is currently available in hardback and can be acquired here. Further works by the photographer can be explored on his website and Instagram.


Image credits: Images by Ofir Barak




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